Baila mami, baila... and just like that, the reprise of the Calypsonian explodes on the scene with a bold new entry. Today we present a song with political intrigue, music to dance with and packed with Geopolitical drama. So let's celebrate the debut of "Not Venezuela" by Alana Sinette. The tune is the type of calypso that fills the space with rich newspaper intrigue and party vibes and delivers more than just music to dance and celebrate for this Christmas season but also our upcoming carnival. But then again, it is more than all of that —it delivers a message.

 

Now let's get into the production of this gem. So, what exactly is the story behind "Not Venezuela"? For that, we have to get into the writer's mindset. Now we understand that while we cannot know everything, we can still make assumptions based on the lyrical content. Penned by Lyndon Peters, the song conveys the uneasy reality of Trinidad's economic and political relationship with Washington, DC. In other words, our economic navel string is rooted in the economic tantrums of the United States... so what can you do to resist? There is absolutely nothing, and for that reason, this song paints a vivid picture of a nation caught in the crosswinds of international conflict. What I know for sure is that we party hard in Trinidad and we are not looking to entertain any conflict or participate in anything relating to the invasion of Venezuela! The song's music, lyrics, and vocals are informative, and as I previously mentioned, we have a strong party culture in Trinidad. 

 

Like it or not, the current administration had to cooperate because of a signed agreement by the previous administration. However, Alana reminds us that our history is intricately linked to the interests of the US, regardless of your agreement or disapproval. But then again, calypso does not ever shy away from what is true. It echoes the genre's tradition of social and political commentary while keeping the rhythm and the vibe irresistibly lively... thanks to Kenny Phillips, who composed and arranged the music. Alana Sinette does a wonderful job with the vocals... yes, Kaiso!

 

Let's do a quick mic drop check:

• The Sound of Resistance
• The production is rich with live instrumentation:
• Rodney Alexander's bass provides a steady pulse to the track.
• Kenny Phillips plays the guitar, adding sharp melodic lines that dance around the percussion.
• Kenny Phillips' arrangement skillfully blends Latin flair and calypso fire.

After hearing the song, you'll love the message and the sweet soundscape that recalls the time when calypso ruled carnivals. In other words, it is music that makes you move while making you think... nice calypso, eh!

 

This marks a new beginning, signaling the rebirth of music that reminds the Soca and Zess generation that sweet music originates from the mother genre. The song is thought provoking and while many are critical of the country's Prime Minister, they should know that her actions put Trinidad in the safe zone with the decision-makers in Washington. Our citizens living there won't be harassed and they can party in America without icebreakers on the lookout. "Not Venezuela" continues that legacy, reminding listeners that even in the most complex geopolitical entanglements, art remains a powerful way to process, critique, and resist. 

 

At Sokah2Soca, we’ve always celebrated the rich sounds of the Caribbean. We continue to feature Island Vybe Radio here, but we're eager to introduce something new to our community.

 

 

 

 

 

Carnival 2026 is shaping up to be unforgettable, and Yung Bredda clearly has no intention of slowing down. Just when you thought he might take a breather, he’s back with another release that demands attention. The track is called We Louder, and it’s part of the Bucket List Riddim. From the very first note, you can feel that this one is built to move people—it’s a song that insists on being heard, felt, and danced to.

What makes We Louder stand out is the way it’s put together. N.M.G Music handled the recording, production, mixing, and mastering, and the result is a high‑energy soca groove that feels tailor‑made for chippin’ down the road. But it’s not just another soca track; there’s something different here. The vibe is fresh, almost rebellious, with a pulse that makes you want to shake something without even realizing it. That edge comes in part from the rock‑and‑roll guitar riffs laid down by Kyle Peters, whose tireless playing adds grit and texture to the rhythm. Layered on top are the background vocals from Kizzie Huggins, giving the track warmth and depth that balance the energy perfectly.

Then there are the lyrics, written by Shumba. "You loud, we louder. You proud, we prouder, liquor and Soca, shutting the whole place down." These are playful but still commanding lyrics that keep pushing the idea of taking over the party and bringing new vibes. Lines like “every dance is new” and “we only take over” capture the spirit of Carnival itself—renewal, energy, and the joy of being louder, prouder, and freer with every step. It’s the kind of lyrical hook that sticks in your head and becomes part of the collective chant on the road.

Put it all together—N.M.G.’s production, Kyle Peters’ wicked guitar work, Kizzie Huggins’ harmonies, and Yung Bredda’s commanding delivery—and you’ve got a track that feels destined to be a Carnival anthem. It’s different, but it feels so right. It’s music that makes you want to move, to celebrate, to claim space. And that’s why Sokah2Soca is recommending We Louder. This is the sound we will be dancing to and the vibe we will carry into Carnival 2026. Turn it up, because Yung Bredda is here to remind us all: we are louder.