Body Tea Is Served Hot: Adam O Brews a Carnival Hit for 2026
By Ananda/Sokah2Soca
in
Blog
October 13, 2025
Dive deeper into Caribbean music and culture at Sokah2Soca—your go-to source for Soca, Calypso, and Carnival coverage. First published on Sokah2Soca, now streaming live via Island Vybe Radio.
Adam O just dropped “Body Tea,” and it’s bubbling with vibes. Straight outta St. Croix, this Soca 2026 anthem blends bounce, humor, and waistline energy into one irresistible brew. Trust us—this isn't your "back in the island" bush tea. This song is a Sokah2Soca-approved musical brew steeped in rhythm, humor, and bacchanal energy, destined to be a Carnival favorite for 2026.
The video? The skit is comedic and sets the tone, featuring ladies who can whine and make you break out in a sweat. It starts with a man asking for tea. Ends with a missing intern lost in a party called “Body Tea.” I guess one can conclude that he is still whining somewhere inside "Body Tea!" But rest assured the missing segment provides pure bacchanal, sexy dance models, movement, and Adam O commanding the rhythm like a pro.
Lyrics like “I love it when you put on me” and “Take a picture” are already caption-ready. DJs, take note—this one’s built for the road. And while we don’t hand out approval lightly, “Body Tea” earns it.
Sokah2Soca approved. Carnival certified. Sip it, wine it, and share the post's Sokah2Soca link. Oh, finally, as Adam O takes you on his musical journey, sip slowly or chug fast—either way, “Body Tea” is the flavor of 2026.
Let us spread awareness of the culture of the Caribbean diaspora.
We do this to promote Caribbean culture, musicians, and music producers. We are able to honor and promote the rich sounds and stories of the Caribbean thanks to your support. Together, we can ensure that this rich cultural legacy reaches a wider audience and fosters creativity and connections. While it is important to always purchase music, you should avoid sharing promotional music because doing so denies essential revenue to songwriters, producers, and artists. You can find all of our posts online on social media platforms like Facebook, YouTube, Instagram, Spotify, and SoundCloud. We recommend that you explore your favorite content on FeedSpot/RSS Feed, Threads, Bluesky, and Twitter/X, including email subscriptions. Thank you in advance.
Production Notes/Music Credits:
Song Title: Body Tea
Artist/Performed by: Adam O
Music Production by Swick B
Origin: St. Croix, Virgin Islands
Genre: Soca ?
?Listen. Share. Amplify. Our artists embody culture not only during Carnival but also on a daily basis. Sokah2Soca—Where Rhythm Lives and Calypso, Steelband Music, and Soca Thrive!
We present the music here for your listening pleasure and promotional purposes only, adhering to the "Fair Use" Musical Content Copyright Disclaimer under Section 107 of the Copyright Act 1976. Sokah2Soca/Soca Music Blog © 1990 by Santiwah is licensed under CC BY-SA 4.0. To view a copy of this license, visit https://creativecommons.org/licenses/by-sa/4.0/.
♫Please click the small triangle button in the music player below to listen now.
No Horn: Lady Lava Drops a Carnival Teaser That Horns You Twice!
By Ananda/Sokah2Soca
in
Blog
October 13, 2025
This post first appeared on Sokah2Soca, where Caribbean music meets wit, rhythm, and real talk. Island Vybe Radio spins the tunes—we decode the culture.
Oooh, Lady Lava, I like this—I like this song a lot! For Trinidad Carnival 2026, she’s serving up cheeky brilliance with a double dose of “horn” that’ll have you grinning and wining at the same time. This song is the complete package with a burst of wit, rhythm, and cultural resonance.
While I felt the vibe from the start, this song is more than just good vibes; it is a cleverly written song, a cheeky celebration of Caribbean wordplay (using double entendre) and our sweet musical tradition.
Written by Keisha Harris and Dion Gomez and produced by Boogy Rankss, this track is a masterclass in double entendre. Lady Lava flips “horn” (cheating) and “horn” (sound) into lyrical play that’s clever, relatable, and downright infectious. Because let’s be real—horn is a phenomenon humans just cyah handle, and who wants to?
But it’s not just the lyrics. Boogy Rankss brings pure vibes with a production that’s simple, effective, and bubbling with tassa and rhythm section energy. It’s that kind of groove where yuh have to move when yuh hear it—no questions asked. Hello, this song is sweet like sugarcane, boi!
"No Horn" delivers:
- Cheeky lyrical content
- Excellent vocal delivery
- Magical music production
- Vibes for days
Lady Lava didn’t just release a song—she released a mood. Carnival 2026 just got a little more playful, and we’re here for it. Did we mention clever lyrical content? Yes, we did mention clever lyrical content, and in addition to strong vocals and music that sets your soul on fire, this is truly sweet music.
