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Originally posted on the blog Sokah2Soca (www.sokah2soca.com). We bring you only the best new music, while Island Vybe Radio rocks it live on the air!

 

The newly released track "Explore" by V'ghn and Nailah Blackman, produced by Travis World, may be a hit with the artists fans, but we feel differently. As much as we adore hearing V'ghn's talent, this duet left us underwhelmed. The singing felt mechanical, almost as if they were just going through the motions. The track maintains one monotonous pace, leading us to wonder—did you feel anything special in this song? If you experienced something special in this song, please share it with us, as we are struggling to understand its magic.
 
Singing Performance: V'ghn, undoubtedly talented, doesn’t shine in this track the way we know he can. The duet with Nailah Blackman lacks the spark we were hoping for. It feels as though they were on autopilot, resulting in a performance that fails to evoke any strong emotions. The two artists' missed potential for a powerful connection left the song feeling flat and uninspired.
 
As we've mentioned in our previous reviews of "Skeg" by Lady Lava and "Touch D Road" by Bunji Garlin, Travis World's work on this album feels disappointingly minimalist. "Explore" follows this same pattern. The riddim is simplistic to a fault, lacking the depth and complexity that could elevate the song. Remove the drum kit, and there's hardly anything left to hold onto. This minimalist approach from a usually innovative producer has left us yearning for more.
 
Nailah Blackman is overexposed; she is everywhere this Carnival 2025 season. However, sometimes less is more. She doesn't need to be on every track to stay relevant. It might be worth considering a more selective approach to maintain the quality and uniqueness of her contributions.
 
Our post won't be too critical of V'ghn as an artist because he has always delivered good music. However, not everything a singer delivers will become a hit. Having said that, "Explore" is not one of his standout tracks. We know he has the potential to deliver much more impactful music. This song, unfortunately, falls short of showcasing his true talent.
 
After these posts on the Alien Head Invasion Riddim, people will love to hate us! We acknowledge this, but it's a natural part of life. In our honest opinion, "Explore" fails to make a lasting impression. We hope that both V'ghn and Nailah Blackman return with stronger, more memorable offerings in the future. For those who might want to defend this track, we respect your perspective, but we stand by our critique. Sometimes, it's necessary to be candid to encourage growth and improvement.
 
Let us promote the culture of the Caribbean diaspora.
Our mission is to advance music producers, performers, and Caribbean culture. Your support helps us celebrate and elevate the vibrant sounds and stories of the Caribbean. We can all work together to make sure that this rich cultural legacy continues to inspire creativity and connection while reaching a larger audience. You should always purchase music for sale, but refrain from sharing promotional music, as it deprives the artists, producers, and songwriters of vital income. Please note that all our posts can be accessed online via social media sites like FacebookYouTubeInstagram, and SoundCloud. We recommend exploring your favorite content on FeedSpot/RSS FeedThreadsBlueskyTwitter/X, including email subscriptions. Thank you in advance.
 
Production Notes/Music Credits:
Song Title: Explore (Remix)
Artists/Performed by: V’ghn x Nailah Blackman x Travis World 
Album: Alien Head Invasion
Performed by V’ghn & Nailah Blackman
Produced by Travis World
Label: Travis World Music / Monk Music
Copyright 2025 All Rights Reserved
Origin: Grenada/Trinidad, Republic of Trinidad & Tobago
Genre: Soca
 
We present the music here for your listening pleasure and promotional purposes only, adhering to the "Fair Use" Musical Content Copyright Disclaimer under Section 107 of the Copyright Act 1976. We intend no copyright infringement! We present this music here for promotional purposes only; we do not own the rights to it. We encourage you to promote the artists and their music; please don't download and share them and rob the artists of needed income! Neither I nor this blog claim any ownership over the videos, songs, photos, or graphics used in this post, as they all belong to their respective owners.
♫Please click the music player button below to listen now (a small triangle in the music player/TV frame).

Originally posted on the blog Sokah2Soca (www.sokah2soca.com). We bring you only the best new music, while Island Vybe Radio rocks it live on the air!

