Originally posted on the blog Sokah2Soca (www.sokah2soca.com). We bring you only the best new music, while Island Vybe Radio rocks it live on the air!
Today, we are reviewing our music selections to avoid becoming complacent and overlooking our beloved Bouyon music. For this post, we feature a mixtape by DJ Sonsonn that will definitely have you dancing at your place of work, at home or if you are just hanging out with friends.
Bouyon music is vibes and energy, and this mixtape delivers both attributes. For all our Soca music fans, we invite you to revel in the music and feel the heat brought by this Bouyon mixtape. Don't forget to share this post on all social media platforms. Let Bouyon music conquer the world!
Let us promote the culture of the Caribbean diaspora.
Our mission is to advance music producers, performers, and Caribbean culture. Your support helps us celebrate and elevate the vibrant sounds and stories of the Caribbean. We can all work together to make sure that this rich cultural legacy continues to inspire creativity and connection while reaching a larger audience. You should always purchase music for sale but refrain from sharing promotional music, as it deprives the artists, producers, and songwriters of vital income. Please note that all our posts can be accessed online via social media sites like Facebook, YouTube, Instagram, and SoundCloud. We recommend exploring your favorite content on FeedSpot/RSS Feed, Threads, Bluesky, and Twitter/X, including email subscriptions. Thank you in advance.
Production Notes/Music Credits:
Mix Title: Bouyon Shatta
Curated & Mixed by: DJ Sonsonn
Origin: Dominica
Genre: Bouyon
We present the music here for your listening pleasure and promotional purposes only, adhering to the "Fair Use" Musical Content Copyright Disclaimer under Section 107 of the Copyright Act 1976. Sokah2Soca/Soca Music Blog © 1990 by Santiwah is licensed under CC BY-SA 4.0. To view a copy of this license, visit https://creativecommons.org/licenses/by-SA/4.0/.
♫ Please click the music player button below to listen now (a small triangle in the music player/TV frame).
Originally posted on the blog Sokah2Soca (www.sokah2soca.com). We bring you only the best new music, while Island Vybe Radio rocks it live on the air!
Just when you thought that all the new music releases had happened and that you would have to wait until summer for more, we have the release of a new album from music producer GusBus. The name of the album is "My Heart Riddim" and features some names that you may not be familiar with unless you are a die-hard fan or from the region dominated by these artists: Derek Tavernier, Stroka, Dennis De Messis and I-Bari.
There is a new trend happening in the Soca music industry where the name of the producer is included with the name of the artist as the 'singer/artist' for the songs. This means that each music release lists both the artist and producer, separated by an "x," indicating their collaboration. Just keep in mind that the music production is the work of the producer, and the vocals are the initials for the music release.
The "My Hear Riddim" is a Groove Soca music album. It is time that we show some interest not only in the singers from smaller markets but also in good Soca music. Please listen to the songs on this album and share your thoughts, positive or negative, here on Sokah2Soca or on the artists YouTube pages. Now, even though I am a fan of Trinidad Groove Soca, we simply cannot be insular and avoid music from other territories. Trinidad had an unusually good year for Groove Soca. Let's start paying attention to new Soca from 'Up-de-Islands' and add some gems to our playlist.
Remember, the next generation of artists depends on us, the consumers! If we seek and share songs that we like, then the name of the artist will become familiar, and their music will be sought. It will not hurt, but it will only help if we buy the song for a dollar rather than beg, search, or just cut it from YouTube. If you would like a quality version of the song, please consider purchasing it to support the artist.
Please remember to share this post with your social media peers and help grow Sokah2Soca. By expanding our musical horizons, we can discover fresh sounds and unique styles that enrich the Soca experience. Together, let's celebrate the diversity of this vibrant genre and elevate the artists who contribute to its evolution.
Let us promote the culture of the Caribbean diaspora.
Our mission is to advance music producers, performers, and Caribbean culture. Your support helps us celebrate and elevate the vibrant sounds and stories of the Caribbean. We can all work together to make sure that this rich cultural legacy continues to inspire creativity and connection while reaching a larger audience. You should always purchase music for sale but refrain from sharing promotional music, as it deprives the artists, producers, and songwriters of vital income. Please note that all our posts can be accessed online via social media sites like Facebook, YouTube, Instagram, and SoundCloud. We recommend exploring your favorite content on FeedSpot/RSS Feed, Threads, Bluesky, and Twitter/X, including email subscriptions. Thank you in advance.
