A calypso calling Parliament/Parliamentarians to account

 

Roxy Singh steps into the 2026 calypso conversation with “Enough is Enough,” a song that echoes the spirit of Lystra Nurse’s Dream Sellers while carving its own path. Instead of targeting campaign‑trail promises or the usual political theatrics, Roxy goes straight to the source—the Parliamentarians themselves, the elected officials who hold real power and too often forget who they are meant to serve.

 

Written by Mr. Treldon Layne and produced, mixed, and mastered by Ebony Sound Factory out of Moruga, Trinidad, this calypso is built on a foundation of accountability. Roxy calls out the cycle of promises, self‑interest, and political convenience that has become “politics as usual.” Her delivery is earnest, her message pointed, and her focus unwavering: leadership must answer to the people.

 

Yet, for all its clarity and conviction, Enough is Enough feels like one of those calypsos that may struggle to find favor with judges or even the wider listening public. It’s socially conscious, yes—but not flashy, not theatrical, and not engineered for competition. It’s a truth‑telling calypso in a season that often rewards spectacle over substance. After all is said and done... it's showtime, and that, right there is the problem!

 

Still, songs like this matter. They keep the tradition honest. They remind us that calypso’s backbone has always been commentary, courage, and calling things by name.

 

In the Caribbean, as well as in many other cultures, proverbs influence the way people think. For that reason the calypsonian can bring relevant insight into the root of family dynamics and the relations that evolve from those relationships. Step in Rivaldo London; the young man comes with a bold correction to one of the Caribbean’s most sacred sayings. Rivaldo London's new calypso, "Water Thicker," challenges the traditional notion that blood is more powerful than water, revealing a truth that many understand but few dare to express: often, those who share your DNA are the first to vanish when you most need them.

 

I listened to this calypso while traveling from New York to Hampshire College in Massachusetts on Saturday, but I only decided to do the post tonight. I was impressed with the maturity and delivery of the song by Rivaldo. And, I was impressed because this calypso is overflowing with wisdom and Rivaldo makes it clear—loyalty is not guaranteed by lineage, and family ties can be as conditional as the weather! This principle also applies to friends and family who are not always reliable. In his telling, water—the friends, mentors, neighbors, and chosen kin who stand by you—often proves stronger, purer, and more dependable than the blood relatives who only show up when there’s something to gain.

 

This is classic calypso territory: social commentary wrapped in melody, truth delivered with rhythm, and a message sharpened by lived experience. And Rivaldo handles it with the maturity of a man who has watched enough family politics to know that love and loyalty don’t always share the same surname.

 

Co‑arranged by the legendary Kenny Phillips, Water Thicker carries the unmistakable stamp of real calypso craftsmanship. Live instruments breathe through the arrangement—brass lines with authority, percussion with heartbeat, and bass with intention. Nothing here feels synthetic or mass‑produced. The result is a calypso built the old way, with hands, ears, and decades of cultural memory guiding every bar.

 

And Rivaldo’s delivery? Confident. Clear. Monarch‑ready. He sings like a man who knows exactly what stage he’s aiming for—and exactly what crown he intends to claim. Let me tell you, Rivaldo's voice and vocal delivery are smooth and silky. He will be a problem for this upcoming Calypso Monarch season. 

 

Water Thicker feels like a finalist before the judges even take their seats. The message is strong, the production is clean, and the authenticity is undeniable. Rivaldo isn’t just challenging a proverb; he’s challenging the audience to rethink who really stands with them when the music stops.

 

This calypso is one to watch. This is one we endorse. The result is calypso doing what calypso was born to do—tell the truth, even when the truth cuts deep.

 

Calypso­nians have the unique ability to craft stories that capture the imagination of the people. Take, for example, that quirk of learning music—the similarity between B‑sharp and C‑sharp. B‑sharp does exist in music theory, but when it comes to playing an instrument, it is effectively C‑sharp, a concept known as enharmonic equivalence. Now step into the spotlight, calypsonian Pharaoh, with his humorous twist that “B” is for Boogsie—a cheeky line that delivers classic kaiso mischief.

 

This clever and musically literate calypso, titled “The Mozart of Pan,” turns this music‑theory quirk (yes, we had to look it up online to grasp it properly) into a tribute to the beloved Dr. Len “Boogsie” Sharpe. Boogsie, as he is fondly known, is a pan genius and the legendary musical arranger for Phase II Pan Groove. Co‑written with Morel Peters, better known as King Luta, the song is a witty, affectionate salute to the arranger whose genius has shaped generations of Steelband music.

 

So how did the songwriters deliver such a compelling gem? It began with a conversation between an elder and the panman about B‑sharp and references to Mozart and other classic European music arrangers. The elder spoke about B-sharp, but Pharaoh, the mature panman, insisted that “there is no B-sharp in music” and responded with “B is for Boogsie”—because when you’re talking about brilliance, innovation, and melodic imagination, Boogsie is the note above the rest. It’s a line that lands with both humor and respect, grounding the joke in deep musical truth.

 

Witty lyrical content shines brightest when paired with strong musical backing. On steelpan was Boogsie himself, supported by a range of live instruments (see the production notes below). The music was produced by Future Sounds Productions and mixed and mastered by GQ Maxzimum. The track is clean, warm, and performance‑ready—a fitting sonic frame for a song honoring a man often described as the Mozart of the steelpan.

 

To summarize why this salute to Boogsie is so compelling, here are the key points:

• Witty music‑theory wordplay that musicians will love
• This is a heartfelt salute to Boogsie Sharpe, one of pan’s greatest arrangers—who also performs on the track.
• Strong vocal storytelling from the Pharaoh, co-written by King Luta.
• Classic calypso humor blended with cultural reverence, keeping the art of the calypso conversation alive.
• High‑quality production from Future Sounds, featuring live instruments rather than digital substitutes

Songs like this are the reason Kaiso Dial exists. This is the kind of calypso that reminds listeners how deeply music, humor, and heritage intertwine in Trinidad & Tobago—and why Boogsie’s name continues to ring out across the pan world.