 
The highly anticipated release of "Touch D Road" by Bunji Garlin in collaboration with producer Travis World has left fans with mixed feelings. Despite the high expectations based on the talents involved, the song fails to capture the magic we know Bunji Garlin can deliver. However, if we have to pick one song out of this album, we will credit Bunji in this regard, but that is nothing to 'call home about.'
 
"Touch D Road, all the girls dem touch D road" is repeated throughout the track. This redundancy, quite frankly, feels like a departure from the lyrical prowess we have come to expect from Bunji Garlin. It's disappointing to see such a talented artist rely on repetitive lyrics, which ultimately diminishes the song's impact.
 
From a production standpoint, Travis World’s contribution feels surprisingly minimalist. The music lacks the dynamic energy that could have elevated the track to a memorable level. The production feels bare and uninspired, missing the depth and complexity that often characterize great music. This is not a favorable look for Travis World, who we know is capable of much more.
 
We conclude that "Touch D Road" falls short. The lyrics are repetitive, and the music production lacks the richness and vibrancy we expect from both Bunji Garlin and Travis World. It's a letdown that leaves much to be desired.
 
For a deeper dive into our thoughts on music production, check out our post on "Skeg Out" by Lady Lava. We all crave enjoyable music, but sometimes we have to keep it real—plain talk, bad manners! What are your thoughts on the track? Let's hear it!
 
Let us promote the culture of the Caribbean diaspora.
Our mission is to advance music producers, performers, and Caribbean culture. Your support helps us celebrate and elevate the vibrant sounds and stories of the Caribbean. We can all work together to make sure that this rich cultural legacy continues to inspire creativity and connection while reaching a larger audience. You should always purchase music for sale, but refrain from sharing promotional music, as it deprives the artists, producers, and songwriters of vital income. Please note that all our posts can be accessed online via social media sites like FacebookYouTubeInstagram, and SoundCloud. We recommend exploring your favorite content on FeedSpot/RSS FeedThreadsBlueskyTwitter/X, including email subscriptions. Thank you in advance.
 
Production Notes/Music Credits:
Song Title: Touch D Road
Artist/Performed by: Bunji Garlin x Travis World 
Album: Alien Head Invasion
Performed by Bunji Garlin
Produced by Travis World
Lyrics written by Ian Alvarez
Label: Travis World Music / Monk Music
Copyright 2025 All Rights Reserved
Origin: Trinidad, Republic of Trinidad & Tobago
Genre: Soca
 
We present the music here for your listening pleasure and promotional purposes only, adhering to the "Fair Use" Musical Content Copyright Disclaimer under Section 107 of the Copyright Act 1976. We intend no copyright infringement! We present this music here for promotional purposes only; we do not own the rights to it. We encourage you to promote the artists and their music; please don't download and share them and rob the artists of needed income! Neither I nor this blog claim any ownership over the videos, songs, photos, or graphics used in this post, as they all belong to their respective owners.
♫Please click the music player button below to listen now (a small triangle in the music player/TV frame).

Originally posted on the blog Sokah2Soca (www.sokah2soca.com). We bring you only the best new music, while Island Vybe Radio rocks it live on the air!

 
The latest release titled "Skeg Out" by Lady Lava in collaboration with producer Travis World has sparked quite a reaction among fans. The song, with its catchy title, appears to mean "getting rid of unwanted people in your life." It seems like a straightforward message that many might find useful. However, this track leaves much to be desired beyond that simple concept.
 
To be honest, the excitement surrounding Lady Lava's inclusion in this riddim hasn't resulted in a positive experience for us. While fans of the artist and 'Zess Nation' might be thrilled, we have a different take. We're here to express our honest opinion: this song falls short of expectations.
 
The lyrics aim to convey a message of distancing oneself from negativity, which is undeniably a beneficial piece of advice. However, the song doesn’t build on this message enough to make it compelling. It feels like there’s a missed opportunity to delve deeper and make the lyrics more engaging. Sure, those who appreciate slang might find "Skeg Out" an intriguing phrase, but it’s not enough to carry the song.
 
Travis World’s production on this track falls flat. The riddim is overly minimalist to the point of being uninspired. Remove the drum kit, and there's almost nothing left to hold the listener's attention. This is a bare-bones approach from a producer who is capable of so much more. The music doesn't complement Lady Lava's vocals in a way that enhances the overall experience. It's almost as if the effort wasn't put in, and it shows.
 
