Ananda/Sokah2Soca
This post first appeared on Sokah2Soca, where Caribbean music meets wit, rhythm, and real talk. Island Vybe Radio spins the tunes—we decode the culture.
It’s not overcast today—but let’s make it “Rane” with sweet, sweet Soca! It's a Soca match made for the diaspora, Rane x De Red Boyz and we have Sweet Soca Magic to kick off Carnival 2026.
Carnival 2026 just got a whole lot sweeter with the release of “My Party” by the sensational Rane! This track is pure Caribbean sunshine—bright, bold, and bubbling with vibes. Produced by the legendary Trini-Bajan hitmakers De Red Boyz out of Barbados and penned by Trinidad’s lyrical genius Azaryah, this tune is soaked in island soul and ready to mash up the road!
Sweet like sugarcane, hot like a Savannah fete, and smooth like coconut water on a Carnival morning—“My Party” is a certified Sokah2Soca banger. From the first beat drop, you’ll feel the rhythm calling your waistline to action.
Our Island Vybe Radio DJs gave it the full stamp of approval—this one’s on heavy rotation alongside the freshest Soca releases for Carnival 2026 in sweet T&T. If you love Soca, you need to be locked in!
Don’t miss Nikki G, the unmistakable voice behind countless Soca hits, vibing to this groove and chatting it up with Rane in her latest interview. Follow Nikki G on all socials and get the inside scoop on the making of this Carnival anthem.
Whether you’re wining in Port of Spain, jumping up in Brooklyn, or liming in London—“My Party” is the soundtrack to your Carnival soul. It’s got that groove to move across the diaspora, and according to Farmer Nappy and De Red Boyz, this one already has a stamped passport!
So go ahead—press play, buss a wine, and let the music "Rane" down. Share this post far and wide, because this is our music. Love it. Promote it. Live it.
Let us spread awareness of the culture of the Caribbean diaspora.
We do this to promote Caribbean culture, musicians, and music producers. We are able to honor and promote the rich sounds and stories of the Caribbean thanks to your support. Together, we can ensure that this rich cultural legacy reaches a wider audience and fosters creativity and connections. While it is important to always purchase music, you should avoid sharing promotional music because doing so denies essential revenue to songwriters, producers, and artists. You can find all of our posts online on social media platforms like Facebook, YouTube, Instagram, Spotify, and SoundCloud. We recommend that you explore your favorite content on FeedSpot/RSS Feed, Threads, Bluesky, and Twitter/X, including email subscriptions. Thank you in advance.
Production Notes/Music Credits:
Song Title: My Party
Album: Tek One Riddim
Artist/Performed by: Sherane 'Rane' Blackman
Written by: Seamus 'Azaryah' Callendar
Produced by: De Red Boyz
Music Composed by: Scott Galt and Michael Hulsmeier
Guitar by: Barry 'Barman' Hill and Scott Galt
Mixed and mastered by Anthony Lowhar at Commercial Music Inc.
Origin: Barbados/USA/Trinidad, Republic of Trinidad & Tobago
Genre: Soca ?
?Listen. Share. Amplify. Our artists embody culture not only during Carnival but also on a daily basis. Sokah2Soca—Where Rhythm Lives and Calypso, Steelband Music, and Soca are thriving!
We present the music here for your listening pleasure and promotional purposes only, adhering to the "Fair Use" Musical Content Copyright Disclaimer under Section 107 of the Copyright Act 1976. Sokah2Soca/Soca Music Blog © 1990 by Santiwah is licensed under CC BY-SA 4.0. To view a copy of this license, visit https://creativecommons.org/licenses/by-sa/4.0/.
♫Please click the small triangle button in the music player below to listen now.
Dive deeper into Caribbean music and culture at Sokah2Soca — your go-to source for Soca, Calypso, and Carnival coverage. First published on Sokah2Soca, now streaming live via Island Vybe Radio.
We haven't posted any Chutney Soca in a while, but that changes with this post. The tune is new music from the artist known as Tony Cuttz; the song was written by Neil J. Maraj and produced, mixed and mastered by Drew @Fabuloussoundz. If you have not listened to Chutney Soca in a while, this song may confuse you a bit. Let's discuss this.
What is this music style?
We haven’t posted Chutney Soca in a while, but this one demanded our attention. The latest release, "I Is Trouble," comes from Tony Cuttz and was written by Neil J. Maraj, with production, mixing, and mastering done by Drew @Fabuloussoundz. It’s not your typical Chutney Soca—and that’s precisely why we’re talking about it.
