Ananda/Sokah2Soca

Ananda/Sokah2Soca

Originally posted on the blog Sokah2Soca (www.sokah2soca.com). We bring you only the best new music, while Island Vybe Radio rocks it live on the air!

 
After rising to fame with the hit "The Greatest Bend Over," Yung Bredda's latest release, "No Stress," produced by Boogy Ranks and co-written by Yung Bredda and Fresh Ting, has raised some eyebrows. While the song may resonate with the young crowd, the need to label it with a parental advisory label makes it a questionable choice for radio play.
 
In a time when youth are often scrutinized, Yung Bredda had a golden opportunity to capitalize on his newfound notoriety with a more radio-friendly track. Instead, "No Stress" seems to miss the mark, lacking the subtlety of double entendre that could have broadened its appeal, made it radio-friendly, and palatable to a wider listening audience, but that may not be the case for "Zess Nation!"
 
While the song may have its fans, it's unlikely to receive the same widespread acclaim as "The Greatest Bend Over." Does it have a vibe? Oh, hell, yes, it does! Utilizing the hook from Shadow's song, "Feeling the Feeling," is a privilege; the legendary Shadow asked, "Are you feeling the feeling?" Are you getting the symptoms?" No doubt, the song has appeal, but what about the big picture and your ability to shine as the new kid with outstanding potential? Excellent lyrical content always highlights the brilliance of excellent music! One can't help but wonder if a different thought process could have led to a more universally accepted hit. 
 
What do you think? Is "No Stress" a bold move or a misstep for Yung Bredda? Yung Bredda's bold move, showcasing his willingness to experiment with themes and sounds, raises the question of whether it resonates with a broader audience. Perhaps this creative risk will pay off in the long run, or it might serve as a lesson in understanding the delicate balance between innovation and marketability.
 
Let us promote the culture of the Caribbean diaspora.
Our mission is to advance music producers, performers, and Caribbean culture. Your support helps us celebrate and elevate the vibrant sounds and stories of the Caribbean. We can all work together to make sure that this rich cultural legacy continues to inspire creativity and connection while reaching a larger audience. You should always purchase music for sale, but refrain from sharing promotional music, as it deprives the artists, producers, and songwriters of vital income. Please note that all our posts can be accessed online via social media sites like FacebookYouTubeInstagram, and SoundCloud. We recommend exploring your favorite content on FeedSpot/RSS FeedThreadsBlueskyTwitter/X, including email subscriptions. Thank you in advance.
 
Production Notes/Music Credits:
Song Title: No Stress
Artist/Performed by: Yung Bredda x Boogy Ranks
Written by: Yung Bredda and Fresh Ting
Produced by: Boogy Ranks
Mixed & mastered by: ****
Origin: Trinidad, Republic of Trinidad & Tobago
Genre: Soca
 
We present the music here for your listening pleasure and promotional purposes only, adhering to the "Fair Use" Musical Content Copyright Disclaimer under Section 107 of the Copyright Act 1976. Sokah2Soca/Soca Music Blog © 1990 by Santiwah is licensed under CC BY-SA 4.0. To view a copy of this license, visit https://creativecommons.org/licenses/by-SA/4.0/.
♫Please click the music player button below to listen now (a small triangle in the music player/TV frame).

Originally posted on the blog Sokah2Soca (www.sokah2soca.com). We bring you only the best new music, while Island Vybe Radio rocks it live on the air!

 
Time and time again we have heard the statement, "Calypso is the voice of the people." This sentiment is particularly relevant when Calypso serves as the central focus of our Carnival festivities. Despite Soca's current dominance, the collective voice of the people can still resonate deeply. Even better is when the beat encapsulates that message, inspiring you to dance instead of simply listening. Today, we present to you an electrifying new track that does just that. Chuck Gordon is back with his latest release, "Look Tuh Press."
 
Always pay attention to those who have previously won the title of Calypso Monarch. Roderick "Chucky" Gordon, a two-time Calypso Monarch in Trinidad and Tobago, brings a song penned by the talented Marvin Mason to life.
 
We have heard the saying, "It takes a village," and for this song, the collaborative effort for "Look Tuh Press" delivered the goods. The production of "Look Tuh Press" is a testament to teamwork and musical craftsmanship. Roderick Gordon and SupaYouth both produced and arranged the song. The soulful background vocals feature a stellar team including Natalie Yorke, Joseph Williams, and Roderick himself. Live instruments elevate the track to another level, with horns coming straight from "Ultra Brass Studios." The incredible Nikholai Greene of N.M.G. Music added the final polish by handling the song's mixing and mastering.
 
We have expressed our regret over the abundance of "sit down and listen" calypsos and the dearth of "get up and dance" style calypsos. "Look Tuh Press" isn't just another track to add to your playlist; it's a message and a vibe wrapped up in a danceable beat that transcends the traditional confines of Calypso music. The dancefloor amplifies the importance of the people's voice.
 