Production Notes/Music Credits:
Album Title: My Heart
Artist/Performed by: Derek Tavernier x GusBus
Album: My Heart Riddim
Music Production: Simon "GusBus" Lettsome Jr
Guitar by: Kyle Peters (Trinidad)
Origin: Dominica
Genre: Soca
The album delivers four songs from a diverse cadre of singers and includes the following:
- My Heart—Derek Tavernier x GusBus
- Let You Go—Stroka x GusBus
- Do It All Again—Dennis De Mennis x GusBus
- Feel Like Fete—I-Bari x GusBus
We present the music here for your listening pleasure and promotional purposes only, adhering to the "Fair Use" Musical Content Copyright Disclaimer under Section 107 of the Copyright Act 1976. Sokah2Soca/Soca Music Blog © 1990 by Santiwah is licensed under CC BY-SA 4.0. To view a copy of this license, visit https://creativecommons.org/licenses/by-SA/4.0/.
♫ Please click the music player button below to listen now (a small triangle in the music player/TV frame).
"Doh Puck Around"—A Calypso Masterpiece by The Last Bardjohn and Kenny Phillips
By Ananda/Sokah2Soca
in
Blog
March 22, 2025
Originally posted on the blog Sokah2Soca (www.sokah2soca.com). We bring you only the best new music, while Island Vybe Radio rocks it live on the air!
"Ah, wanna fly"—no one does it like Kurt Allen, aka "The Last Bardjohn of Calypso," and today we present the process that so many of us take for granted. The calypso process: how it is done from concept to actual recording. Today we present "Doh Puck Around" by Kurt Allen and Kenny Phillips. Kurt Allen's magical calypso brain came up with the idea to use the game of hockey as part of the layering process for the song. Now let's get to it.
The Calypsonian is the voice of the people! Keep that in mind as you listen to the song and watch the process of making and performing "Doh Puck Around." The world has been turned upside down with the change of administration in the US; your friends are now enemies, and your enemies can do as they want without repercussions. In light of this, two seasoned professionals have combined their creative talents to create the Calypso masterpiece "Doh Puck Around." Today's iteration of Calypso has been criticized as bad, and if you ask Chalkdust, he will not have kind words for the new songs. For that reason, one can discern that this song goes back to the Calypso well of 'well done' and is truly a testament to the art form's artistry and significance of the Calypsonian and Calypso artform.
While many may not recognize Kenny Phillips' genius, we must acknowledge that he paved the way for the careers of well-known artists such as Machel Montano, Drupatee Ramgoonai, and Rikki Jai and others. Additionally, he was instrumental in accelerating the beat rate of Soca music. So fast forward to the day this song was recorded. Kenny composed the music, a captivating classical calypso rhythm, while Kurt skillfully captured this historical moment with lyrics that would make a politician shudder. Kurt used wordplay and classic double entendre to express the feeling of the Caribbean in the words of the US president without being rude and crude. In so doing, Kurt hit the sweet spot lyrically, thereby engaging the listener on levels understood by calypso aficionados and the casual listener.
While many will just listen to the song and enjoy it, it is important to understand the process and use of double entendre used in the process. YouTube documents the song's development and recording process. Here, the background process of the journey to create a classic calypso is presented to you. While the concepts of the song were in Kurt's head, the music and recording process are shown for those interested in making a song— it was long overdue!
Without fear or favor toward anyone, the role of the Calypso shines brightly in this song. Just as Kurt did for his Calypso monarch when he took on the prime minister, this song shows the power of Calypso—not just to inform, tease, entertain, and even inspire people; it shows how relevant Calypso is and continues to be today. Enjoy this crafty and well-orchestrated Calypso, and don't forget to share this post on social media with your peers.
Let us promote the culture of the Caribbean diaspora.
Our mission is to advance music producers, performers, and Caribbean culture. Your support helps us celebrate and elevate the vibrant sounds and stories of the Caribbean. We can all work together to make sure that this rich cultural legacy continues to inspire creativity and connection while reaching a larger audience. You should always purchase music for sale but refrain from sharing promotional music, as it deprives the artists, producers, and songwriters of vital income. Please note that all our posts can be accessed online via social media sites like Facebook, YouTube, Instagram, and SoundCloud. We recommend exploring your favorite content on FeedSpot/RSS Feed, Threads, Bluesky, and Twitter/X, including email subscriptions. Thank you in advance.
Production Notes/Music Credits:
Song Title: Doh Puck Around
Artist/Performed by: Kurt Allen
Sobriquet: The Last Bardjohn of Calypso
Written by: Kurt Allen
Produced by: Kenny Phillips
Mixed and Mastered by: KMP Music Lab
Recorded at: KMP Music Labs
Origin: Trinidad, Republic of Trinidad & Tobago
Genre: Calypso
We present the music here for your listening pleasure and promotional purposes only, adhering to the "Fair Use" Musical Content Copyright Disclaimer under Section 107 of the Copyright Act 1976. Sokah2Soca/Soca Music Blog © 1990 by Santiwah is licensed under CC BY-SA 4.0. To view a copy of this license, visit https://creativecommons.org/licenses/by-SA/4.0/.
♫ Please click the music player button below to listen now (a small triangle in the music player/TV frame).