Our music and culture are about delivering content that entertains, provokes, and moves you—literally and emotionally. Lady Lava didn’t just drop a track; she dropped a vibe. And for 2026, that vibe is horned, hyped, and undeniably sweet.
Let us spread awareness of the culture of the Caribbean diaspora.
We do this to promote Caribbean culture, musicians, and music producers. We are able to honor and promote the rich sounds and stories of the Caribbean thanks to your support. Together, we can ensure that this rich cultural legacy reaches a wider audience and fosters creativity and connections. While it is important to always purchase music, you should avoid sharing promotional music because doing so denies essential revenue to songwriters, producers, and artists. You can find all of our posts online on social media platforms like Facebook, YouTube, Instagram, Spotify, and SoundCloud. We recommend that you explore your favorite content on FeedSpot/RSS Feed, Threads, Bluesky, and Twitter/X, including email subscriptions. Thank you in advance.
Production Notes/Music Credits:
Song Title: No Horn
Artist/Performed by: Lady Lava
Produced By: Boogy Rankss
Written By: Keisha Harris (Lady Lava) & Dion Gomez
Origin: Trinidad, Republic of Trinidad & Tobago
Genre: Soca ?
?Listen. Share. Amplify. Our artists embody culture not only during Carnival but also on a daily basis. Sokah2Soca—Where Rhythm Lives and Calypso, Steelband Music, and Soca Thrive!
We present the music here for your listening pleasure and promotional purposes only, adhering to the "Fair Use" Musical Content Copyright Disclaimer under Section 107 of the Copyright Act 1976. Sokah2Soca/Soca Music Blog © 1990 by Santiwah is licensed under CC BY-SA 4.0. To view a copy of this license, visit https://creativecommons.org/licenses/by-sa/4.0/.
♫Please click the small triangle button in the music player below to listen now.
Farmer Nappy Speaks: The Untold Story Behind “Dollar Wine”
By Ananda/Sokah2Soca
in
Blog
October 13, 2025
Dive deeper into Caribbean music and culture at Sokah2Soca — your go-to source for Soca, Calypso, and Carnival coverage. First published on Sokah2Soca, now streaming live via Island Vybe Radio.
You never know until you know... "mouth open and story jump out!" this is an intriguing story. We do not imply any bias for or against anyone. We believed the story was compelling enough to document. So here goes... In a raw and reflective moment on The Therapy Lounge podcast, Darryl “Farmer Nappy” Henry opened up about a memory that still stings—one tied to Toronto Carnival, Xtatik’s early antics, and a Soca anthem that took flight without him.
Back in 1990, atop a truck rolling down University Avenue, Farmer recalls jamming with Machel Montano with Roger George and David Rudder watching on. As part of Xtatik’s playful skits, he began chanting:
“Cent, five cent, ten cent, dollar…”
The rhythm, which originated from a joke by legendary comedian Tommy Joseph, transformed into an Xtatic band dance call that captivated the crowd. It was spontaneous, infectious, and—according to Farmer—the seed of what would become “Dollar Whine.”
Fast forward to 1991. Colin Lucas, then joining the band Taxi, released "Dollar Wine"—a runaway hit. When Farmer first heard "Dollar Wine," he recalls feeling a surge of emotion:
“Tears came out my eye… That is my song.”
He claims the concept was lifted wholesale, not just the chant but the spirit of the performance. And it wasn’t the only time. Farmer also alleges that Colin borrowed lines from Derek Seales’ Brooklyn dance calls and even echoed phrases like “Put yuh hand on yuh head and whine” in later tunes. He lashed out with "He came that again, so Colin only have two hits, Farmer have repertoire, the two things that yuh thief."
Despite the testament of a friend who said that David Rudder backed his account in an interview: Hoppy told him, "Yo, I had an interview with David and David say that why this is your song because David Rudder them witness it." Farmer says the matter was brushed aside. Even COTT’s inquiry ended with a shrug:
“Liz Montano say leave it alone.”
But the pain lingers—not just from the lack of credit, but from the cultural erasure of a moment that was meant to be shared.
“I took it from somebody—as God say, a thief from a thief make God smile. So God smile. Colin Lucas, big up yourself. But that is only Dollar Wine.”
Farmer’s repertoire runs deep, and his legacy is secure. But this story reminds us that behind every Soca hit is a web of creativity, collaboration, and sometimes, controversy. We are here to report on the jokes, the dances, and the voices that have shaped the genre, which often go uncredited. If Farmer is correct, one can understand how this stings to this day. Songwriters in particular should take note and protect all written works. What is your opinion about this story?
