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Sunday
00:00 - 08:00
The After Zone
Chill out tunes from around the world
08:00 - 12:00
Morning Melodies
Wake up, stay up
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12:00 - 16:00
Reggae Remedy
Mellow Vybes
16:00 - 18:00
Selection Sundays
RnB Vybez
18:00 - 20:00
Old School Sundays
Back in Time
20:00 - 22:00
Tropical Blend
Feel da flow
22:00 - 20:00
Mix up Sunday
Relax N Listen
22:00 - 00:00
Late on ah Sunday
Come an Vybes
Monday
00:00 - 07:00
The After Zone
Chill out tunes from around the world
07:00 - 09:00
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09:00 - 12:00
Top Of The Tops
Your daily dose of hits
12:00 - 15:00
Round Table
News from around the world
15:00 - 18:00
Noon-Tunes
Relax and do it
18:00 - 20:00
Monday Evening
Even if it's not Saturday night
20:00 - 22:00
Monday Madness
Reggae Sounds
22:00 - 00:00
Cool Down Freestyle Mondays
Old School
Tuesday
00:00 - 02:00
Night Shift
Late night jams
02:00 - 06:00
Bright n Early
Just Music
04:00 - 07:00
New Wave
Island Chill
07:00 - 09:00
The Morning Vybes
Wake up and Vibes
09:00 - 10:00
Island Vybe
Relax and do it
10:00 - 12:00
The New Hits
I am here
12:00 - 14:00
Mix Down Jams
I am Infamous
14:00 - 16:00
Kompa Blend
Haitian Vibes
16:00 - 18:00
Finest Hour
Company in Traffic
18:00 - 20:00
The Turnup with Tremor
Timeless Music
20:00 - 22:00
Tipsy Tuesday
Free Styles
22:00 - 24:00
Midnight Mood
Jams
Wednesday
00:00 - 07:00
The After Zone
Chill out tunes from around the world
07:00 - 09:00
The Morning Vybes
Wake up and Vybe
09:00 - 12:00
Top Of The Tops
Your daily dose of hits
12:00 - 16:00
Round Table
News from around the world
16:00 - 18:00
Week Starter
Relax and do it
18:00 - 20:00
After Work Lime
Even if it's not Saturday night
20:00 - 21:00
Mid Week Zess
Just Zess
22:00 - 00:00
Grown Folks Music
new
Thursday
00:00 - 07:00
Good Morning
Good Vybz All Day
07:00 - 09:00
The Morning Vybes
Wake up and Vybes
04:00 - 06:00
Top Of The Tops
Your daily dose of hits
06:00 - 08:00
Morning Vybes
New Tech
08:00 - 10:00
Next Level Tunes
King of Kings
10:00 - 13:00
Get ready Tunes
Soca Vybes
13:00 - 15:00
Thursday Starter
Good music
15:00 - 17:00
Next level
Island twist vybz
17:00 - 19:00
Recognizing Rapso
Rapso King
19:00 - 20:00
Truth Thursdays
Give Thanks
20:00 - 22:00
Thursday Night Zess
New Vybez Always
22:00 - 24:00
Nuff love
tuff love
Friday
00:00 - 02:00
The After Zone
Chill out tunes from around the world
02:00 - 4:00
Morning Melodies
Wake up, stay up
04:00 - 07:00
Top Of The Tops
Your daily dose of hits
07:00 - 09:00
The Morning Vibes
Wake up and Vybe
09:00 - 11:00
This is Friday
Its Friday
11:00 - 13:00
Get Down
Even if it's not Saturday night
13:00 - 15:00
Friday Starter
Yessss
18:00 - 19:00
Afterwork Praise Network
Gospel tunes
19:00 - 21:00
It's "Fri-YaY Vibz"
Its Starts Now
21:00 - 00:00
Late Night Vybes
Its late
Saturday
00:00 - 010:00
The After Zone
Chill out tunes from around the world
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010:00 - 12:00
The Table Talk Show
Wake up, stay up
12:00 - 14:00
De Weekend Now Start
Kush Kush
14:00 - 16:00
Soca Saturdays with a Twist
St Lucia on Point
16:00 - 18:00
Soca Jamette
The Ladies Hour
18:00 - 20:00
Saturday Evening Jams
The Ladies Hour
20:00 - 22:00
Sat Night Live
Pre Party Vibes
22:00 - 00:00
Party Zone
Non-stop dance tunes
The DJs
Ananda/Sokah2Soca
This post first appeared on Sokah2Soca, where Caribbean music meets wit, rhythm, and real talk. Island Vybe Radio spins the tunes—we decode the culture.
