Honey Butter Riddim Is Serving Kompa Heat for Carnival 2026: Butter Up Your Playlist
By Ananda/Sokah2Soca
in
Blog
October 28, 2025
Dive deeper into Caribbean music and culture at Sokah2Soca — your go-to source for Soca, Calypso, and Carnival coverage. First published on Sokah2Soca, now streaming live via Island Vybe Radio.
As Carnival season intensifies, the Soca scene is exploding with new releases. We noticed that some of the newly released songs, including this album, have embraced sweet and sexy Kompa (Konpa) rhythms. We love the fusion. However, because of the constant and abundant music releases, we decided to do this post to feature all four songs on the album. Let's put it this way: we simply needed one buttery spotlight.
To be honest, I am not confident that Trinidad DJs and the general public will embrace this Kompa-infused rhythm for a Soca-based Carnival culture. I am keeping hope alive for his album as it relates to my Trini posse. This Honey Butter Riddim is not just another entry in the Carnival catalog—it’s a curated vibe. Produced, mixed, and mastered by N.M.G Music for Trinidad & Tobago’s 2026 Carnival. All guitar and bass licks are by Kyle Peters, lending to this Kompa-kissed riddim. The vibe is smooth, sweet, and unapologetically Caribbean. So instead of slicing it up, Sokah2Soca is serving the whole spread right here.
This album is not just a riddim—it’s a mood. A groove. This song serves as a tribute to the gentler side of Carnival. Let’s break it down:
- "OnlyFans"—Yung Bredda is surprising the Soca industry with his controlled sensual vocals on the Honey Butter Riddim. He is bringing joy to fans of the French-Creole musical style, effortlessly blending with the Kompa-infused production. After all, Kompa is Haiti’s sensual side gifted to the world, and Bredda knows how to honor that legacy. Lyrically, he’s all heart: “more than a lover,” “I am your only man”—this is intimacy with intention. The video adds visual heat by featuring dancers and a striking model who amplify the song’s romantic and energetic pulse. With over 46,000 views on YouTube in just 10 days, “Only Fans” is already making waves.
- “Butter”—Nadia Batson She’s not just singing—she’s sizzling. Nadia channels heat, desire, and that melt-in-your-mouth kind of passion. It is Kompa with a Soca soul, and it will have you slipping into something sweet.
- “Smooth Criminal”—Freetown Collective. There is no need to steal hearts when they are freely given. TThis song is for the lovers who know that vulnerability is strength. Freetown delivers tenderness with swagger, and we’re here for it.
- “Dancin”—Adam O. Weekend warriors, this is your anthem. Adam O invites you to leave the stress behind and step into joy. It has island vibes that are pure and simple—just press play and move.
- “No Complaints”—Preedy” Written by Josiah Noray, this mellow magnet pulls you close and keeps you there. It captures the essence of Carnival intimacy through slow wine, soft smiles, and a day that feels endless. No stress. No fuss. No complaints.
The Honey Butter Album/Riddim demonstrates that Carnival is not only about pace but also emphasizes the importance of rhythm. It's about emotions. It's about vibe. Sokah2Soca celebrates this buttery brilliance, along with the artists who brought it to life.
Let us spread awareness of the culture of the Caribbean diaspora.
We do this to promote Caribbean culture, musicians, and music producers. We are able to honor and promote the rich sounds and stories of the Caribbean thanks to your support. Together, we can ensure that this rich cultural legacy reaches a wider audience and fosters creativity and connections. While it is important to always purchase music, you should avoid sharing promotional music because doing so denies essential revenue to songwriters, producers, and artists. You can find all of our posts online on social media platforms like Facebook, YouTube, Instagram, Spotify, and SoundCloud. We recommend that you explore your favorite content on FeedSpot/RSS Feed, Threads, Bluesky, and Twitter/X, including email subscriptions. Thank you in advance.
