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Sunday
00:00 - 08:00
The After Zone
Chill out tunes from around the world
08:00 - 12:00
Morning Melodies
Wake up, stay up
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12:00 - 16:00
Reggae Remedy
Mellow Vybes
16:00 - 18:00
Selection Sundays
RnB Vybez
18:00 - 20:00
Old School Sundays
Back in Time
20:00 - 22:00
Tropical Blend
Feel da flow
22:00 - 20:00
Mix up Sunday
Relax N Listen
22:00 - 00:00
Late on ah Sunday
Come an Vybes
Monday
00:00 - 07:00
The After Zone
Chill out tunes from around the world
07:00 - 09:00
The Morning Vybes
Wake up and Vibes
09:00 - 12:00
Top Of The Tops
Your daily dose of hits
12:00 - 15:00
Round Table
News from around the world
15:00 - 18:00
Noon-Tunes
Relax and do it
18:00 - 20:00
Monday Evening
Even if it's not Saturday night
20:00 - 22:00
Monday Madness
Reggae Sounds
22:00 - 00:00
Cool Down Freestyle Mondays
Old School
Tuesday
00:00 - 02:00
Night Shift
Late night jams
02:00 - 06:00
Bright n Early
Just Music
04:00 - 07:00
New Wave
Island Chill
07:00 - 09:00
The Morning Vybes
Wake up and Vibes
09:00 - 10:00
Island Vybe
Relax and do it
10:00 - 12:00
The New Hits
I am here
12:00 - 14:00
Mix Down Jams
I am Infamous
14:00 - 16:00
Kompa Blend
Haitian Vibes
16:00 - 18:00
Finest Hour
Company in Traffic
18:00 - 20:00
The Turnup with Tremor
Timeless Music
20:00 - 22:00
Tipsy Tuesday
Free Styles
22:00 - 24:00
Midnight Mood
Jams
Wednesday
00:00 - 07:00
The After Zone
Chill out tunes from around the world
07:00 - 09:00
The Morning Vybes
Wake up and Vybe
09:00 - 12:00
Top Of The Tops
Your daily dose of hits
12:00 - 16:00
Round Table
News from around the world
16:00 - 18:00
Week Starter
Relax and do it
18:00 - 20:00
After Work Lime
Even if it's not Saturday night
20:00 - 21:00
Mid Week Zess
Just Zess
22:00 - 00:00
Grown Folks Music
new
Thursday
00:00 - 07:00
Good Morning
Good Vybz All Day
07:00 - 09:00
The Morning Vybes
Wake up and Vybes
04:00 - 06:00
Top Of The Tops
Your daily dose of hits
06:00 - 08:00
Morning Vybes
New Tech
08:00 - 10:00
Next Level Tunes
King of Kings
10:00 - 13:00
Get ready Tunes
Soca Vybes
13:00 - 15:00
Thursday Starter
Good music
15:00 - 17:00
Next level
Island twist vybz
17:00 - 19:00
Recognizing Rapso
Rapso King
19:00 - 20:00
Truth Thursdays
Give Thanks
20:00 - 22:00
Thursday Night Zess
New Vybez Always
22:00 - 24:00
Nuff love
tuff love
Friday
00:00 - 02:00
The After Zone
Chill out tunes from around the world
02:00 - 4:00
Morning Melodies
Wake up, stay up
04:00 - 07:00
Top Of The Tops
Your daily dose of hits
07:00 - 09:00
The Morning Vibes
Wake up and Vybe
09:00 - 11:00
This is Friday
Its Friday
11:00 - 13:00
Get Down
Even if it's not Saturday night
13:00 - 15:00
Friday Starter
Yessss
18:00 - 19:00
Afterwork Praise Network
Gospel tunes
19:00 - 21:00
It's "Fri-YaY Vibz"
Its Starts Now
21:00 - 00:00
Late Night Vybes
Its late
Saturday
00:00 - 010:00
The After Zone
Chill out tunes from around the world
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010:00 - 12:00
The Table Talk Show
Wake up, stay up
12:00 - 14:00
De Weekend Now Start
Kush Kush
14:00 - 16:00
Soca Saturdays with a Twist
St Lucia on Point
16:00 - 18:00
Soca Jamette
The Ladies Hour
18:00 - 20:00
Saturday Evening Jams
The Ladies Hour
20:00 - 22:00
Sat Night Live
Pre Party Vibes
22:00 - 00:00
Party Zone
Non-stop dance tunes
The DJs
Ananda/Sokah2Soca
This post first appeared on Sokah2Soca, where Caribbean music meets wit, rhythm, and real talk. Island Vybe Radio spins the tunes—we decode the culture.