Start your weekend with a taste of Raw Honey—because Patrice Roberts just dropped a track that’s sticky, sexy, and straight-up Soca seduction. “Sweet Spot,” from the Raw Honey Riddim, is not just a song—it’s a mood, a movement, a magnet for every real party animal who’s “full of speed and full of action.” Something tells me that someone added a little 'Mad Honey' to the sweetness!
The music production? Pure vibes. Shertz James, also known as Problem Child, wrote the song, while Jahmal Dee of Papo Production composed and produced it, featuring sweet vocals from Patrice, resulting in a pure sexy vibe. Patrice leads the charge with her signature sass, inviting you to that favorite spot where the music’s loud, the waistlines are loose, and the energy is borderline “crazy.” It’s the kind of place where you don’t just dance—you lose yourself.
But let’s talk about Raw Honey. This isn’t just about a party location. That “sweet spot” is the unspoken niceness, the sensual center of attention, the place men chase and women command. It’s a double entendre done right—sweet, sticky, and impossible to ignore.
So whether you’re liming, wining (whining), or just sipping something strong, Patrice is here to remind you: the weekend starts where the sweetness lives.
Press play. Find your spot. Get Raw. ?
Let us spread awareness of the culture of the Caribbean diaspora.
We do this to promote Caribbean culture, musicians, and music producers. We are able to honor and promote the rich sounds and stories of the Caribbean thanks to your support. Together, we can ensure that this rich cultural legacy reaches a wider audience and fosters creativity and connections. While it is important to always purchase music, you should avoid sharing promotional music because doing so denies essential revenue to songwriters, producers, and artists. You can find all of our posts online on social media platforms like Facebook, YouTube, Instagram, Spotify, and SoundCloud. We recommend that you explore your favorite content on FeedSpot/RSS Feed, Threads, Bluesky, and Twitter/X, including email subscriptions. Thank you in advance.
Production Notes/Music Credits:
Song Title: Sweet Spot
Artist/Performed by: Patrice Roberts
Composed & Produced by: Jahmal Dee/Papo Productions
Mixed & Mastered by: Parry Jack
Written by: Shertz Jamez (Problem Child)
Vocal Production by: David “Millbeatz Millien
Origin: Trinidad, Republic of Trinidad & Tobago
Genre: Soca ?
?Listen. Share. Amplify. Our artists embody culture not only during Carnival but also on a daily basis. Sokah2Soca—Where Rhythm Lives and Calypso, Steelband Music, and Soca Thrive!
We present the music here for your listening pleasure and promotional purposes only, adhering to the "Fair Use" Musical Content Copyright Disclaimer under Section 107 of the Copyright Act 1976. Sokah2Soca/Soca Music Blog © 1990 by Santiwah is licensed under CC BY-SA 4.0. To view a copy of this license, visit https://creativecommons.org/licenses/by-sa/4.0/.
♫Please click the small triangle button in the music player below to listen now.
Dive deeper into Caribbean music and culture at Sokah2Soca—your go-to source for Soca, Calypso, and Carnival coverage. First published on Sokah2Soca, now streaming live via Island Vybe Radio.
Dansa once more... just for fun. Say it again, Just Because it's Friday. Just Because the weekend is calling. Just Because... you deserve to vibe out.
So go ahead, hit play on the Roadmix of "Dansa" by Klassic Frescobar, remixed by Dninja, and let the rhythm take over. This is for you, whether you're dancing at home, driving around town, or just enjoying the good vibes.
No plans needed. No reason required. All you need is some good music. Simply enjoy the positive energy. Just because.
Let us spread awareness of the culture of the Caribbean diaspora.
We do this to promote Caribbean culture, musicians, and music producers. We are able to honor and promote the rich sounds and stories of the Caribbean thanks to your support. Together, we can ensure that this rich cultural legacy reaches a wider audience and fosters creativity and connections. While it is important to always purchase music, you should avoid sharing promotional music because doing so denies essential revenue to songwriters, producers, and artists. You can find all of our posts online on social media platforms like Facebook, YouTube, Instagram, Spotify, and SoundCloud. We recommend that you explore your favorite content on FeedSpot/RSS Feed, Threads, Bluesky, and Twitter/X, including email subscriptions. Thank you in advance.
