Thankfully, we steered clear of politics—no talk of U.S. invasions or Trinidad’s entanglements with Venezuela. That’s a conversation for another day. Today, we stayed true to our mission: music and culture. What is the current issue we are addressing? AI in music presents both perils and possibilities that we must consider.

There’s been a surge in AI-generated tracks lately—mashups of classics, genre-bending remixes, and full compositions created in minutes. Therefore, it was only appropriate to focus today's episode on AI in music. We themed the discussion: “AI in Music—A Game-Changer or a Threat?”

We’re living in fascinating times. AI is reshaping the music industry, offering speed and innovation—but also raising tough questions about creativity, ownership, and the role of human artistry.

Today's episode of WACK Visual Radio featured music producer Kenny Phillips and host Mr. Desmond, providing listeners with an intimate glimpse into the power and potential disruption of AI in music. Deso, with his inquisitive nature, provided listeners with a firsthand view of the power and potential disruption of AI in music. The discussion was intriguing because Deso, a DJ by profession, opposed AI music production due to its implications for Trinidad's culture and competitions. Kenny, the music producer, was unconcerned because he has a style that is well known, with years of production knowledge that Ai programs have yet to learn. 

But here is where it got intriguing. In a spontaneous challenge, Kenny used  Suno Ai to generate a song based on a caller’s request: a tune about living in Moruga and fishing off the coast of Venezuela. Kenny used prompt engineering to input the relevant information, and within ten minutes, two versions were created and aired live. 

Deso was stunned but did not leave the studio, as he jokingly threatened to do if the song was quickly generated. Callers flooded the lines, buzzing with curiosity about how it was done. We don't have a copy of the song created during the show, but we included an AI-produced song to accompany the post. 

The demonstration wasn’t just a tech demo—it was a cultural moment. Whether one agrees or disagrees with its application, AI has arrived and is significantly altering the landscape. But whether it’s a threat or a tool depends on who’s using it—and how.

This is a situation of 'get with the program or be left behind.' One of the benefits of Ai is the ease of creation; it is fast, affordable (money is always a factor), and accessible. All it takes is a computer and the right software. Of course, if you understand song structures and have received some music training, using the software will be much easier and quicker. 

On the other hand, the issues of Copyright and Royalties come into play. This is an area that COTT needs to address. One has to ask the obvious question: who owns an Ai-generated song? As far as I know, no law addresses who owns an AI-generated song: the user, the developer, or no one. There is the issue of copyright infringement using Ai. These programs are trained using copyrighted material... the matter will be one for the courts to decide for sure. 

We must also contemplate the following: Training AI tools on copyrighted music also carries the risk of unintentional infringement. And if the song earns money—who is paid? Deso's concerns may be legitimate, but DJs have been using music in parties, paying small sums for an annual DJ license. As it relates to music production, Kenny pointed out that while AI can create music fast, a skilled producer still makes the difference.  Regardless of how powerful Ai becomes, as it relates to music, it is not a replacement for human creativity.  Please share this post and don't forget to leave a comment. 

 

We present the music here for your listening pleasure and promotional purposes only, adhering to the "Fair Use" Musical Content Copyright Disclaimer under Section 107 of the Copyright Act 1976. Sokah2Soca/Soca Music Blog © 1990 by Santiwah is licensed under CC BY-SA 4.0. To view a copy of this license, visit https://creativecommons.org/licenses/by-sa/4.0/.

 

In the Caribbean and especially in Trinidad and Tobago, where playful mischief and romantic entanglements often palance hand-in-hand, islanders know and understand the phrase “yuh getting horn!” In fact, it is a cultural norm—an unmistakable signal that someone’s partner might be stepping out—and cheating! Blackie's song, "Who Is He," explores this cheating theme with humor, rhythm, and lyrical wit, creating a song suited to today's generation.

The Story Behind the Song
“Who Is He” is a Soca track with a Calypso soul! It is a modern Soca rhythm with vocals delivered in classic Calypso style. The story is captivating and relatable to many people. It tells the story of a man thrown into emotional turmoil when his partner blurts out a strange name while in bed making love to his supposedly 'trustworthy partner.' The lyrics are cleverly written with confusion, suspicion, and a desperate need for clarity. Ronald Ford, the lyricist, skillfully crafted lines such as "Tell me, I want to know," repeating them with a sense of urgency and a desire to understand the depths of his confusion. The song captures the speaker’s emotional spiral as he tries to uncover the identity of the mysterious “he” who seems to be “on the property” or “digging in.” Somebody, please tell Blackie this is a case of horn but apparently he is keeping his mouth shut and thinking, "horn meh but don't leave me!"

On a serious note, this topic is more significant and can lead to dire consequences. In Trinidad and Tobago we love to say "plain talk, bad manners," and while it may feel comedic, the underlying message is serious—infidelity can have real consequences, and Blackie’s storytelling balances the silly nature of the song’s delivery with the seriousness of the situation.

A Rich, Live Production
During an interview on WACK Visual Radio with Mr. Desmond, Blackie revealed that “Who Is He” was no ordinary studio creation. The track features a full live band, making it a standout in an era dominated by digital production. The music was arranged and produced by the legendary Leston Paul, engineered by Franklyn Grant and Leston Paul, and mastered by Yohan of Madmen Productions. When music producers opt for live band members to create the music, people have to be paid, resulting in higher costs to bring the song to life. Success or failure can lead to monetary losses for the artist involved. So please share this post on all social media platforms to help promote the song.

Soca, Calypso and  Blackie’s Unique Blend
When I called into the station to ask Blackie whether he considered the song Soca or CalypSoca, he offered a thoughtful response. He acknowledged the Soca-style drumkit that drives the rhythm but emphasized his Calypso-rooted vocal delivery. Instead of following prevailing trends, Blackie forged his own unique style, combining the lively modern Soca with the storytelling and vocal techniques of Calypso. This music style was successful last carnival with the Tilden Hall album by De Red Boyz out of Barbados.

The CalypSoca style, which blends Calypso and Soca, keeps the music grounded in tradition while appealing to contemporary tastes. It’s a style that bridges generations, making “Who Is He” both nostalgic and fresh.

Final Thoughts
If you’re a fan of sweet melodies, clever lyrics, and music that speaks to real-life experiences with a wink and a groove, “Who Is He” rightly deserves your attention. Once again, to conclude, please share this song with your social media peers and on all platforms that you visit regularly.

 

 

Challenge accepted—and executed in record time! Today is the World Premiere of "Moruga Fisherman" by AiMrPhillipppeee, a Latin-flavored Soca track done in minutes. 

 

Yung Bredda's popularity is rapidly growing, particularly in the Caribbean and North America, and his performance on We Outside 76 demonstrates his charisma and rhythmic ability to effortlessly navigate any riddim. Backed by DJ Hotty and SoundBoy Ryan on the 1’s and 2’s, this mix is a celebration of Caribbean-Latin fusion—Chutney meets Reggaeton, and the result is pure vibes.