Are you prepared to experience the beat and embrace the message? Press play on Chuck Gordon's "Look Tuh Press" and let the music move you. We look forward to hearing your comments. 
 
From the production team:
  • Corruption? Doh do we dat!
  • Perversion? Doh do we dat!
  • The people have spoken... Now it's time to say less.
  • If you're not acting right in 2025... Look to press!
Let us promote the culture of the Caribbean diaspora.
Our mission is to advance music producers, performers, and Caribbean culture. Your support helps us celebrate and elevate the vibrant sounds and stories of the Caribbean. We can all work together to make sure that this rich cultural legacy continues to inspire creativity and connection while reaching a larger audience. You should always purchase music for sale, but refrain from sharing promotional music, as it deprives the artists, producers, and songwriters of vital income. Please note that all our posts can be accessed online via social media sites like FacebookYouTubeInstagram, and SoundCloud. We recommend exploring your favorite content on FeedSpot/RSS FeedThreadsBlueskyTwitter/X, including email subscriptions. Thank you in advance.
 
Production Notes/Music Credits:
Song Title: Look Tuh Press
Written by: Marvin Mason
Produced by: SUPAYOUTH
Arranged by: Supayouth and Roderick Gordon
Background Vocals by: Natalie Yorke, Joseph Williams and Roderick Gordon
Live Horns by: Ultra Brass Studios
Mixed and Mastered by Nikholai Greene (NMG Music)
Visualizer by: Ninjah (New Media)
Distributed by: Jiggy Calypso
Origin: Trinidad, Republic of Trinidad & Tobago
Genre: Soca
 
We present the music here for your listening pleasure and promotional purposes only, adhering to the "Fair Use" Musical Content Copyright Disclaimer under Section 107 of the Copyright Act 1976. Sokah2Soca/Soca Music Blog © 1990 by Santiwah is licensed under CC BY-SA 4.0. To view a copy of this license, visit https://creativecommons.org/licenses/by-SA/4.0/.
♫Please click the music player button below to listen now (a small triangle in the music player/TV frame).

Originally posted on the blog Sokah2Soca (www.sokah2soca.com). We bring you only the best new music, while Island Vybe Radio rocks it live on the air!

  

Get ready to ignite your carnival spirit! The newly released Soca single titled "Paint D Town" by the talented M1 is here to set the perfect tone for J'Ouvert morning vibes. 

 
"J'ouvert morning in town; look, we're coming down. We go paint d town, paint d town with color! Mud, paint, and powder, and most of all, in a good way, no behavior!"
 
Sherwin Jeremiah (M1) and Richie “Bones” Nelson, the dynamic duo, capture the essence of J'Ouvert in their vibrant anthem. J'ouvert morning is a magical morning for carnival revelers, often seen as the heart and soul of Carnival, and is all about the proverbial "painting the town."
 
David Millien from MillBeatz Entertainment has meticulously recorded, mixed, and mastered "Paint D Town" to perfection. The result is a track that’s not only musically infectious but also lyrically powerful.
 
M1's unique vocals and his extraordinary talent for storytelling shine through in this release. It's more than just a song; it's a narrative that seamlessly blends celebration and tradition, inviting everyone to dance and revel in the joy of the moment. Whether you're a Soca enthusiast or new to the genre, "Paint D Town" ensures that your feet won't stop moving and your heart will race with excitement.
 
At Sokah2Soca, we applaud M1's offering for Carnival 2025. Let's applaud M1 and his team for creating a track that will undoubtedly become a staple for J'Ouvert mornings as we prepare for Carnival. Get ready to groove, feel the rhythm, and, most importantly, paint the town with the vibrant colors of Soca!
 
Let us promote the culture of the Caribbean diaspora.
Our mission is to advance music producers, performers, and Caribbean culture. Your support helps us celebrate and elevate the vibrant sounds and stories of the Caribbean. We can all work together to make sure that this rich cultural legacy continues to inspire creativity and connection while reaching a larger audience. You should always purchase music for sale, but refrain from sharing promotional music, as it deprives the artists, producers, and songwriters of vital income. Please note that all our posts can be accessed online via social media sites like FacebookYouTubeInstagram, and SoundCloud. We recommend exploring your favorite content on FeedSpot/RSS FeedThreadsBlueskyTwitter/X, including email subscriptions. Thank you in advance.
 