Production Notes/Music Credits:
Song Title: Dansa
Style: RoadMix
Mixed by: Dninja
Origin: Trinidad, Republic of Trinidad & Tobago
Genre: Soca ?
?Listen. Share. Amplify. Our artists embody culture not only during Carnival but also on a daily basis. Sokah2Soca—Where Rhythm Lives and Calypso, Steelband Music, and Soca Thrive!
We present the music here for your listening pleasure and promotional purposes only, adhering to the "Fair Use" Musical Content Copyright Disclaimer under Section 107 of the Copyright Act 1976. Sokah2Soca/Soca Music Blog © 1990 by Santiwah is licensed under CC BY-SA 4.0. To view a copy of this license, visit https://creativecommons.org/licenses/by-sa/4.0/.
♫Please click the small triangle button in the music player below to listen now.
Sokah2Soca Blog Feature: Trini Baby’s “Ouu La La” Is More Than Soca—It’s a Caribbean Mood
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Blog
October 18, 2025
This post first appeared on Sokah2Soca, where Caribbean music meets wit, rhythm, and real talk. Island Vybe Radio spins the tunes—we decode the culture.
Arima’s own Vernice “Trini Baby” Herreira is rewriting the rules with her latest release, Ouu La La. This isn’t your typical jump-and-wave Soca—it’s a genre-blending groove that sways with Kompa finesse and whispers with vocal intimacy. Trini Baby isn’t just singing; she’s producing, mixing, mastering, and styling her sound from the inside out.
The track’s DNA is unmistakably Caribbean: Soca rhythm, Kompa soul, and lyrical joy. But it’s the execution that sets it apart. With Kyle Peters on guitars and bass and background vocals from Thiery’s World, Attalia, LAEL, and Trini Baby herself, Ouu La La feels like a collective celebration of sound. The lyric video, released via JulianspromosTV, is already gaining traction, and the YouTube comments are glowing.
Trini Baby’s recent feature with Voice on Sweet Music showed she could hold her own alongside established stars. But Ouu La La proves she’s building her own lane—one that’s smooth, smart, and regionally expansive. Expect this track to resonate not just in Trinidad but across the northern Caribbean, where Kompa’s heartbeat is strong.
I know that Haitians can exploit this music with their dance style; the music emphasizes smooth, intimate partner movements, not the whining style that Trinidad is known for... but change is coming!
Trinidad continues to produce excellent young and upcoming talent, but Trini Baby isn't just a rising star. She’s a rising standard.
Let us spread awareness of the culture of the Caribbean diaspora.
We do this to promote Caribbean culture, musicians, and music producers. We are able to honor and promote the rich sounds and stories of the Caribbean thanks to your support. Together, we can ensure that this rich cultural legacy reaches a wider audience and fosters creativity and connections. While it is important to always purchase music, you should avoid sharing promotional music because doing so denies essential revenue to songwriters, producers, and artists. You can find all of our posts online on social media platforms like Facebook, YouTube, Instagram, Spotify, and SoundCloud. We recommend that you explore your favorite content on FeedSpot/RSS Feed, Threads, Bluesky, and Twitter/X, including email subscriptions. Thank you in advance.
Production Notes/Music Credits:
Song Title: Ouu La La
Artist/Performed by: Trini Baby
Written by: Vernice “Trini Baby” Herreira
Produced, Mixed & Mastered by: Trini Baby
Guitars by Kyle Peters
Bass by Kyle Peters & Trini Baby
Background Vocals by: Trini Baby, Thiery’s World, Attalia & LAEL
Recorded by: Mega Mick
Special thanks to 868 Entertainment
Origin: Trinidad, Republic of Trinidad & Tobago
Genre: Soca ?
?Listen. Share. Amplify. Our artists embody culture not only during Carnival but also on a daily basis. Sokah2Soca—Where Rhythm Lives and Calypso, Steelband Music, and Soca Thrive!
We present the music here for your listening pleasure and promotional purposes only, adhering to the "Fair Use" Musical Content Copyright Disclaimer under Section 107 of the Copyright Act 1976. Sokah2Soca/Soca Music Blog © 1990 by Santiwah is licensed under CC BY-SA 4.0. To view a copy of this license, visit https://creativecommons.org/licenses/by-sa/4.0/.
♫Please click the small triangle button in the music player below to listen now.
Dive deeper into Caribbean music and culture at Sokah2Soca—your go-to source for Soca, Calypso, and Carnival coverage. First published on Sokah2Soca, now streaming live via Island Vybe Radio.