When it comes to our "Sky it or Try It" rating, we have to 'Sky it!' There’s nothing about this release that stands out or impresses us. For those ready to challenge our take, we stand by our critique. Sometimes, calling it as we see it is the best way to spark improvement.
 
We're here for the honest reviews and tough love because, at the end of the day, the music scene deserves authenticity and high standards. Without apologies, we have to say that Lady Lava and Travis World did not meet our expectations for this production. C'est La Vie!
 
Let us promote the culture of the Caribbean diaspora.
Our mission is to advance music producers, performers, and Caribbean culture. Your support helps us celebrate and elevate the vibrant sounds and stories of the Caribbean. We can all work together to make sure that this rich cultural legacy continues to inspire creativity and connection while reaching a larger audience. You should always purchase music for sale, but refrain from sharing promotional music, as it deprives the artists, producers, and songwriters of vital income. Please note that all our posts can be accessed online via social media sites like FacebookYouTubeInstagram, and SoundCloud. We recommend exploring your favorite content on FeedSpot/RSS FeedThreadsBlueskyTwitter/X, including email subscriptions. Thank you in advance.
 
Production Notes/Music Credits:
Song Title: Skeg Out
Artist/Performed by: Lady Lava & Travis World
Album: Alien Head Invasion 
Performed by Lady Lava
Produced by Travis World
Label: Travis World Music / Monk Music
Origin: Trinidad, Republic of Trinidad & Tobago
Genre: Soca
 
We present the music here for your listening pleasure and promotional purposes only, adhering to the "Fair Use" Musical Content Copyright Disclaimer under Section 107 of the Copyright Act 1976. We intend no copyright infringement! We present this music here for promotional purposes only; we do not own the rights to it. We encourage you to promote the artists and their music; please don't download and share them and rob the artists of needed income! Neither I nor this blog claim any ownership over the videos, songs, photos, or graphics used in this post, as they all belong to their respective owners.
♫Please click the music player button below to listen now (a small triangle in the music player/TV frame).

Originally posted on the blog Sokah2Soca (www.sokah2soca.com). We bring you only the best new music, while Island Vybe Radio rocks it live on the air!

 
The rhythmic beats of calypso have long been the heartbeat of Trinidad and Tobago, a vibrant genre that tells stories of culture, history, and social commentary. However, the current state of Calypso and Calypsonians understanding regarding 'how things should work' shows a significant gap in due diligence, especially when compared to their Soca counterparts. This lack of attention to detail post-recording is not only detrimental to the artists but also to the preservation and appreciation of this rich musical tradition. 
 

Let all Calypsonians know that Sokah2Soca is ready and willing to post their songs with all the necessary "proper documentation!" This initiative aims to elevate the art form and celebrate the rich culture of Calypso music. Together, we can ensure that every artist receives the recognition they deserve while sharing their passion with a wider audience.

 

The Current Scenario

 

In the realm of Soca, musicians frequently furnish detailed production notes, guaranteeing the documentation of every aspect of a song's creation. They meticulously note everything, from the song's name to the arranger, the producer, and the recording studio. The bards of Calypso, Sparro, Kitchener, and others provided crucial information about their recordings. Unfortunately, many Calypsonians do not follow this meticulous approach. Radio stations often receive songs without even the most basic information, such as the title. Furthermore, the contributors to the song, including arrangers, producers, and even the songwriters, remain anonymous. This anonymity extends to the artists themselves, who often lack promotional photos, leaving media outlets with little to work with when attempting to feature their work.

 

The impact of a lack of documentation is very frustrating indeed. I recently had a conversation with Mr. Kenny Phillips and Mr. Desmond during their "Dotish Hour Show" on WACK Visual Radio 90.1FM, where we discussed the dearth of information about new music featured on the station. They expressed the same frustration. Most of the time, they receive the song without any documentation, yet they (Calypsonians) eagerly await its playback. Once the song is complete, their only goal is to have it broadcast on the radio! This oversight is problematic.

 

This oversight has multiple ramifications:

 

Recognition and Credit: Without proper documentation, those who contribute to the creation of Calypso songs do not receive the recognition they deserve. This lack of credit can affect their careers and opportunities for future collaborations.