What’s the vibe here?
Yes, it’s Chutney Soca. But is it just that? Or are we hearing something more nuanced—something: the sound isn’t your typical Chutney Soca”? It’s smoother. Softer. More introspective. We’re calling it "Groove Chutney Soca." The arrangement is mellow, the instrumentation soothing, and the overall feel leans into emotional storytelling rather than bacchanal energy. It’s a mood piece, not a jump-up anthem.
The lyrics feel like lived experience.
This songwriter may have experienced this scenario before because he captured the story as if it were his experience. Perhaps he has truly experienced this, or he is simply very creative. The song is about a difficult relationship. The relationship is challenging because the partner's family holds a negative opinion of the suitor. The song tells of the heartbreak and pain the relationship is causing him. But despite the hardship, he confesses his love for the young lady, who simply appears to be enjoying the adoration. The lyrics spell out the dilemma he is facing: "They said that I am mad" and “They say that I am crazy" speak to the pain he is experiencing and social disapproval leveled by her parents. But through it all he remains determined to make the situation work.
Did the title make sense to you? 'Trouble' as in "I am Trouble?"
Trouble for this song simply holds true for the situation the relationship finds itself in. The singer's partner's family disapproves of them, explicitly saying, "They said that I am mad. They say that I am crazy." Despite this conflict and the trouble the singer brings, they consistently express their love for their partner. In the song, "I am trouble" may mean "I caused this difficult situation."
Why we’re posting this
Chutney Soca has massive audiences in Trinidad, Guyana, Suriname, New York, Toronto, and India. And while Sokah2Soca doesn’t often spotlight the genre, "I Is Trouble" offers something fresh. It’s introspective, musically refined, and culturally resonant. If this is where Chutney is heading, we’re here for the ride.
So tell us, is this Groove Chutney Soca something you can vibe with? Does this style speak to you? Now tell us what you think about our take on the song and if you want us to post more Chutney Soca songs.
Let us spread awareness of the culture of the Caribbean diaspora.
We do this to promote Caribbean culture, musicians, and music producers. We are able to honor and promote the rich sounds and stories of the Caribbean thanks to your support. Together, we can ensure that this rich cultural legacy reaches a wider audience and fosters creativity and connections. While it is important to always purchase music, you should avoid sharing promotional music because doing so denies essential revenue to songwriters, producers, and artists. You can find all of our posts online on social media platforms like Facebook, YouTube, Instagram, Spotify, and SoundCloud. We recommend that you explore your favorite content on FeedSpot/RSS Feed, Threads, Bluesky, and Twitter/X, including email subscriptions. Thank you in advance.
Production Notes/Music Credits:
Song Title: I Is Trouble
Artist/Performed by: Tony Cuttz (Remesh Brijnauth)
Written By: Neil J. Maraj
Produced, Mixed And Mastered By: Drew @ Fabuloussoundz
Origin: Suriname/Guyana
Genre: Chutney Soca ?
?Listen. Share. Amplify. Our artists embody culture not only during Carnival but also on a daily basis. Sokah2Soca—Where Rhythm Lives and Calypso, Steelband Music, and Soca are thriving!
We present the music here for your listening pleasure and promotional purposes only, adhering to the "Fair Use" Musical Content Copyright Disclaimer under Section 107 of the Copyright Act 1976. Sokah2Soca/Soca Music Blog © 1990 by Santiwah is licensed under CC BY-SA 4.0. To view a copy of this license, visit https://creativecommons.org/licenses/by-sa/4.0/.
♫Please click the small triangle button in the music player below to listen now.
This post first appeared on Sokah2Soca, where Caribbean music meets wit, rhythm, and real talk. Island Vybe Radio spins the tunes—we decode the culture.
Yung Bredda is on fire again and enjoying it "Inch by Inch!" Get ready to clear some space on your Carnival playlist—and your dance floor—because Yung Bredda just dropped a certified banger with "Inch by Inch." When you see a credits list featuring two powerhouses like Scott Galt (of De Red Boyz fame) and Jason “Shaft” Bishop (he sang one of my favorite songs, "Breadfruit"), you know you’re not just getting a song; you’re getting a rhythmic blueprint for a hit.