"Good Spirits" by Full Blown: A Songwriter's Masterclass in Subtle Dissing?
By Ananda/Sokah2Soca
in
Blog
March 22, 2025
Originally posted on the blog Sokah2Soca (www.sokah2soca.com). We bring you only the best new music, while Island Vybe Radio rocks it live on the air!
Just when you believe you understand everything, "Mouth open and story jumps out!" Did you enjoy listening to the Big Links Riddim produced by Full Blown Entertainment? I did, and as a matter of fact, I rated "Big Links Riddim" and "Tilden Hall Riddim" as the top riddims for Carnival 2025 early in the season. I recall engaging in a conversation with the Island Vybe DJs, and, along with one other DJ, expressing the fact that we felt "Good Feelings" was our song of choice from the album. Soon after the release of the album, Yung Bredda's "Greatest Bend Over" took off, but I remained steadfast in my belief that lyrically "Good Spirits" was the best written song from the album." I had no idea that an expose would emerge after the carnival, disrupting the conversation. The name of the song implied what it said: positive feelings! But breaking recently, "Talks with KG" explained that we don't really know what the song is really about, and damn, what a revelation!
If KG's explanation is accurate and realistic, then the lyrics of "Good Spirits" are a masterful lyrical takedown, expertly performed and delivered, something most of us never anticipated. What a revelation, ! KG has done well here and created a stir that would have most of us simply saying, Damn! Burning bridges in the business of Soca happens, but I always knew that we should all learn to 'pick our fights.' My advice to Voice, now that this is out on social media, is simply this: 'Don't confirm or deny anything; simply put, no comment."
KG seemed to take pleasure in breaking down the song and the classic diss from Full Blown, exposing Voice as a friend turned disappointment for the Full Blown brothers. He detailed, with video clips of the song, Full Blown's exceptional songwriting skills, showing how they expertly utilized the calypsonians double entendre artform to deliver some gayelle bois strikes with the power of the pen rather than a pouis stick. It was story telling at its best now that we have a better understanding of the true nature of the song. The song cleverly incorporated wordplay and storytelling to document Voice's rise to fame and fortune. This masterclass in song writing is a testament to our Calypso culture and a reminder that Soca and Calypso have always been about more than just music—they're platforms for commentary, rivalry, and cultural expression.
Now that I have a more profound understanding of the song, knowing the true intentions of the songwriters does not distract me from my feelings about it. If KG did not reveal this, I would have walked away thinking that the song was telling me to look inside, be strong, and never let anything or anyone keep me down! Having said that, now that I know what the song is about, I still have positive feelings about both artists. Voice is an excellent singer and performer. Full Blown has been silently writing excellent songs for Machel Montano and so many others. To be honest, I thoroughly enjoy the Full Blown part as much as the Full Blown Entertainment part of this enterprise. I appreciate both teams, and hopefully one day they can put this "beef" to rest.
Now that I have new information to work with, and keeping that in mind, listening to the song tells me I have to pay more attention to a song's lyrics. How would you respond to individuals who claim that Soca music lacks substance and is primarily centered on provocative dancing? I would encourage them to listen more closely and consider the cultural context behind the lyrics. Soca music often embodies vibrant storytelling, celebrating life, love, and community, which may not always align with conventional song structures but definitely carries its own unique sense and rhythm.
After everything, KG may have new friends and grow his online presence, but he may also lose friends. Regardless, we wish everyone success, and as KG would say, "If you didn't know, now you know!"
Let us promote the culture of the Caribbean diaspora.
Our mission is to advance music producers, performers, and Caribbean culture. Your support helps us celebrate and elevate the vibrant sounds and stories of the Caribbean. We can all work together to make sure that this rich cultural legacy continues to inspire creativity and connection while reaching a larger audience. You should always purchase music for sale but refrain from sharing promotional music, as it deprives the artists, producers, and songwriters of vital income. Please note that all our posts can be accessed online via social media sites like Facebook, YouTube, Instagram, and SoundCloud. We recommend exploring your favorite content on FeedSpot/RSS Feed, Threads, Bluesky, and Twitter/X, including email subscriptions. Thank you in advance.
Production Notes/Music Credits:
What is the Beef: Full Blown disses Voing in Song
Reported/Explained by: KG Greaves of "Talks with KG"
Origin: Trinidad, Republic of Trinidad & Tobago
Genre: Soca
We present the music here for your listening pleasure and promotional purposes only, adhering to the "Fair Use" Musical Content Copyright Disclaimer under Section 107 of the Copyright Act 1976. Sokah2Soca/Soca Music Blog © 1990 by Santiwah is licensed under CC BY-SA 4.0. To view a copy of this license, visit https://creativecommons.org/licenses/by-SA/4.0/.
♫ Please click the music player button below to listen now (a small triangle in the music player/TV frame).
KG explains what you just watched above—there is more to the song than most of us thought.