 

Archival and Preservation: Music is a significant cultural artifact. Proper documentation ensures that future generations can understand and appreciate the history and evolution of Calypso.

 

Promotion and Marketing: In the age of digital media, having comprehensive information and visuals is crucial for effective promotion. Without these, Calypsonians may struggle to gain visibility and reach wider audiences.

 

Intellectual Property: Proper documentation is also essential for protecting the intellectual property rights of all those involved in the creation of the music.

 

As one can see, just writing a song, arranging the music, and recording the project is but a small step in the 'big picture' and all the regulations that come next. What steps can we take to rectify the situation? Here are some steps towards improvement and making things right for everyone involved.

To rectify this issue, a systematic approach is required:

 

Education and Awareness: It's crucial to educate Calypsonians about the significance of due diligence and documentation. We can organize workshops and seminars to emphasize the importance of maintaining comprehensive records. This should be the responsibility of TUCO (Trinbago Unified Calypsonians’ Organization). While it's not necessary to assign blame, it is evident that TUCO (Trinbago Unified Calypsonians' Organisation) has failed to exercise due diligence in fulfilling their responsibilities towards the art form. 

 

Standardized Forms: By implementing standardized forms for song submissions to radio stations, you can guarantee the inclusion of all necessary information. These forms should cover song titles, names of all contributors, and additional production notes. Once again, TUCO should assume a significant role in guiding all Calypsonians to submit their songs under this organization's guidance.

 

Professional Management: Artists can benefit from professional management services that handle the administrative aspects of their careers. Before releasing any music, managers can ensure that all documentation is in order. This presents a challenge, as the majority of Calypsonians lack the financial means to hire a management team. Again, TUCO can step in and do probono work to bootstrap those with limited resources. By providing essential support, TUCO can empower these artists to focus on their creative endeavors without the burden of administrative tasks. This assistance not only helps elevate their careers but also fosters a thriving cultural scene that celebrates Calypso music and its rich heritage.

 

Digital Platforms: Utilizing digital platforms can simplify the documentation process. Online databases where artists can upload their music along with detailed information can serve as a centralized repository accessible to media outlets, event organizers, and fans. Sokah2Soca can help with this. We can upload the songs to our SoundCloud platform and do posts on our blog to bring awareness to the new music. 

 

Industry Collaboration: Collaboration within the industry, including record labels, radio stations, and cultural organizations, can help create a supportive ecosystem that encourages proper documentation. Our advice to the Calypsonians is that they should contact Mr. Kenny Phillips of WACK Visual Radio 90.1FM for advice. He owns the radio station and the number one recording company for Calypso music, K.M.P. Music Lab. 

 

Sokah2Soca and WACK Visual Radio 90.1FM, led by Mr. Kenny Phillips, are merely voices expressing their longing for change. We conclude with the following:

 

We should preserve and celebrate Calypso music as a treasure. Calypsonians can ensure the recognition and appreciation of their contributions by addressing the current shortcomings in documentation. This not only benefits the artists but also enriches the cultural fabric of Trinidad and Tobago for generations to come.

 

Let's take the necessary steps to properly document and cherish the legacy of these artists as the timeless rhythms of Calypso continue to captivate audiences. The journey toward improvement may require effort and collaboration, but the rewards are undoubtedly worth it.

 
Let us promote the culture of the Caribbean diaspora.
Our mission is to advance music producers, performers, and Caribbean culture. Your support helps us celebrate and elevate the vibrant sounds and stories of the Caribbean. We can all work together to make sure that this rich cultural legacy continues to inspire creativity and connection while reaching a larger audience. You should always purchase music for sale, but refrain from sharing promotional music, as it deprives the artists, producers, and songwriters of vital income. Please note that all our posts can be accessed online via social media sites like FacebookYouTubeInstagram, and SoundCloud. We recommend exploring your favorite content on FeedSpot/RSS FeedThreadsBlueskyTwitter/X, including email subscriptions. Thank you in advance.
 
 
Soca Blog © 1990 by Santiwah is licensed under CC BY-SA 4.0. To view a copy of this license, visit https://creativecommons.org/licenses/by-SA/4.0/.
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