The content was first published on the blog Sokah2Soca (www.sokah2soca.com). We bring you only the best new music, while Island Vybe Radio rocks it live on the air!
The old heads knew all the good stuff. Today we reflect and tell the younger heads about a time when the music was really sweet. Reggae music held a dominant position in Trinidad and Tobago during that period. Everyone wanted to listen to Big Youth, Peter Tosh, Bob Marley, The Wailers, and then some. Today, that soothing feeling of groove-laced sounds from old-school reggae music is what this post is all about. Deso consistently asserts his expertise; in fact, he often brags about being the best, and today we are sharing some of the captivating music that inspired us to dust off our record players and cling to our transistor radios. Those quiet moments of reflection are what we hope to rekindle with this post, with the music that Deso pulled from his 'bag of reggae vibes.' Back in the day it wasn’t just music; it was a meditation on love, struggle, and soul.
Ahh, when "yard music" dropped—Dennis Brown’s velvety vibrato, the revolutionary harmonies of Culture (the African Disciples), and Beres Hammond’s bittersweet croon—we didn’t just listen. We felt. We felt the music deeply in our chests, in our memories, and in our bones. When you listen to the program and understand how Mr. Desmond feels when he plays the music, you will understand that here is a man who loves his craft. Yes, he has the bag, but he is excellent at knowing how to deliver, understanding the audience, and recognizing the moment. When you listen, you will reminisce and feel every beat as the music drops.
These were the sounds that wrapped around us like a warm Caribbean breeze, grounding us in roots and rhythm. They reminded us to slow down, to reflect, and to feel something real. We present this set to give you an opportunity to experience your special moment; your vibe is mixed into this musical vibe, and yes, you are welcome.
The time you choose to listen—morning, noon or night, weekday or weekend—Mr. Desmond invites you to pour a glass, dim the lights, and vibe to the songs that connected Kingston to Port of Spain and beyond. These are the songs that upheld faith, evoked emotions, and remained timeless. Respect the roots. Celebrate the culture. Rewind the soul.
Let us spread awareness of the Caribbean diaspora's culture.
Our goal is to promote Caribbean culture, musicians, and music producers. We are able to honor and promote the rich sounds and tales of the Caribbean thanks to your support. Together, we can ensure that this rich cultural legacy continues to reach a wider audience and foster creativity and connections. While you should always buy music for sale, you should avoid sharing promotional music because it denies songwriters, producers, and artists important revenue. Please be aware that all of our posts are available online via social media platforms like Facebook, YouTube, Instagram, Spotify, andSoundCloud. We recommend exploring your favorite content on FeedSpot/RSS Feed, Threads, Bluesky, and Twitter/X, including email subscriptions. Thank you in advance.
The content was first published on the blog Sokah2Soca (www.sokah2soca.com). We bring you only the best new music, while Island Vybe Radio rocks it live on the air!
We have a compelling story to share today. The culture and music of Trinidad and Tobago are amazing, with every tune having a backstory; some begin at a barbershop, while others originate from a radio station that cares about the people, music, and culture of our nation. What happens when bold creativity meets Calypso royalty? A funky tune, the people's radio station, and a trip to the barber shop all came together to create a whole lot of laughter. Let's get 'Behind the Music!'
Today, the "Dotish Hour" radio program proudly showcased classic musical gems. As is always the case, Deso consistently sparks conversations that lead to entertaining discussions. However, today, producer Kenny Phillips revealed a lesser-known gem in Trinidad and Tobago's musical history—the creation of a funky calypso classic by the Mighty Terror.
Kenny recalled the moment with youthful energy: Terror had his vision for the track, rooted in tradition, but grudgingly decided to trust Kenny’s then-modern, funky approach. But once the song hit the airwaves, something unexpected happened—Terror was not pleased. Terror called Kenny and demanded the immediate removal of the track.
However, fate (and rhythm) conspired to transform the story into one worthy of a Calypso verse. On his way to the barber shop later that day, people began praising Terror for his bold, new sound. Compliments flew like Carnival confetti, and by the time Terror reached his destination, his mood had shifted like a key change in a steelpan melody. Terror swallowed his pride and called Kenny. He rang Kenny back and said in his booming voice:
"Kenny Phillips, doh worry with what ah say!"
Laughter filled the WACK studio as Kenny and Mr. Desmond shared the story—one of creative tension, unexpected triumph, and the community’s power to reshape perception. I decided at that moment to post this segment, and because Kenny passed Deso's pirating crown to Santiwah, I quickly rewound the feed and recorded the segment for this post. So you see, WACK and Kenny Phillips are not the only Kulture Krazy fans of Trinidad and Tobago's unique culture; Sokah2Soca complements the radio station's mission.
It’s stories like this—colorful, candid, and culturally rich—that remind us why preservation matters. Sokah2Soca remains committed to documenting these untold tales in partnership with WACK Visual Radio, ensuring that the legacy of our music is not only archived but felt. Go ahead and listen to Kenny and Deso chat about the song. The SoundCloud player has the chat and song (Socalypso-inspired version). We also added the YouTube "Rap Version" with the Def Krew for perspective. We hope this post inspires you to continue supporting WACK Visual Radio and to share information about our efforts to keep the culture alive here at Sokah2Soca. Enjoy!
Let us spread awareness of the Caribbean diaspora's culture.
Our goal is to promote Caribbean culture, musicians, and music producers. We are able to honor and promote the rich sounds and tales of the Caribbean thanks to your support. Together, we can ensure that this rich cultural legacy continues to reach a wider audience and foster creativity and connections. While you should always buy music for sale, you should avoid sharing promotional music because it denies songwriters, producers, and artists important revenue. Please be aware that all of our posts are available online via social media platforms like Facebook, YouTube, Instagram, Spotify, andSoundCloud. We recommend exploring your favorite content on FeedSpot/RSS Feed, Threads, Bluesky, and Twitter/X, including email subscriptions. Thank you in advance.