The A-Team Behind the Groove
Talking about the blueprint for a hit song. We should take note of the following: Scott Galt and Jason “Shaft” Bishop are legends in the game, and their shared role as composers and producers on "Inch by Inch" delivers nothing short of perfection. The track locks into that sweet spot: a Groovy Soca tempo that’s fast enough to keep the energy soaring but smooth enough to truly whine to.
The production is absolutely pristine. It reminds me of that De Red Boyz vibe—crisp, danceable, and spicier (credit genius.com/artists/De-red-boyz). Galt and Bishop engineered a beat that feels sexy and inviting, allowing the bassline to groove deep into your core. Scott Galt adds a subtle, refined touch with his clean guitar work, which weaves in and out of the synth melodies, elevating the entire arrangement (signature Red Boyz sound). This isn't just background music; this is a carefully calculated rhythmic engine designed for maximum enjoyment, with sharp, crisp percussion driving the tempo relentlessly forward.
Sensual Lyrics Meet Charismatic Flow
The infectious nature of the music is matched by the sharp writing of Jason "Shaft" Bishop. The track’s brilliance lies in its delicious double entendre: the title "Inch by Inch" and the lyrics playfully disguise a sensual, measured progression of two young people getting closer as a cheeky "tailoring episode." This is classic Soca wit, where the intimate, playful theme is immediately relatable and translates flawlessly into an irresistible command for movement and wining in the fete. To say it bluntly, it is vice disguised cleverly to lure you into the vibe only to find out, damn... that is what this is about!
Yung Bredda steps into this groove and absolutely owns it. His vocal delivery is commanding, playful and yes, full of fun, navigating the tight rhythm with an effortless flow. He knows exactly when to lean back into the groove and when to inject those subtle ad-libs and vocal runs that whip the crowd into a frenzy just before the chorus drops. The hook is simple, sticky, and built to be chanted back by thousands of revelers on the road. I am so amazed by his progress and with the Bajan connection, he will continue to rise the way Farmer Nappy did... success is guaranteed with hard work.
Final Verdict: Prepare for Impact
"Inch by Inch" is a calculated success that perfectly blends elite production with modern star power. Scott Galt and Jason Bishop have delivered the flawless foundation, and Yung Bredda brings the charisma to make it explosive.
One last thing before we conclude this post. Kudos to Optimus Productions TT LTD; they have a star locked and then this: did you notice that the video shoot took place in Paramin? My good friend Gailos pointed that out to me... she is a child of the area! Kudos to Shania Perez, Michael Lewis and Ian Davis, all of whom were involved with the video production.
There is no doubt about this song’s destiny: a surefire party favorite and chart topper. It may not be a song for the road but it will be heard blaring from cars on 'de road'! Expect "Inch by Inch" to dominate DJ sets, push sound systems to their limits, and be the soundtrack to your most memorable Carnival moments. This is must-add music!
Let us spread awareness of the culture of the Caribbean diaspora.
We do this to promote Caribbean culture, musicians, and music producers. We are able to honor and promote the rich sounds and stories of the Caribbean thanks to your support. Together, we can ensure that this rich cultural legacy reaches a wider audience and fosters creativity and connections. While it is important to always purchase music, you should avoid sharing promotional music because doing so denies essential revenue to songwriters, producers, and artists. You can find all of our posts online on social media platforms like Facebook, YouTube, Instagram, Spotify, and SoundCloud. We recommend that you explore your favorite content on FeedSpot/RSS Feed, Threads, Bluesky, and Twitter/X, including email subscriptions. Thank you in advance.
Production Notes/Music Credits:
Song Title: Inch By Inch
Artist/Produced by: Yung Bredd
Produced by Jason "Shaft" Bishop and Scott Galt for Dream Team Productions
Written by: Jason "Shaft" Bishop
Music composed by Jason "Shaft" Bishop and Scott Galt
Recorded by: Optimus Productions TT LTD
Guitar by Scott Galt
Backing vocals by Rochelle Griffith
Vocal Editing by: VocalDini
Mixed and mastered by: Anthony Lowhar @ Commercial Music Inc.
Origin: Barbados/Trinidad, Republic of Trinidad & Tobago
Genre: Soca ?
Video Credits:
Directed / Produced by: Shania Perez
Shot by: Michael Lewis and Ian Davis
Edited by: Michael Lewis
Filmed at Paramin, Trinidad
?Listen. Share. Amplify. Our artists embody culture not only during Carnival but also on a daily basis. Sokah2Soca—Where Rhythm Lives and Calypso, Steelband Music, and Soca Thrive!
