Soca season never really ends—it just shifts tempo. Whether you're still riding the high from Spicemas or already plotting your Carnival 2026 playlist, one question keeps bubbling up: Which artist are you most excited to hear new music from?

 

We present the music here for your listening pleasure and promotional purposes only, adhering to the "Fair Use" Musical Content Copyright Disclaimer under Section 107 of the Copyright Act 1976. Sokah2Soca/Soca Music Blog © 1990 by Santiwah is licensed under CC BY-SA 4.0. To view a copy of this license, visit https://creativecommons.org/licenses/by-SA/4.0/.

 

The future is in positive hands with Princess Celine and producer Black Starr! Today is the day we refer to as "Friday Pop Up!" For this week's "Pop Up," we have something special; it is a celebration of youthful fire, seasoned mentorship, and the kind of musical synergy that makes you pause mid-scroll and listen. The new musical fire is burning brightly in sweet Trinidad and Tobago. And today we feature the 13-year-old dynamo whose voice is already carving space in the Dancehall/Reggae scene—and her latest collab with Jhallano is proof that purpose knows no age. These songs have a vibe!

 

Cherbz’s 2025 offering, “Thelma,” arrives with a quiet urgency, reflecting the grand tradition of calypso as a social mirror and moral compass, rather than with fanfare. Thelma was written by Tyrell Cherubin-Alleyne and brought to life by Centipede Island Records and arranger Roger Gittens.  “Thelma” is a conversation that brings to life many ills affecting daily life in Barbados—it's a neighborly exchange that spirals into a list of national woes and a reminder to guard one’s peace amid the chaos.

 

?️  It is story time and it's all about an inquisitive neighbor named Thelma. At the heart of the song is a simple premise: Cherbz recounts a conversation with his neighbor, Thelma, a member of the press. She stops by to vent, to share, and to unload the weight of what she’s been witnessing in Barbados. From political missteps to economic strain, social unrest, to cultural erosion, Thelma’s words tumble out like headlines in a newsroom gone rogue.

 

But Cherbz, ever the calypsonian sage, listens and then offers a refrain that becomes the song’s emotional anchor: “Don’t get caught up in that!”

 

It’s not apathy—it’s survival. Every day, the news cycle feels like total dysfunction is taking place.  Cherbyl's advice, while apparently avoiding the issues at hand, feels more like a coping mechanism. After all is said and done, Cherbyl, like most people, feels like 'making noise' is pointless and that the state will do what they want, when they want, so why bother?

 

?Ahh, the music—the sound is all about the brass, groove and grit of the Bajan Calypso. There is something special about Bajan music and though Bajan Calypso does not get the credit it deserves in the Caribbean, the songs are rich in lyrical and musical excellence. This song is a credit to the production team:

We have Mark Husbands on the track with the beautiful sounds of the trombone, keys, and drums that pulse with quiet intensity.

The guitar work stands out with John Matthew's steady, almost meditative rhythm—like the calm just before the storm, silent but full of meaning and vibe. 

Background vocals by Orande Hamilton support and reinforce the vocals echoed by Cherbz. 

Jerome "King Switch" Massiah finally polishes the production through mixing and mastering. All adding up to an excellent music production. 

 

? Calypso music is the voice of the people. Today this commentary serves as  Cultural witness. “Thelma” doesn’t shout—it speaks. And in doing so, it honors calypso’s role as both storyteller and social critic. Cherbz doesn’t offer solutions; he offers perspective. The song maintains its specificity without naming names or assigning blame. This song provides a snapshot of a country, like many others in the Caribbean, of neighbors talking about 'what is wrong' but at the same time showing how disillusioned people have become. 

 

?Some may say, "I've been there, done that, and heard this story before," while others may argue that this is a song for our time. In the end, Thelma, the song, suggests this: we should listen, reflect, and protect our peace. Cherbz’s delivery is understated but powerful, and the production is a testament to the collaborative spirit of Barbadian musicianship.

 

“Thelma” is not just a song—it’s a reminder. In the face of national turbulence, sometimes the most radical act is simply to say, “Don’t get caught up in that.”

 

Calypso consistently dominates Caribbean carnivals, but before I get into trouble with the people of Barbados, let me make it clear: Crop Over is not a carnival; it is a festival! Ok, While everyone parties to the beat of Soca, the carnival would not be the same without a Calypso Monarch. Despite the unique names in Barbados, the competitions remain consistent throughout the Caribbean. The Calypso Monarch reached its lyrical pinnacle at the Courtesy Garage Pic-O-De-Crop Calypso Monarch Finals, where calypsonians brought fire, wit, and cultural pride to the stage. Mr. Blood won the coveted title of Calypso Monarch after a night of fierce competition and incredible performances! 

 

Congratulations to Blood, the Winner of the Courtesy Garage Pic-o-De-Crop Calypso Monarch

 

• 1st – Blood - 119 Points - song titled "Don't Wait"
• 2nd – Ian "I-Web" Webster – 106 Points – song titled "Twisted"
• 3rd – De Announcer - 101.5 Points - song titled "National Carroll Festival"
• 4th – Adrian "AC" Clark - 90 Points - song titled "Whhloss"