Production Notes/Music Credits:
Song Title: Only Fans
Artist/Performed by: Yung Bredda
Written by: Jonesy
Song Title: Butter
Artist/Performed by: Nadia Batson
Honey Butter Riddim
Lyricists/Written by: Nadia Batson/Erikkson George
Composed by: Nikholai Greene
Song Title: Smooth Criminal
Artist/Performed by: Freetown Collective
Written by: Freetown Collective and Kit Israel
Song Title: Dancin
Performed by: Adam O
Written by Adam O
Preedy—No Complaints
Written by Josiah Noray
Background Vocals by Sariah Noray
All Songs:
Album Name: Honey Butter Riddim
Guitars and Bass by: Kyle Peters
Produced, Mixed and Mastered by: N.M.G Music
Released on: 2025-10-25
Origin: Trinidad, Republic of Trinidad & Tobago
Genre: Soca/Kompa Fusion ?
? Listen. Share. Amplify. Our artists embody culture not only during Carnival but also on a daily basis. Sokah2Soca—Where Rhythm Lives and Calypso, Steelband Music, and Soca Thrive!
We present the music here for your listening pleasure and promotional purposes only, adhering to the "Fair Use" Musical Content Copyright Disclaimer under Section 107 of the Copyright Act 1976. Sokah2Soca/Soca Music Blog © 1990 by Santiwah is licensed under CC BY-SA 4.0. To view a copy of this license, visit https://creativecommons.org/licenses/by-sa/4.0/.
♫ Please click the small triangle button in the music player below to listen now.
Tobago Carnival 2025 Parade of the Bands: Today is the Day!
By Ananda/Sokah2Soca
in
Blog
October 26, 2025
This post first appeared on Sokah2Soca, where Caribbean music meets wit, rhythm, and real talk. Island Vybe Radio spins the tunes—we decode the culture.
Tell your friends that today is the day! The Parade of the Bands is live from Tobago—a kaleidoscope of color, culture, and pure Carnival joy! Masqueraders are palancing (dancing and pure merriment on the streets) in costumes that kiss the sunshine and shimmer in every shade of the rainbow. The vibes? Soca music, along with some surprising Latin rhythms, creates a euphoric atmosphere. The artistry? The art is unrivaled; it embodies 'we culture,' the Caribbean's finest.
We are piggybacking from Tish's site, "I Am Living My Life," for today's events. Sokah2Soca invites the global diaspora to tune in and celebrate with us via the YouTube feed from Tish of I Am Living My Life. She’s bringing the magic straight to your screen—no charge, just vibes!
We have the video feed at the bottom of this post for your viewing pleasure. If you’re loving the broadcast, show your appreciation and support Tish’s incredible work:
- PayPal: paypal.me/iamlivingmylife
- Zelle: This email address is being protected from spambots. You need JavaScript enabled to view it.
- Venmo: @iamlivingmylife
Let’s honor the creativity, the community, and the Carnival spirit. Share the link, drop a comment, and let the music move you. Tobago, we see you—and we celebrate you!
Let us spread awareness of the culture of the Caribbean diaspora.
We do this to promote Caribbean culture, musicians, and music producers. We are able to honor and promote the rich sounds and stories of the Caribbean thanks to your support. Together, we can ensure that this rich cultural legacy reaches a wider audience and fosters creativity and connections. While it is important to always purchase music, you should avoid sharing promotional music because doing so denies essential revenue to songwriters, producers, and artists. You can find all of our posts online on social media platforms like Facebook, YouTube, Instagram, Spotify, and SoundCloud. We recommend that you explore your favorite content on FeedSpot/RSS Feed, Threads, Bluesky, and Twitter/X, including email subscriptions. Thank you in advance.
Production Notes/Music Credits:
Event: Tobago Carnival 2025 Parade of Bands
Live YouTube Video Broadcast by: Tish of "I Am Living My Life"
Origin: Tobago, Republic of Trinidad & Tobago
Genre: Soca ?
