The content was first published on the blog Sokah2Soca (www.sokah2soca.com). We bring you only the best new music, while Island Vybe Radio rocks it live on the air!
Recently, we spotlighted “I’m Not Drunk” by KMC as the first Soca song performed by a steelband at Trinidad’s Panorama competition. But thanks to the vibrant discussions on the "Steelpan Trivia & More" Facebook group, that claim is now under review.
Kenrick Mc David suggested that “Soca Jean” by Lord Kitchener—arranged by Carl Henderson & Keith McBurney—was played by Carib Tokyo in 1991. While we continue to investigate this claim, another contender has emerged.
David Goddard pointed us to “Jump and Mash Up D Party,” sung by Anselm Douglas and performed by TCL Skiffle Bunch in the 1995 Panorama Finals, arranged by the legendary Ken “Professor” Philmore. We have the receipts for this claim!
So for now, 1995 stands as the earliest confirmed Soca entry into Panorama—unless we can verify Soca Jean for 1991.
Something intriguing came to light during this search. Kenny Phillips, who initially provided us with "I'm Not Drunk" by KMC, totally forgot about "Jump and Mash Up D Party," a song that he arranged! This indicates that even music producers need to improve their management of music catalogs.
This isn’t just trivia—it’s a celebration of Soca’s journey into the steelpan arena. If you have any receipts, memories, or old cassette tapes, please feel free to share them with us. The culture deserves clarity.
Let us spread awareness of the Caribbean diaspora's culture.
Our goal is to promote Caribbean culture, musicians, and music producers. We are able to honor and promote the rich sounds and tales of the Caribbean thanks to your support. Together, we can ensure that this rich cultural legacy continues to reach a wider audience and foster creativity and connections. While you should always buy music for sale, you should avoid sharing promotional music because it denies songwriters, producers, and artists important revenue. Please be aware that all of our posts are available online via social media platforms like Facebook, YouTube, Instagram, Spotify, andSoundCloud. We recommend exploring your favorite content on FeedSpot/RSS Feed, Threads, Bluesky, and Twitter/X, including email subscriptions. Thank you in advance.
Production Notes/Music Credits:
Song Title: Jump and Mash Up D Party
Artist/Performed by: Anselm Douglas
Arranged by: Kenny Phillips
Year 1995
Steelband: TCL Skiffle Bunch
Arranged by: Ken "Professor" Philmore
Origin: Trinidad, Republic of Trinidad & Tobago
Genre: Soca ?
Sokah2Soca—Where Rhythm Lives and Calypso, Steelband Music and Soca Thrive!
? Listen. Share. Amplify. Our artists embody culture not only during Carnival but on a daily basis.
The content was first published on the blog Sokah2Soca (www.sokah2soca.com). We bring you only the best new music, while Island Vybe Radio rocks it live on the air!
It is time to pause and reflect. There is so much pain and uncertainty in the world today; sometimes we are burdened by self-doubt and burdened with pain, division, and uncertainty pressing on every side. However, there is always hope, and I have discovered a song that will undoubtedly aid in our healing. There's a timeless Calypso that reminds us to keep moving forward. Merchant's 1989 classic, "Silver Lining," serves as a soothing anthem for the fatigued and the disheartened. Arranged by Leston Paul, the track doesn’t shout—it soothes. It doesn’t demand—it offers. In a climate of chaos and cultural dilution, it reminds us that even in the darkest hours, Calypso knows how to comfort.
I was sold the moment Merchant sang, "There's always a glimmer of hope hidden behind every dark cloud." So don't give up hope now; we got to keep on trying. We got to keep on going. We got to keep moving on.”
Simple. Profound. Caribbean. It’s a lyrical mantra carved from struggle and stitched into hope. This song isn’t just music; it’s medicine—mending broken hearts and soothing quivering souls. It’s a rhythmic reminder that resilience lives in every beat, and hope shines even through the darkest skies.
At Sokah2Soca, we don’t just archive tracks—we amplify their relevance. Silver Lining is more than throwback nostalgia—it’s a living testament to the emotional intelligence embedded in Calypso’s DNA. This intelligence teaches survival through style and resilience through rhythm.
Whether you're navigating heartbreak, financial pressure, or the harshness of humanity itself, this tune meets you where you are. It offers comfort without cliché, strength without shame, and most of all—a call to keep going.