Production Notes/Music Credits:
Song Title: Party Time in America
Singer: Fitzgerald Cornelius Henry, aka Mighty Terror (13 January 1921 – 14 March 2007)
Written by: The Mighty Terror
Arranged/Produced by: Kenny Phillips
Origin: Trinidad, Republic of Trinidad and Tobago
Genre: Calypso Funk/Rap ?
Sokah2Soca—Where Rhythm Lives and Calypso, Steelband music and Soca Thrive!
? Listen. Share. Amplify. Our artists embody culture not only during Carnival but on a daily basis.
The content was first published on the blog Sokah2Soca (www.sokah2soca.com). We bring you only the best new music, while Island Vybe Radio rocks it live on the air!
Before soca took center stage, before the fetes and riddims defined our seasons, there was music—pure, potent, and deeply rooted. Mr. Desmond invites you to slow things down this evening and reconnect with the sounds that shaped Trinidad and Tobago’s heartbeat long before the big trucks rolled in.
Tonight, we wind down with a glass of wine and pay quiet tribute to classic R&B songs from yesteryear. Listen to the velvet tones of Gladys Knight, Otis Redding, and The Stylistics, as well as the soulful declarations of love and longing from celebrated artists you may have forgotten. R&B offered a warmth that crossed oceans and found a home in Caribbean hearts.
When you listen to Mr. Desmond's selections, your brain will be flooded with musical memories of R&B and sweet reggae that you loved to listen to. From the velvet tones of Gladys Knight, Otis Redding, and The Stylistics to the soulful declarations of love and longing that brought joy and sorrow 'back in the day!'
We’re not just revisiting tunes tonight—we’re revisiting feelings. We are toasting to the songs that shaped our parents' era and shaped our personal growth. Enjoy the rewind.
Let us spread awareness of the Caribbean diaspora's culture.
Our goal is to promote Caribbean culture, musicians, and music producers. We are able to honor and promote the rich sounds and tales of the Caribbean thanks to your support. Together, we can ensure that this rich cultural legacy continues to reach a wider audience and foster creativity and connections. While you should always buy music for sale, you should avoid sharing promotional music because it denies songwriters, producers, and artists important revenue. Please be aware that all of our posts are available online via social media platforms like Facebook, YouTube, Instagram, Spotify, andSoundCloud. We recommend exploring your favorite content on FeedSpot/RSS Feed, Threads, Bluesky, and Twitter/X, including email subscriptions. Thank you in advance.
The content was first published on the blog Sokah2Soca (www.sokah2soca.com). We bring you only the best new music, while Island Vybe Radio rocks it live on the air!
I saw this song posted on YouTube, but I got caught up with other projects that delayed my posting until I saw Punz on the Madder Drive alongside Shal, Goofy, and Ding Dong, featuring Deejay Punz in the segment titled "Punz Talks New Path, Similarities Between Bouyon & Trinibad, Skillibeng's Bouyon Track, 'Bumpa Move'!" Indeed, one can say that the version presented here for this post is Bouyon brilliance with an infectious twist; this one’s engineered for movement and mayhem—in the cleanest way possible.
This song is going to become a hit... a party hit for sure! However, we decided that we needed a clean version of the song for posting. We have posted mixes that have 'adult lyrical content' but decided that this music was so good that we believe a clean version will surely do well but not as well as the raw original version at parties. From the dynamic production house of Touch The Road Records (TTRR) comes a fresh, clean rendition of “Bumpa Move,” a high-octane Bouyon track by Punz, featuring none other than Skillibeng. While the original version, spearheaded by Punz, is built to shell down parties island-wide, this clean edit keeps the same electrifying energy with lyrics fit for broader platforms.
As you may realize, we have posted Bouyon music with some regularity. We believe Bouyon is on the rise, but, for some, the raw lyrical content is an issue and definitely not lyrically radio-friendly. While the original version will no doubt fuel the wildest segments of fête season, this clean cut courtesy of TTRR provides an inclusive alternative without dulling the impact. It’s Soca-adjacent, Bouyon-rooted, and community-ready—perfect for daytime sets, radio rotation, and everywhere Caribbean music deserves to shine.
We believe that this is the moment for Bouyon to gain popularity across the Caribbean and become mainstream in the international market. This genre from Dominica is pushing through borders and asserting its place in the pan-Caribbean soundscape. This radio-friendly version should help with the song and genre's promotion. So press play and enjoy Punz and Skillibeng's Bouyon track "Bumpa Move."
Let us spread awareness of the Caribbean diaspora's culture.
Our goal is to promote Caribbean culture, musicians, and music producers. We are able to honor and promote the rich sounds and tales of the Caribbean thanks to your support. Together, we can ensure that this rich cultural legacy continues to reach a wider audience and foster creativity and connections. While you should always buy music for sale, you should avoid sharing promotional music because it denies songwriters, producers, and artists important revenue. Please be aware that all of our posts are available online via social media platforms like Facebook, YouTube, Instagram, Spotify, andSoundCloud. We recommend exploring your favorite content on FeedSpot/RSS Feed, Threads, Bluesky, and Twitter/X, including email subscriptions. Thank you in advance.
Production Notes/Music Credits:
Song Title: Bumpa Move (TTRR Clean Version)
Clean Version: TTRR—Touch The Road Records
Artist/Performed by: Punz ft. Skillibeng
Origin: Dominica/Jamaica
Genre: Bouyon ?
Sokah2Soca—Where Rhythm Lives and Calypso, Steelband music and Soca Thrive!
? Listen. Share. Amplify. Our artists embody culture not only during Carnival but on a daily basis.