Before you say “I do,” Shadow says, “think it through.” In his unmistakable classic calypso-soca Shadow music style, in “Better or Worse,” Winston Bailey (aka Shadow) delivers a cheeky but sobering reminder about the realities of marriage. With his unmistakable musical style—equal parts bounce, wit, and wisdom—Shadow turns a wedding vow into a cultural caution sign.
This isn’t just a song. It’s advice wrapped in repetition, rhythm, and real talk—sound advice not to be ignored or taken for granted.
? Here is the deal, the advice that Shadow lays bare:
- If you choose to rush to the altar, “Hurry, hurry, hurry” to get married, “wedding, wedding, wedding” in full swing. The excitement is real—but so is the haste.
- The post-honeymoon chill: "Soon after the honeymoon, love often becomes cold." Shadow doesn’t sugarcoat the fade of passion.
- The vow’s true weight: “Tighten up your belt,” “stick together,” “in sickness or in health, for richer or for poorer.” He echoes the solemnity of the vow with a calypsonian’s flair.
- The divorce epidemic: “Every minute is a divorce.” The repetition of “divorce divorce divorce” hits like a chorus of heartbreak.
Shadow gave us songs about poverty, betrayal, and horn—but this one? It’s a legacy of lyrical wisdom. A warning wrapped in rhythm, humor, and truth.
This message will endure for generations. Because when the music fades and the honeymoon ends, the vow remains: for better or worse.
The man may have left us, but his music lives on—in our hearts, in our speakers, and across the diaspora. His voice still guides us, still makes us laugh, and still makes us think.
Let us spread awareness of the culture of the Caribbean diaspora.
We do this to promote Caribbean culture, musicians, and music producers. We are able to honor and promote the rich sounds and stories of the Caribbean thanks to your support. Together, we can ensure that this rich cultural legacy reaches a wider audience and fosters creativity and connections. While it is important to always purchase music, you should avoid sharing promotional music because doing so denies essential revenue to songwriters, producers, and artists. You can find all of our posts online on social media platforms like Facebook, YouTube, Instagram, Spotify, and SoundCloud. We recommend that you explore your favorite content on FeedSpot/RSS Feed, Threads, Bluesky, and Twitter/X, including email subscriptions. Thank you in advance.
Production Notes/Music Credits:
Song title: Better or Worse
Artist/Performed by: Winston Bailey
Sobriquet: Shadow
Written and Produced by: Shadow
Arranged by: Carl 'Beaver' Henderson
Recorded at: Beaver Henderson Studio
Distributed by: J.W. Productions
Year: 1996
Origin: Trinidad, Republic of Trinidad & Tobago
Genre: Shadow CalypsoSoca ?
?Listen. Share. Amplify. Our artists embody culture not only during Carnival but also on a daily basis. Sokah2Soca—Where Rhythm Lives and Calypso, Steelband Music, and Soca Thrive!
We present the music here for your listening pleasure and promotional purposes only, adhering to the "Fair Use" Musical Content Copyright Disclaimer under Section 107 of the Copyright Act 1976. Sokah2Soca/Soca Music Blog © 1990 by Santiwah is licensed under CC BY-SA 4.0. To view a copy of this license, visit https://creativecommons.org/licenses/by-sa/4.0/.
♫Please click the small triangle button in the music player below to listen now.
This post first appeared on Sokah2Soca, where Caribbean music meets wit, rhythm, and real talk. Island Vybe Radio spins the tunes—we decode the culture.
For this week’s Friday Pop Up, Sokah2Soca heads to the Northern Caribbean, where Bouyon is King. We celebrate the start of the weekend with a remix that demands attention. In this version, Trilla-G is definitely not getting any 'Yum, Yum, Yum,' and like Farmer Nappy, he ends up outside the house with his clothes in a garbage bag. Looks like this is the life of a Soca/Bouyon artist!
The remix version of “Take Me As I Am,” created by V’ghn and Trilla-G, focuses on self-acceptance and is infused with the high-energy pulse of Dominican Bouyon. The hook is not just simple; it becomes an anthem—“take me as I am, don’t try to fix me”—but the message is fierce: not all change is good, and love shouldn’t require compromise.
As mentioned above, at its core, “Take Me As I Am” is a declaration of radical self-acceptance. The artists leave no doubts about their feelings as they joyfully sing,
“Take me as I am; don’t try to fix me.”