The images, the storytelling, and the magic of our creative artists bring back memories that still reside in my soul. Mical Teja’s latest release, Last Train ?, written and produced with Tano, is more than a song—it’s a cinematic journey through heartbreak, history, and heritage. I grew up while trains ran in Trinidad and for those of us who grew up there, the imagery hits deep. I remember the railway system that once connected Arima to Port of Spain, a lifeline of movement and memory now lost to time. Teja resurrects that buried nostalgia, using the defunct rail as both metaphor and memory.
The music video opens with urgency: a phone call pleading to stop a wedding to a “money man from Sando,” and the promise of intervention via the last train. What follows is lyrical magic and the unraveling of late-night calls, emotional entanglements, and the painful clarity that love—however passionate—sometimes needs to end. Acting at the right time can make a significant difference. The final train delivers a powerful truth: "Nobody wins" in a relationship built on longing and compromise.
Is he going to stop the marriage? Well, as the video unfolds, we see the bride still reaching out, even on her wedding day, torn between duty and desire. Teja’s character boards the symbolic last train, heading toward a moment of reckoning. It’s a story of love interrupted, of choosing self-respect over romantic rescue, and of using music to revisit a Trinidadian past that still lives in our bones. To be honest, this narrative is about a woman who is caught between two men, a provider and a lover. The lover, who is Teja, knows three things: he can't give her the life she wants, he knows how to make her feel good and loved, and finally, he is the Horner man!
Give credit to the video production team and the actors involved in making this video and storytelling imagery possible. The images, clothing, and old-school look are just wonderful. We applaud Twin Island Company for a job well done!
The story is a masterclass in songwriting. The story draws you into this love story—where cultural memory meets emotional truth. Teja doesn’t just sing; he stages a drama that feels personal, political, and poetic. For Sokah2Soca, the music is the kind of artistry we celebrate: clever, rooted, and emotionally resonant.
Now, after you listen to the song and watch the video, let’s talk: Did the train ? ever run through your childhood too?
Let us spread awareness of the culture of the Caribbean diaspora.
We do this to promote Caribbean culture, musicians, and music producers. We are able to honor and promote the rich sounds and stories of the Caribbean thanks to your support. Together, we can ensure that this rich cultural legacy reaches a wider audience and fosters creativity and connections. While it is important to always purchase music, you should avoid sharing promotional music because doing so denies essential revenue to songwriters, producers, and artists. You can find all of our posts online on social media platforms like Facebook, YouTube, Instagram, Spotify, and SoundCloud. We recommend that you explore your favorite content on FeedSpot/RSS Feed, Threads, Bluesky, and Twitter/X, including email subscriptions. Thank you in advance.
Production Notes/Music Credits:
Song Title: ? Last Train
Artist/Performed by: Mical Teja
Written by Mical Teja & Michael ‘Tano’ Montano
Produced by Tano & Mical Teja
Mixed & Mastered by Kevin ‘Vexmony’ Beharry
Background Vocals by Terri Lyons
Guitars by Kyle Peters
Live Bass by Josh Richardson
Temperature Horns
Horns Arranged by: Justin Phillip
Trumpet by: JohnWayne Thomas
Tenor Saxophone by Ajay St. Louis
Trombone by: Justin Phillip
Horns Recorded by: Kevin Inniss
Violins by: Marquis Musiq
Origin: Trinidad, Republic of Trinidad & Tobago
Genre: Soca ?
Video Credits:
Production: Twin Island Company
Director, DP, Editor: Josiah Persad
Executive Producer: Mical Teja
Set Producer: Terneille Samuel Herbert
Screenplay: Rachael Ramchand-Persad
1st AD, BTS: Alasdair Bell
Key Grip: Hakeem Mitchell
Set Dec: Hannah & Kashi Persad
Stylist: Keziah Lendor
PA: Kevin Beharry
?Listen. Share. Amplify. Our artists embody culture not only during Carnival but also on a daily basis. Sokah2Soca—Where Rhythm Lives and Calypso, Steelband Music, and Soca Thrive!
We present the music here for your listening pleasure and promotional purposes only, adhering to the "Fair Use" Musical Content Copyright Disclaimer under Section 107 of the Copyright Act 1976. Sokah2Soca/Soca Music Blog © 1990 by Santiwah is licensed under CC BY-SA 4.0. To view a copy of this license, visit https://creativecommons.org/licenses/by-sa/4.0/.
♫Please click the small triangle button in the music player below to listen now.