?Listen. Share. Amplify. Our artists embody culture not only during Carnival but also on a daily basis. Sokah2Soca—Where Rhythm Lives and Calypso, Steelband Music, and Soca Thrive!
We present the music here for your listening pleasure and promotional purposes only, adhering to the "Fair Use" Musical Content Copyright Disclaimer under Section 107 of the Copyright Act 1976. Sokah2Soca/Soca Music Blog © 1990 by Santiwah is licensed under CC BY-SA 4.0. To view a copy of this license, visit https://creativecommons.org/licenses/by-sa/4.0/.
♫Please click the small triangle button in the music player below to listen now.
M1’s “Glue” Is the Sweet Soca Vibe You’ll Still Be Playing After Carnival 2026
By Ananda/Sokah2Soca
in
Blog
October 23, 2025
Dive deeper into Caribbean music and culture at Sokah2Soca — your go-to source for Soca, Calypso, and Carnival coverage. First published on Sokah2Soca, now streaming live via Island Vybe Radio.
It seems that M1 has drawn inspiration from the brilliant lyrical well of Soca music, and he is releasing enjoyable tracks that we love here at Sokah2Soca. Every day, we check for new music releases for carnival 2026. Some songs are successful, while many others are not. We do understand that not every Soca song is built for the road. Some are built to linger—on your playlist, in your memory, and in that quiet moment when the Carnival dust has settled and you’re craving a vibe that still feels like home. “Glue” by Sherwin “M1” Jeremiah is exactly that kind of song.
Produced by Lashley “Motto” Winter of TeamFoxx out of Saint Lucia and engineered by Yannick Plante of Minor Productions, “Glue” is a standout on the Julie Mango Riddim—a riddim that already leans into sweetness and subtlety. But M1 takes it further, delivering a track that’s less about bacchanal and more about basking in the afterglow.
From the jump, “Glue” sets a mellow tone. The production is clean, the mix is tight, and the vocals? The vocals possess a smoothness akin to that of a ripe Julie mango. There’s no need for hype here—this is a song that slides into your spirit and stays there. This is M1's second song released in 2026, and along with "Do Yuh Ting," it showcases M1's artistry, dropping musical gems for his fans… and we are loving it all.
Lyrically, M1 portrays a picture of the "perfect girl"—a self-assured woman who doesn't seek attention or money and commands attention simply by her presence. The metaphor of “crazy glue” becomes a clever device, symbolizing the kind of magnetic pull that defies logic. She’s not just attractive—she’s adhesive.
And while the lyrics flirt with boldness—“small waist, flat belly, big batty”—there’s a wink of humor and a nod to health and self-respect. It’s cheeky, yes, but never crass. That balance is what makes “Glue” stick.
The track isn’t a jump-and-wave anthem. It’s a post-Carnival companion. This is the kind of track that you'll rediscover in July and wonder why you ever stopped playing it. It’s a reminder that Soca doesn’t always have to shout to be heard. Occasionally, it just has to feel right.
And this song? It does.
And this one? It does.
Let us spread awareness of the culture of the Caribbean diaspora.
We do this to promote Caribbean culture, musicians, and music producers. We are able to honor and promote the rich sounds and stories of the Caribbean thanks to your support. Together, we can ensure that this rich cultural legacy reaches a wider audience and fosters creativity and connections. While it is important to always purchase music, you should avoid sharing promotional music because doing so denies essential revenue to songwriters, producers, and artists. You can find all of our posts online on social media platforms like Facebook, YouTube, Instagram, Spotify, and SoundCloud. We recommend that you explore your favorite content on FeedSpot/RSS Feed, Threads, Bluesky, and Twitter/X, including email subscriptions. Thank you in advance.
Production Notes/Music Credits:
Song Title: Glue
Album: Julie Mango Riddim
Artist/Performed by: M1
Produced by: Lashley "Motto" Winter of TeamFoxx
Written by: Sherwin "M1" Jerimiah
Mixed and Mastered by: Yannick Plante of Minor Productions
Origin: Trinidad, Republic of Trinidad & Tobago
Genre: Soca ?