This isn’t just a catchy hook; many guys praise the lines and sigh, saying it’s about time someone expressed this in a song—it represents a refusal to compromise one’s identity, even for love. The lyrics will become the 'man-anthem' for carnival 2026 as they push back against the pressure to change for others, reminding listeners that authenticity is non-negotiable.
V'ghn, far from being an autotuned singer, possesses a unique vocal style. His soulful delivery meets Trilla-G’s unapologetic bounce, creating a cross-island fusion that’s both catchy and culturally charged. This song is a reminder that Caribbean music isn’t just about rhythm—it’s about resistance, identity, and pride. This remix doesn’t ask for approval. It dares you to accept it, regardless of their faults.
Now that you came this far, we cordially invite your public commentary—don't hold back, OK? Who do we change for, and why?
The YouTube player included for this post features the remix version and the original version done solo by Trilla-G. Enjoy!
Let us spread awareness of the culture of the Caribbean diaspora.
We do this to promote Caribbean culture, musicians, and music producers. We are able to honor and promote the rich sounds and stories of the Caribbean thanks to your support. Together, we can ensure that this rich cultural legacy reaches a wider audience and fosters creativity and connections. While it is important to always purchase music, you should avoid sharing promotional music because doing so denies essential revenue to songwriters, producers, and artists. You can find all of our posts online on social media platforms like Facebook, YouTube, Instagram, Spotify, and SoundCloud. We recommend that you explore your favorite content on FeedSpot/RSS Feed, Threads, Bluesky, and Twitter/X, including email subscriptions. Thank you in advance.
Production Notes/Music Credits:
Song Title: Take Me As I Am (Remix Version)
Performed by: Trilla-G and V’ghn
Written by: Gael Jno Baptiste and Je’vaughn John
Produced by: Andel "Fr3EzE" Horsford
Additional production by: Dernel "Dernz" Green
Recorded and engineered by: Dernel "Dernz" Green
Video shot by: Tridel Edwin (365mmp)
Edited by: Madam Editeur
Origin: Grenada/Dominica
Genre: Bouyon ?
?Listen. Share. Amplify. Our artists embody culture not only during Carnival but also on a daily basis. Sokah2Soca—Where Rhythm Lives and Calypso, Steelband Music, and Soca Thrive!
We present the music here for your listening pleasure and promotional purposes only, adhering to the "Fair Use" Musical Content Copyright Disclaimer under Section 107 of the Copyright Act 1976. Sokah2Soca/Soca Music Blog © 1990 by Santiwah is licensed under CC BY-SA 4.0. To view a copy of this license, visit https://creativecommons.org/licenses/by-sa/4.0/.
♫Please click the small triangle button in the music player below to listen now.
Dive deeper into Caribbean music and culture at Sokah2Soca—your go-to source for Soca, Calypso, and Carnival coverage. First published on Sokah2Soca, now streaming live via Island Vybe Radio.
It's Friday, and with the release of new music for Carnival 2026, we've decided to release Dansa once more... just for fun. Say it again, Just Because it's Friday. Just Because the weekend is calling. Just Because... you deserve to vibe out.
So go ahead, hit play on the Roadmix of "Dansa" by Klassic Frescobar, remixed by Dninja, and let the rhythm take over. This is for you, whether you're dancing at home, driving around town, or just enjoying the good vibes.
No plans needed. No reason required. All you need is some good music. Simply enjoy the positive energy. Just because.
Let us spread awareness of the culture of the Caribbean diaspora.
We do this to promote Caribbean culture, musicians, and music producers. We are able to honor and promote the rich sounds and stories of the Caribbean thanks to your support. Together, we can ensure that this rich cultural legacy reaches a wider audience and fosters creativity and connections. While it is important to always purchase music, you should avoid sharing promotional music because doing so denies essential revenue to songwriters, producers, and artists. You can find all of our posts online on social media platforms like Facebook, YouTube, Instagram, Spotify, and SoundCloud. We recommend that you explore your favorite content on FeedSpot/RSS Feed, Threads, Bluesky, and Twitter/X, including email subscriptions. Thank you in advance.
Production Notes/Music Credits:
Song Title: Dansa
Style: RoadMix
Mixed by: Dninja
Origin: Trinidad, Republic of Trinidad & Tobago
Genre: Soca ?
?Listen. Share. Amplify. Our artists embody culture not only during Carnival but also on a daily basis. Sokah2Soca—Where Rhythm Lives and Calypso, Steelband Music, and Soca Thrive!