So when the world feels heavy, play this tune. Let the words be a symbol for optimism. Allow the arrangement to envelop you, akin to a gentle breeze sweeping through a bamboo grove. Let Calypso do what it’s always done: carry us—not away, but forward.
Merchants’s words reveal a truth we all recognize: music has the power not only to celebrate but to sustain. The positive aspect is not a mystery. It’s audible.
Now share this post. Tag someone who needs the reminder. Let Silver Lining find its way back into the hearts that need healing.
Let us spread awareness of the Caribbean diaspora's culture.
Our goal is to promote Caribbean culture, musicians, and music producers. We are able to honor and promote the rich sounds and tales of the Caribbean thanks to your support. Together, we can ensure that this rich cultural legacy continues to reach a wider audience and foster creativity and connections. While you should always buy music for sale, you should avoid sharing promotional music because it denies songwriters, producers, and artists important revenue. Please be aware that all of our posts are available online via social media platforms like Facebook, YouTube, Instagram, Spotify, andSoundCloud. We recommend exploring your favorite content on FeedSpot/RSS Feed, Threads, Bluesky, and Twitter/X, including email subscriptions. Thank you in advance.
The content was first published on the blog Sokah2Soca (www.sokah2soca.com). We bring you only the best new music, while Island Vybe Radio rocks it live on the air!
If you have time, we can tell you that it's time to rock with the sensual Nadia Batson. Soca’s sensual siren is back—and she’s teasing, tempting, and tugging at your waistline with her latest groove: “Hammock.”
This early release sets the tone for Carnival 2026, with Nadia Batson masterfully weaving flirtation into every lyric, every note, and every sway. Madmen Productions & Don Iko produced this track, which Johann Seaton polishes to perfection. Not only is it well mixed, but Johann Seaton has intimately mastered it.
Vocals? The vocals are buttery and sensually appealing! When you listen to the song, keep in mindthe silky blend of Nadia and rising phenom Keone Osbourne—whose tone adds depth to the song with the background vocals. Nadia wants to rock us and we would like to go along for the ride. Nadia is amazing and in the song she swings effortlessly between sultry and sweet, inviting listeners to lean back and get lost in the vibes.
Visuals? It looks like a slice of the Caribbean! Kudos to One Eyed Perspective for a video that’s both striking and evocative—capturing Nadia’s effortless beauty while transporting us to a Caribbean dreamscape made of sunshine, rhythm, and slow wine.
As always, Nadie delivers a message wrapped in melody. “Hammock” is more than flirtation—it’s an invitation. To relax. To feel. To Carnival. Trinidad is known for producing the best Groove Soca in the Caribbean, and with the release of "Home" by Teja and "Hammock" by Nadie, it appears that our artists are poised to engulf the zone with a delightful blend of Groove Soca for Carnival 2026.
Nadie, we see you, Queen. We feel the tease. And we’re ready.
Let us spread awareness of the Caribbean diaspora's culture.
Our goal is to promote Caribbean culture, musicians, and music producers. We are able to honor and promote the rich sounds and tales of the Caribbean thanks to your support. Together, we can ensure that this rich cultural legacy continues to reach a wider audience and foster creativity and connections. While you should always buy music for sale, you should avoid sharing promotional music because it denies songwriters, producers, and artists important revenue. Please be aware that all of our posts are available online via social media platforms like Facebook, YouTube, Instagram, Spotify, andSoundCloud. We recommend exploring your favorite content on FeedSpot/RSS Feed, Threads, Bluesky, and Twitter/X, including email subscriptions. Thank you in advance.
Production Notes/Music Credits:
Song Title: Hammock ???
Artist/Performed by: Nadia Batson
Written by Nadia Batson
Produced by: Madmen Productions & Don Iko
Background vocals: Keone Osbourne & Nadia Batson
Mixed & Mastered by: Johann Seaton
Origin: Trinidad, Republic of Trinidad & Tobago
Genre: Soca ?
Video Production:
Directed & Edited By: One Eyed Perspective
Shot & Color Graded By: Justin Hennessy
Sokah2Soca—Where Rhythm Lives and Calypso, Steelband Music and Soca Thrive!
? Listen. Share. Amplify. Our artists embody culture not only during Carnival but on a daily basis.
