Originally posted on the blog Sokah2Soca (www.sokah2soca.com). We bring you only the best new music, while Island Vybe Radio rocks it live on the air!

I was at the gym today, the second day now that winter is gone and I can tolerate walking to the gym in decent Spring  weather, I came across a sweet vibe that I have to share here. It is time to step out of the Soca and Calypso zone and bring you something I consider feel-good music. The song is titled "One More Time" by Juls x Sevana. I am not the type of person who needs to listen to Power Soca to work out— just good vibes. I anticipate receiving positive feedback from you all on this one. 

 

"One More Time" by Juls and Sevana is a 2022 release that blends lush production with sultry vocals, creating a warm, rhythmic atmosphere. The production, led by Juls, is minimalist and elegant, with a deep bass and delicate percussion. The melody is understated yet hypnotic, weaving a soothing and seductive atmosphere. 

 

Sevana's voice is the soul of the track, gliding effortlessly over the instrumental. The song is perfect for late nights, quiet moments, and introspection. It invites listeners to unwind and feel, making it a mood-setting and enchanting piece of music. Having had the opportunity to listen to the song, please let me know if you would be interested in future posts featuring similar music. 

Originally posted on the blog Sokah2Soca (www.sokah2soca.com). We bring you only the best new music, while Island Vybe Radio rocks it live on the air!

Originally posted on the blog Sokah2Soca (www.sokah2soca.com). We bring you only the best new music, while Island Vybe Radio rocks it live on the air!

 

The Mighty Shadow, born Winston Bailey, was a visionary calypsonian known for his unique style, blending calypso with a personal touch. His music, characterized by haunting basslines, hypnotic rhythms, and themes of introspection, fantasy, and social commentary, defied the norms of his time. His unique signature, "Bassman," "Dingolay," and "Poverty is Hell," defied the norms of his time. His legacy as one of Trinidad and Tobago's most innovative artists will live on forever.

 

The Truth about Shadow's Dream from Caribbean Insight TV YouTube Post:

Uncover the truth about Shadow's dream in this insightful look at his career and impact on the calypso world. Learn about his rivalry with Mighty Sparrow and Lord Kitchener, as well as his iconic Road March win in 1974.

 

CARIBBEAN INSIGHT TV's mission is to provide innovative, practical and top-quality programs that will serve as a conscious-raising vehicle and a  cultural organizing tool, identifying the social values and attitudes that equate to West Indian people. Our first responsibility is to the viewers watching our programs and the businesses that used our services to reach their target audience.

 

Winston McGarland Bailey (October 4th, 1941–October 23rd, 2018) was born in Belmont, a suburb of Port of Spain in Trinidad, but grew up in Les Coteaux, Tobago, with his grandparents. He started singing calypsos at the age of 8.

 

In 1970 he performed as part of the chorus in Mighty Sparrow's 'Young Brigade' calypso tent, and by the following year he had begun to establish himself as a calypsonian in his own right. He won the Road March in 1974 with "Bassman" (where he also placed second with "I Come Out to Play") by a record margin and won again in 2001 with "Stranger," making him the competition's oldest winner. [2] He won the Calypso Monarch contest in 2000 with "What's Wrong With Me" and "Scratch Meh Back."

 

He was the second calypsonian to win both the International Soca Monarch and the Trinidad Road March competitions simultaneously, a feat he accomplished in 2001 with "Stranger." He rivaled fellow calypsonians Mighty Sparrow and Lord Kitchener after winning the Road March in 1974.

 

He died on 23 October 2018 at the age of 77 at Mount Hope Hospital in St. Joseph, after suffering a stroke two days earlier.

 

Artist: SHADOW

• Columbus Lie
• Obeah
• If I Coulda
• Jump Judges Jump
• Pay De Devil
• Poverty Is Hell
• Pandora
• Feelin The Feeling
• Dorothy
• Soucouyant
• What is Life
• The Garden Want Water
• Tension

Featured Steelband: Invaders

SONG: Bassman

 

• Courtesy of CITV library 
• Courtesy of TTT
• Courtesy of WE TING 2
• Courtesy of CTV
• Courtesy of TV 4
• Courtesy TV 6
• Courtesy of 94.1
• Courtesy of Visual Arts Productions
• Courtesy of GBTV

Originally posted on the blog Sokah2Soca (www.sokah2soca.com). We bring you only the best new music, while Island Vybe Radio rocks it live on the air!

We tell our stories with Calypso. Today we have a Calypso story to tell you. When Kenny Phillips challenged Kurt Allen to come up with an after-carnival calypso, he took on the challenge and gave us "Doh Puck We Around." Today, after Kurt challenged Kenny Phillips to come up with the concept for a song and produce the music, a video of the 'music build' was posted to YouTube. This is Challenge 2 completed, but the song itself took three parts to make one whole song. Kenny felt deeply hurt when people accused him of being a "lick-bottom African" for taking a job to broadcast UNC political meetings. Aha, how about "Lick Bottom African" by Cro Cro and "Sugar Bum Bum" by Lord Kitchener? These two songs inspired the concept for a song titled "Lick A Bum Bum." It is a political/social commentary that addresses partisan politics and the calypsonian's role as a fearless commentator on societal issues. Kurt Allen is a genius songwriter, and he came up with a cleverly written song that addresses the issues without taking sides. 

 

The role of the Calypsonian is to address any issue, regardless of how controversial, without giving in to the pressures of race and politics. Do you recall what happened when Kurt performed for the Calypso semis this year? Those who felt he should not have sung "Your Turn Now" greeted him with toilet paper. While many in attendance chose sides, Kurt realized that the role of the Calypsonian is not to succumb to political pressure but to sing for the people and remain impartial but certainly very fearless. Kurt understands that he is not just an entertainer but a historian, a messenger, and most certainly, the voice of the people. He makes sure to explain his thought process before recording the vocals for the song. We posted the unedited version apart from the YouTube video of the project. 

 

Kenny took his hurt feelings and produced a song along with Kurt's brilliant lyrics that should educate those who labeled him a 'Lick Bottom African.' Kenny took a concept of a song and replied to Cro Cro's song with a Lord Kitchener Sugar Bum Bum vibe. Then the song, the music takes off and we have a new after-carnival gem just in time for this rabid political season.

 

The video provides an insight into the production of a song. In the realm of Calypso and Soca, it's uncommon to witness such a process, but this video unveils the hidden formula! The video itself is a testament to the creative process and the power of collaboration. It showcases the dynamic interplay between Allen's lyrical prowess and Kenny's musical genius. Viewers get a front-row seat to the creation of a calypso masterpiece as they navigate the complexities of the song's theme.

 

This song serves as a poignant reminder for everyone. Kurt's idea to respond to Cro Cro's song is brilliant and should engage anyone listening to remind us that we should unite instead of trying to belittle those with different views. Kurt's message to the supporters of the People's National Movement (PNM) and the United National Congress (UNC), who are increasingly pressured to pick sides based on race and identity politics, is unity makes us all stronger. In this charged atmosphere, Allen's vision is a call for calypsonians to rise above the fray and remind their audiences of the art form's true purpose.

 

This song, released after Carnival, is sure to stir up controversy and spark discussions. But that's precisely the point. Allen's challenge serves as a reminder of the calypsonian's enduring legacy as a fearless commentator and unifier, particularly in a time when politics threaten to create a rift between communities. We are about to learn a lesson from The Last Bardjohn of Calypso that we won't soon forget.