Let us spread awareness of the culture of the Caribbean diaspora.
We do this to promote Caribbean culture, musicians, and music producers. We are able to honor and promote the rich sounds and stories of the Caribbean thanks to your support. Together, we can ensure that this rich cultural legacy reaches a wider audience and fosters creativity and connections. While it is important to always purchase music, you should avoid sharing promotional music because doing so denies essential revenue to songwriters, producers, and artists. You can find all of our posts online on social media platforms like Facebook, YouTube, Instagram, Spotify, and SoundCloud. We recommend that you explore your favorite content on FeedSpot/RSS Feed, Threads, Bluesky, and Twitter/X, including email subscriptions. Thank you in advance.
Production Notes/Music Credits:
Podcast: The Therapy Lounge S1 Episode 5: Farmer Nappy
Featured on YouTube: DrJayTV
Origin: Toronto, Canada
Featured YouTube Song: Dollar Wine
Singer/Performed by: Colin Lucas
Genre: Soca ?
?Listen. Share. Amplify. Our artists embody culture not only during Carnival but also on a daily basis. Sokah2Soca—Where Rhythm Lives and Calypso, Steelband Music, and Soca Thrive!
We present the music here for your listening pleasure and promotional purposes only, adhering to the "Fair Use" Musical Content Copyright Disclaimer under Section 107 of the Copyright Act 1976. Sokah2Soca/Soca Music Blog © 1990 by Santiwah is licensed under CC BY-SA 4.0. To view a copy of this license, visit https://creativecommons.org/licenses/by-sa/4.0/.
♫Please click the small triangle button in the music player below to listen now.
Top: Full Interview Bottom: Dollar Wine by Colin Lucas
Podcast Carnival Conversations #2: Nadia Batson – “Pieces”
By Ananda/Sokah2Soca
in
Blog
October 13, 2025
This post first appeared on Sokah2Soca, where Caribbean music meets wit, rhythm, and real talk. Island Vybe Radio spins the tunes—we decode the culture.
We have another AI-inspired podcast based on a Sokah2Soca post that engages in a different format to promote the music. In this episode, we delve into Nadia Batson's latest Soca hit, 'Pieces,' which combines dynamic rhythms with heartfelt lyrics. Celebrated for its Carnival-ready energy, the song explores themes of vulnerability and trust in relationships, encapsulated in the memorable chorus.
The Ai program used our post titled "Feel Every Beat: Nadia Batson’s “Pieces” Is Fierce, Tender, and Unforgettable" for inspiration and creation of this podcast. While some of the double entendre nuances of the article were missed, we look at this concept podcast post as a half-full glass, keeping the vibe positive with the hope that the program will improve as we continue to showcase our Soca artists on all available platforms.
Join us as we celebrate Nadia's impact on Caribbean music and discuss the importance of supporting artists in the industry.
Refer to our previous posts related to this song:
Let us spread awareness of the culture of the Caribbean diaspora.
We do this to promote Caribbean culture, musicians, and music producers. We are able to honor and promote the rich sounds and stories of the Caribbean thanks to your support. Together, we can ensure that this rich cultural legacy reaches a wider audience and fosters creativity and connections. While it is important to always purchase music, you should avoid sharing promotional music because doing so denies essential revenue to songwriters, producers, and artists. You can find all of our posts online on social media platforms like Facebook, YouTube, Instagram, Spotify, and SoundCloud. We recommend that you explore your favorite content on FeedSpot/RSS Feed, Threads, Bluesky, and Twitter/X, including email subscriptions. Thank you in advance.
Production Notes/Music Credits:
Song Title: Pieces
Artist/Performed by: Nadia Batson
Written by: Nadia Batson
Produced by: Swick B
Engineered (Mixed & Mastered) by:
Origin: Trinidad, Republic of Trinidad & Tobago
Genre: Soca ?
Origin: Trinidad, Republic of Trinidad & Tobago
Genre: Soca ?
?Listen. Share. Amplify. Our artists embody culture not only during Carnival but also on a daily basis. Sokah2Soca—Where Rhythm Lives and Calypso, Steelband Music, and Soca Thrive!
We present the music here for your listening pleasure and promotional purposes only, adhering to the "Fair Use" Musical Content Copyright Disclaimer under Section 107 of the Copyright Act 1976. Sokah2Soca/Soca Music Blog © 1990 by Santiwah is licensed under CC BY-SA 4.0. To view a copy of this license, visit https://creativecommons.org/licenses/by-sa/4.0/.
♫Please click the small triangle button in the music player below to listen now.