Production Notes/Music Credits:
Song Title: Paint D Town
Album: Congo Drum Riddim 
Artist/Performed by: M1
Written by: Sherwin Jeremiah M1 and Richie “Bones” Nelson.
Produced by: David “Millbeatz” Millien of MillBeatz Entertainment
Vocal Tuning: David Millien of Millbeatz Entertainment (Trinidad)
Background Vocal: Rebecca “Tempa “Alexander
Recorded, Mixed & Mastered by: Millbeatz Entertainment
Distributed by  Millbeatz Music Records & Fox Fuse LLC 
Publishers: Copyright Control (COTT)/(c/o FOX FUSE LLC) (BMI)
Origin: Trinidad, Republic of Trinidad & Tobago
Genre: Soca
 
We present the music here for your listening pleasure and promotional purposes only, adhering to the "Fair Use" Musical Content Copyright Disclaimer under Section 107 of the Copyright Act 1976. Sokah2Soca/Soca Music Blog © 1990 by Santiwah is licensed under CC BY-SA 4.0. To view a copy of this license, visit https://creativecommons.org/licenses/by-SA/4.0/.
♫Please click the music player button below to listen now (a small triangle in the music player/TV frame).

Originally posted on the blog Sokah2Soca (www.sokah2soca.com). We bring you only the best new music, while Island Vybe Radio rocks it live on the air!


There are instances in musical history where songs make a lasting impact, often for unfavorable reasons. The recently released song "Banana" written by Marvin “Swappi” Davis and Emmanuel Rudder fits squarely into the latter category. As enthusiasts of Soca music, we know and appreciate the vibrant culture and energetic rhythm that define the genre. However, "Banana" strays far from what we expect and desire.
 
The lyrics in "Banana" force us to ask: What were they thinking? Rather than offering lyrics that inspire or amuse, "Banana" leaves a bitter aftertaste, significantly departing from the diverse range of our cherished Soca music. It’s not only a disservice to the fans, especially female fans, but also diminishes the genre's potential to inspire and bring joy.
 
From the outset, we were skeptical about posting this song. However, we decided to take this opportunity to vocalize our stance on the direction Soca lyrics should take. The production quality of "Banana" is indisputable; it's a testament to MillBeatz's undeniable talent. Yet, the lyrics serve as an unfortunate hitch in an otherwise well-orchestrated piece. Let this moment serve as a gentle but firm reminder to Soca artists everywhere: consistently delivering high-quality lyrical content is crucial.
 
Swappi's talent is not in question. Over the years, he has gifted us with memorable hits that resonate with passion and energy. This is why "Banana" is such a disappointment. A song with such skillful music deserves a better lyrical composition. Then again, the producer has to shoulder some of the blame here. It should not be assumed that just because an artist is willing to pay to be on an album, their inclusion should be guaranteed. The producer must understand that his name is associated with the product, and he or she will inherit both the positive and negative vibes the song conveys.
 
We recommend hurling "Banana" deep into the Gulf of Paria, ensuring its disappearance from sight or sound. In the world of 'Try it or Sky it, this one falls in the latter category. We believe Soca artists should view this as an example of what not to do, ensuring the future of Soca remains bright and captivating.
 
We maintain our optimism that this experience will act as a pivotal moment. We invite all artists to reflect deeply on their lyrics, aiming to uplift, inspire, and bring positivity to the world through their music. Soca is not just about rhythm; it’s about stories, culture, and connection. Let’s keep it that way.
 
Let us promote the culture of the Caribbean diaspora.
Our mission is to advance music producers, performers, and Caribbean culture. Your support helps us celebrate and elevate the vibrant sounds and stories of the Caribbean. We can all work together to make sure that this rich cultural legacy continues to inspire creativity and connection while reaching a larger audience. You should always purchase music for sale, but refrain from sharing promotional music, as it deprives the artists, producers, and songwriters of vital income. Please note that all our posts can be accessed online via social media sites like FacebookYouTubeInstagram, and SoundCloud. We recommend exploring your favorite content on FeedSpot/RSS FeedThreadsBlueskyTwitter/X, including email subscriptions. Thank you in advance.
 
Production Notes/Music Credits:
Song Title: Banana
Album: Congo Drum Riddim 
Artist/Performed by: Marvin “Swappi” Davis
Written by: Marvin “Swappi” Davis and Emmanuel Rudder
Vocal Tuning: David Millien of Millbeatz Entertainment (Trinidad)
Background Vocal: Rebecca “Tempa “Alexander
Recorded by: Omario “Mariooo” Matthews and David “MillBeatz” Millien of Millbeatz Music Records at Millbeatz Ent Studios, Trinidad
Produced by: David “Millbeatz” Millien of MillBeatz Entertainment
Distributed by  Millbeatz Music Records & Fox Fuse LLC 
Publishers: Copyright Control (COTT)/ (c/o FOX FUSE LLC) (BMI)
Origin: Trinidad, Republic of Trinidad & Tobago
Genre: Soca
 
We present the music here for your listening pleasure and promotional purposes only, adhering to the "Fair Use" Musical Content Copyright Disclaimer under Section 107 of the Copyright Act 1976. Sokah2Soca/Soca Music Blog © 1990 by Santiwah is licensed under CC BY-SA 4.0. To view a copy of this license, visit https://creativecommons.org/licenses/by-SA/4.0/.
♫Please click the music player button below to listen now (a small triangle in the music player/TV frame).
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