The content was first published on the blog Sokah2Soca (www.sokah2soca.com). We bring you only the best new music, while Island Vybe Radio rocks it live on the air!
First Soca Played for Panorama #2
When I considered making this post, I had no clue about the song, band, arranger, or year it took place. What did I do? I called Kenny, aka KP (Kenny Phillips of KMP Music), and he gave me "I'm Not Drunk," by KMC, arranged by Zanda. To be honest, Kenny thinks this is the right song, band, and arranger. Is that really the case? Soca started around 1973; is it possible that it took 36 years before the first Soca song was played at Panorama? Should you have a different perspective, please refer to the following paragraph.
CHALLENGE US:
What Was the First Soca Tune Ever Played in Panorama? Before we dive into this piece, we’re inviting you to question the history and challenge our proposal. Like you, we want to get the information right. Indeed, this presentation marks the start of an exciting journey. We are fishing for relevant information; let's make history together!
Do YOU know what the first Soca song ever played by a steelband in Panorama was? We’re making our case for “I’m Not Drunk” by KMC, arranged by Carlton “Zanda” Alexander for Siparia Deltones in 2009. But Sokah2Soca is built on conversation, not decree—so if you believe another tune came first, drop the title, name the band, and let’s reason. The panyard isn’t just for practice—it’s for passion and provocation, too.
When Soca exploded onto Trinidad’s music scene in 1973, thanks to the genius of Lord Shorty, it was a celebration of fusion—Calypso’s heart with East Indian rhythm, designed to make waistlines move and speakers tremble. Yet, for decades, Panorama remained the domain of Calypso alone. Soca was viewed as too raw, too road-ready, and too rebellious to fit the orchestral standards of steelpan music.
That myth unraveled in 2009, when Siparia Deltones Steel Orchestra shook the competition with a bold choice: “I’m Not Drunk” by Ken Marlon Charles (KMC). Their arranger? Carlton "Zanda" Alexander, a jazz-schooled maestro, orchestrated a cheeky party anthem into a musically rich Panorama piece, brimming with key shifts, rhythmic interplay, and harmonic twists.
It was not just steelpan meeting Soca—it was steelpan respecting it. The judges gave Deltones 7th place with 450.5 points, but the cultural impact was louder than any score sheet.
For the first time, Soca wasn’t just sampled or hinted at—it was fully embraced. “I’m Not Drunk” became the genre’s formal entry into Panorama history. Now what do you think about that? That was your historical moment; make sure to note it for future discussions about Soca and Steelband!
So, loyal fans of Soca, what do you think? Was “I’m Not Drunk” really the first, or does your musical memory offer another contender? Hit us with your picks, your passion, and your proof—let’s keep the debate as lively as the Savannah stage itself.
Send in your information to This email address is being protected from spambots. You need JavaScript enabled to view it.:
Song: Name of Song
Band: Name of Steelband
Arranger: Arranged by
Year: What Year?
Addendum 07/24/2025:
We have a new song/band/post coming for a Soca song played by Skiffle in 1995. The song, played by Skiffle, is from an earlier date than the song on this post.
Let us spread awareness of the Caribbean diaspora's culture.
Our goal is to promote Caribbean culture, musicians, and music producers. We are able to honor and promote the rich sounds and tales of the Caribbean thanks to your support. Together, we can ensure that this rich cultural legacy continues to reach a wider audience and foster creativity and connections. While you should always buy music for sale, you should avoid sharing promotional music because it denies songwriters, producers, and artists important revenue. Please be aware that all of our posts are available online via social media platforms like Facebook, YouTube, Instagram, Spotify, andSoundCloud. We recommend exploring your favorite content on FeedSpot/RSS Feed, Threads, Bluesky, and Twitter/X, including email subscriptions. Thank you in advance.
Production Notes/Music Credits:
Song Title: I'm Not Drunk
Singer/Performed by: KMC (Ken Marlon Charles)
Steelband: Siparia Deltones
Arranger: Clive 'Zander' Alexander
Origin: Trinidad, Republic of Trinidad & Tobago
Genre: Soca/Steelband ?
Sokah2Soca—Where Rhythm Lives and Calypso, Steelband Music and Soca Thrive!
? Listen. Share. Amplify. Our artists embody culture not only during Carnival but on a daily basis.