?Listen. Share. Amplify. Our artists embody culture not only during Carnival but also on a daily basis. Sokah2Soca—Where Rhythm Lives and Calypso, Steelband Music, and Soca Thrive!
We present the music here for your listening pleasure and promotional purposes only, adhering to the "Fair Use" Musical Content Copyright Disclaimer under Section 107 of the Copyright Act 1976. Sokah2Soca/Soca Music Blog © 1990 by Santiwah is licensed under CC BY-SA 4.0. To view a copy of this license, visit https://creativecommons.org/licenses/by-sa/4.0/.
♫Please click the small triangle button in the music player below to listen now.
Soca Synergy: HashimThaDream, Trini-Baby & KVG Unite on “How”
By Ananda/Sokah2Soca
in
Blog
October 23, 2025
This post first appeared on Sokah2Soca, where Caribbean music meets wit, rhythm, and real talk. Island Vybe Radio spins the tunes—we decode the culture.
Some songs hit you before you even know why. “How” by HashimThaDream is one of those tracks. "How" is produced by KVG and Trini-Baby, and it grabs you from the very first kick of the drum kit, delivering authentic Soca vibes.
HashimThaDream glides across the rhythm like a seasoned vet, delivering vocals that feel effortless yet emotionally charged. The lyrics? They sneak up on you. You’re vibing, then suddenly asking yourself, “How did I end up here?” The lyrics leave you captivated, confused, and perhaps even intoxicated. It’s a relatable spiral, wrapped in melody and groove. You heard the saying, "Don't drink and drive," but for this scenario it becomes, "Don't drink too much when Feting!"
Trini-Baby's production, engineering, and background vocals elevate the track's texture. KVG brings the heat, and Kyle Peters—yes, again!—lays down both lead guitar and bass. Does this man ever sleep?
Written by Bjorn Graham and Hashim Lewis, “How” is more than a question—it’s a mood. A Carnival keeper. A first-play catch. "One for the road."
I have the utmost respect for the entire team. If you’re curating your 2026 playlist, don’t sleep on this one.
Let us spread awareness of the culture of the Caribbean diaspora.
We do this to promote Caribbean culture, musicians, and music producers. We are able to honor and promote the rich sounds and stories of the Caribbean thanks to your support. Together, we can ensure that this rich cultural legacy reaches a wider audience and fosters creativity and connections. While it is important to always purchase music, you should avoid sharing promotional music because doing so denies essential revenue to songwriters, producers, and artists. You can find all of our posts online on social media platforms like Facebook, YouTube, Instagram, Spotify, and SoundCloud. We recommend that you explore your favorite content on FeedSpot/RSS Feed, Threads, Bluesky, and Twitter/X, including email subscriptions. Thank you in advance.
Production Notes/Music Credits:
Song Title: How
Artist/Performed by: HashimThaDream
Written by Bjorn Graham and Hashim Lewis
Produced by The KVG and Trini-Baby
Background Vocals by Hashim Lewis and Vernice “Trini-Baby.” Herreira ??/??
Live Guitars and Bass by Kyle Peters
Recorded by D. Mourice Callwood (RAVE Studios)
Mixed and Mastered by Vernice “Trini-Baby” Herreira
Origin: Trinidad, Republic of Trinidad & Tobago
Genre: Soca ?
?Listen. Share. Amplify. Our artists embody culture not only during Carnival but also on a daily basis. Sokah2Soca—Where Rhythm Lives and Calypso, Steelband Music, and Soca Thrive!
We present the music here for your listening pleasure and promotional purposes only, adhering to the "Fair Use" Musical Content Copyright Disclaimer under Section 107 of the Copyright Act 1976. Sokah2Soca/Soca Music Blog © 1990 by Santiwah is licensed under CC BY-SA 4.0. To view a copy of this license, visit https://creativecommons.org/licenses/by-sa/4.0/.
♫Please click the small triangle button in the music player below to listen now.