We present the music here for your listening pleasure and promotional purposes only, adhering to the "Fair Use" Musical Content Copyright Disclaimer under Section 107 of the Copyright Act 1976. Sokah2Soca/Soca Music Blog © 1990 by Santiwah is licensed under CC BY-SA 4.0. To view a copy of this license, visit https://creativecommons.org/licenses/by-sa/4.0/.
♫Please click the small triangle button in the music player below to listen now.
Dive deeper into Caribbean music and culture at Sokah2Soca—your go-to source for Soca, Calypso, and Carnival coverage. First published on Sokah2Soca, now streaming live via Island Vybe Radio.
We go back to move forward. What is old is new again. This remix of “Bye to the Old Me” by Shelly x Nice x Pudaz is about to make waves. It’s about to make waves all the way to the bottom of the Caribbean. If you are a fan of "Signal Band" music, then this track is going to make your day.
The track isn’t a new song—but it will be for Trinidad. Why? Because most Trinis haven’t heard it yet. It never got radio play. But then again, Bouyon rarely gets love on Trini radio. That’s about to change.
This is because music transcends charts. It’s about feeling, vibe, and message. And this song has all three and then some... it is timeless, timely, and transformative. Not all change is good, but good music is so infectious and good for the soul. This is Sokah2Soca approved!
The Hook That Hits Home - This song features a hook that everyone will love and sing along to: “Bye, bye, bye to the old me.” It is simple. It is wicked. And yes, it is very contagious. It’s the kind of line that sticks in your head and your heart. Everyone is searching for change—whether it’s leaving an uncomfortable relationship, cutting off dead weight, or stepping into a new version of themselves. This song taps into that energy and gives it rhythm.
Bouyon Built for Motion—If you are not a fan, you will soon become one and understand the energy that this music brings. Bouyon is movement music. It’s waistline music. It’s forward motion—and that’s precisely what this song is about. It’s emotional, it’s energetic, and it’s ready for the road.
This song resonates deeply with me, bringing to mind the events of Carnival 2025 in Trinidad. Just like “Blessings” by Blaka Dan crept into Carnival 2025 and took over, “Bye to the Old Me” is poised to do the same for 2026. It’s not hype—it’s prophecy!
Carnival 2026 Needs This Song
- For the sunrise fetes and the late-night limes
- For the gym playlists and the “new year, new me” captions
- For the people who’ve been through it and are ready to rise
This is more than a remix. It’s a reset.
If you’re a DJ, a promoter, or a content creator, please take note. This is the one to watch. Don't overlook this opportunity. Don’t wait for radio. Let the streets decide. Bye to the old me. Hello to the new wave.
Let us spread awareness of the culture of the Caribbean diaspora.
We do this to promote Caribbean culture, musicians, and music producers. We are able to honor and promote the rich sounds and stories of the Caribbean thanks to your support. Together, we can ensure that this rich cultural legacy reaches a wider audience and fosters creativity and connections. While it is important to always purchase music, you should avoid sharing promotional music because doing so denies essential revenue to songwriters, producers, and artists. You can find all of our posts online on social media platforms like Facebook, YouTube, Instagram, Spotify, and SoundCloud. We recommend that you explore your favorite content on FeedSpot/RSS Feed, Threads, Bluesky, and Twitter/X, including email subscriptions. Thank you in advance.
Production Notes/Music Credits:
Song Title: Bye to the Old Me
Artists/Performed by: Shelly, Nice, Pudaz
Written by: Sheldon Alfred, Miguel Hussey, Udi Prince
Composed & Engineering by: Dernel “Dernz” Green
Additional Riddim Programming by: Fr3EzE
Live Bass Guitar: Giovannie “Gio” Green
Background Vocals by: Darren Green, Dernel Green, Giovannie Green, Liam Sebastien
Genre: Bouyon ?
?Listen. Share. Amplify. Our artists embody culture not only during Carnival but also on a daily basis. Sokah2Soca—Where Rhythm Lives and Calypso, Steelband Music, and Soca Thrive!
We present the music here for your listening pleasure and promotional purposes only, adhering to the "Fair Use" Musical Content Copyright Disclaimer under Section 107 of the Copyright Act 1976. Sokah2Soca/Soca Music Blog © 1990 by Santiwah is licensed under CC BY-SA 4.0. To view a copy of this license, visit https://creativecommons.org/licenses/by-sa/4.0/.
♫Please click the small triangle button in the music player below to listen now.