We present the music here for your listening pleasure and promotional purposes only, adhering to the "Fair Use" Musical Content Copyright Disclaimer under Section 107 of the Copyright Act 1976. Sokah2Soca/Soca Music Blog © 1990 by Santiwah is licensed under CC BY-SA 4.0. To view a copy of this license, visit https://creativecommons.org/licenses/by-sa/4.0/.
♫Please click the small triangle button in the music player below to listen now.
This post first appeared on Sokah2Soca, where Caribbean music meets wit, rhythm, and real talk. Island Vybe Radio spins the tunes—we decode the culture.
I have long wondered about song structure and the "magic formula" that leads to properly structured songs. This post answers that inquiry: This blog entry is our follow-up from our previous post on Corrie Sheppard’s interview with Kasey Phillips of Precision Productions. I was especially intrigued when Kasey called out today’s producers for overlooking the foundational structure of songwriting—verse, chorus, hook, and bridge—the very elements that give a production its chance at longevity. His insights remind us that memorable music isn’t just about vibes; it’s about architecture.
That “magic structure” Kasey referenced is foundational to songwriting across genres—including Soca—and understanding each part helps decode why some tracks stick while others fade.
Inspired by Kasey Phillips’ insights on songwriting structure… We took the essence of his conversation, dug deeper into the craft, and distilled the fundamentals into a breakdown that speaks directly to your musical lens. Whether you're producing, curating, or simply vibing with Soca’s evolution, here’s a clear look at the building blocks that give a song its staying power.
? Verse
- Purpose: tells the story or sets the scene.
- Structure: Typically varies lyrically with each repetition, providing new details or progression.
- In Soca: Verses often build the narrative—whether it’s Carnival anticipation, romantic tension, or social commentary.
? Chorus
- Purpose: This section serves as the emotional and musical climax, featuring the part that everyone remembers.
- Structure: The same lyrics and melody are repeated each time.
- In Soca: This is where the energy peaks—crowd chants, jump-and-wave moments, and the anthem-like feel.
? Hook
- Purpose: The catchiest line or musical phrase that grabs attention.
- Structure: Can be part of the chorus or a standalone phrase.
- In Soca: Consider the chant that DJs repeatedly loop or that fans enthusiastically shout—“Famalay lay lay!” or “Like ah boss!” It’s the branding moment.
? Bridge
- Purpose: Offers contrast—musically or lyrically—to break the repetition and add depth.
- Structure: Usually appears once, often before the final chorus.
- In Soca: Might introduce a tempo shift, a chant, or a moment of reflection before the final hype.
Kasey's assertion about producers disregarding structure resonates profoundly, particularly considering that Soca's reputation is based on enduring, expertly crafted compositions. That, dear reader, is the key and one only has to ask this question of any ardent Soca music follower: Can you name 12 songs from the hundreds released two years ago? Need we say more?
Let us spread awareness of the culture of the Caribbean diaspora.
We do this to promote Caribbean culture, musicians, and music producers. We are able to honor and promote the rich sounds and stories of the Caribbean thanks to your support. Together, we can ensure that this rich cultural legacy reaches a wider audience and fosters creativity and connections. While it is important to always purchase music, you should avoid sharing promotional music because doing so denies essential revenue to songwriters, producers, and artists. You can find all of our posts online on social media platforms like Facebook, YouTube, Instagram, Spotify, and SoundCloud. We recommend that you explore your favorite content on FeedSpot/RSS Feed, Threads, Bluesky, and Twitter/X, including email subscriptions. Thank you in advance.
Production Notes/Music Credits:
Podcast Episode: The Corie Sheppard Podcast: Episode #256/Kasey Phillips - Song Structure
Podcaster/Guest: Corrie Sheppard/Kasey Phillips
Origin: Trinidad, Republic of Trinidad & Tobago
Genre: Soca ?
?Listen. Share. Amplify. Our artists embody culture not only during Carnival but also on a daily basis. Sokah2Soca—Where Rhythm Lives and Calypso, Steelband Music, and Soca Thrive!
We present the music here for your listening pleasure and promotional purposes only, adhering to the "Fair Use" Musical Content Copyright Disclaimer under Section 107 of the Copyright Act 1976. Sokah2Soca/Soca Music Blog © 1990 by Santiwah is licensed under CC BY-SA 4.0. To view a copy of this license, visit https://creativecommons.org/licenses/by-sa/4.0/.
♫Please click the small triangle button in the music player below to listen now.