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Sunday
00:00 - 08:00
The After Zone
Chill out tunes from around the world
08:00 - 12:00
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Wake up, stay up
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12:00 - 16:00
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16:00 - 18:00
Selection Sundays
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18:00 - 20:00
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Back in Time
20:00 - 22:00
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22:00 - 20:00
Mix up Sunday
Relax N Listen
22:00 - 00:00
Late on ah Sunday
Come an Vybes
Monday
00:00 - 07:00
The After Zone
Chill out tunes from around the world
07:00 - 09:00
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09:00 - 12:00
Top Of The Tops
Your daily dose of hits
12:00 - 15:00
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News from around the world
15:00 - 18:00
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Relax and do it
18:00 - 20:00
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Even if it's not Saturday night
20:00 - 22:00
Monday Madness
Reggae Sounds
22:00 - 00:00
Cool Down Freestyle Mondays
Old School
Tuesday
00:00 - 02:00
Night Shift
Late night jams
02:00 - 06:00
Bright n Early
Just Music
04:00 - 07:00
New Wave
Island Chill
07:00 - 09:00
The Morning Vybes
Wake up and Vibes
09:00 - 10:00
Island Vybe
Relax and do it
10:00 - 12:00
The New Hits
I am here
12:00 - 14:00
Mix Down Jams
I am Infamous
14:00 - 16:00
Kompa Blend
Haitian Vibes
16:00 - 18:00
Finest Hour
Company in Traffic
18:00 - 20:00
The Turnup with Tremor
Timeless Music
20:00 - 22:00
Tipsy Tuesday
Free Styles
22:00 - 24:00
Midnight Mood
Jams
Wednesday
00:00 - 07:00
The After Zone
Chill out tunes from around the world
07:00 - 09:00
The Morning Vybes
Wake up and Vybe
09:00 - 12:00
Top Of The Tops
Your daily dose of hits
12:00 - 16:00
Round Table
News from around the world
16:00 - 18:00
Week Starter
Relax and do it
18:00 - 20:00
After Work Lime
Even if it's not Saturday night
20:00 - 21:00
Mid Week Zess
Just Zess
22:00 - 00:00
Grown Folks Music
new
Thursday
00:00 - 07:00
Good Morning
Good Vybz All Day
07:00 - 09:00
The Morning Vybes
Wake up and Vybes
04:00 - 06:00
Top Of The Tops
Your daily dose of hits
06:00 - 08:00
Morning Vybes
New Tech
08:00 - 10:00
Next Level Tunes
King of Kings
10:00 - 13:00
Get ready Tunes
Soca Vybes
13:00 - 15:00
Thursday Starter
Good music
15:00 - 17:00
Next level
Island twist vybz
17:00 - 19:00
Recognizing Rapso
Rapso King
19:00 - 20:00
Truth Thursdays
Give Thanks
20:00 - 22:00
Thursday Night Zess
New Vybez Always
22:00 - 24:00
Nuff love
tuff love
Friday
00:00 - 02:00
The After Zone
Chill out tunes from around the world
02:00 - 4:00
Morning Melodies
Wake up, stay up
04:00 - 07:00
Top Of The Tops
Your daily dose of hits
07:00 - 09:00
The Morning Vibes
Wake up and Vybe
09:00 - 11:00
This is Friday
Its Friday
11:00 - 13:00
Get Down
Even if it's not Saturday night
13:00 - 15:00
Friday Starter
Yessss
18:00 - 19:00
Afterwork Praise Network
Gospel tunes
19:00 - 21:00
It's "Fri-YaY Vibz"
Its Starts Now
21:00 - 00:00
Late Night Vybes
Its late
Saturday
00:00 - 010:00
The After Zone
Chill out tunes from around the world
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010:00 - 12:00
The Table Talk Show
Wake up, stay up
12:00 - 14:00
De Weekend Now Start
Kush Kush
14:00 - 16:00
Soca Saturdays with a Twist
St Lucia on Point
16:00 - 18:00
Soca Jamette
The Ladies Hour
18:00 - 20:00
Saturday Evening Jams
The Ladies Hour
20:00 - 22:00
Sat Night Live
Pre Party Vibes
22:00 - 00:00
Party Zone
Non-stop dance tunes
The DJs
Ananda/Sokah2Soca
Originally posted on the blog Sokah2Soca (www.sokah2soca.com). We bring you only the best new music, while Island Vybe Radio rocks it live on the air!
Today, on WACK radio 90.1 FM, the Kenny Phillips show showcased songs from a bygone era remade with a modern spin. Why did we do this? Simply put, many listeners are unaware that some of these songs are remakes. Today, we showcase a song from Carl and Carol Jacobs' original show, "Fix It Up." The remake by GBM Nutron and Farmer Nappy, "In the Center," used the music and melody but with different lyrics. We will showcase the songs, but first, let's discuss why a remake is beneficial.
If you go online, one can find numerous articles about the virtues of remaking a song. Having said that, we outline the following factors that contribute to the success of certain remakes:
- Remaking a song from the past brings a fresh vibe to timeless classics, blending nostalgia with modern creativity.
- It's like breathing new life into a melody that shaped our memories, offering a new generation the chance to connect with it.
- These revivals can showcase the evolution of musical styles and production techniques, creating a bridge between eras.
- Plus, they often spark renewed interest in the original artists and their work, celebrating their enduring influence.
Kenny refers to the discussion as an "examination of the remakes," delving into the pros and cons that come with these changes. Not everyone asked for permission to remake the song or even used the melodies associated with the music. Today, everything ends up in court, but some people don't have the money to pursue the perpetrators or believe suing isn't worth it because there's no financial gain and it could cost them money, defeating the goal of the lawsuit.
Today, this post features a very popular and musically excellent song by Carl and Carol Jacob titled "Fix It Up." This song continues to be a popular choice for parties. Do you believe that someone could perform 'Fix it Up' to a higher standard? "Fix it Up" is a timeless song. Consequently, GBM Nutron and Farmer Nappy penned new lyrics and utilized the melody/music of "Fix It Up" to craft a new song, "In the Center." People loved "In the Center," but trust me, "Fix it Up" will undoubtedly be the song that lives on forever.
Both songs share the same musical elements, but "In the Center" has a contemporary vibe that may appeal to younger listeners, while purists will always favor "Fix It Up." It is laudable that GBM Nutron and Farmer Nappy sampled "Fix It Up," using the melody to create an excellent song. Kudos to the artists for celebrating the work of Carl and Carol Jacobs.
What distinguishes the two productions? Obviously, the artists singing are different, but more importantly, the eras are decades apart. Consider this: the production styles and techniques from 1987's "Fit it Up" to 2023's "In the Center" are significantly different. Some would say that music from past decades has a better sound than today's new computer electronic sound. Some may prefer the sound of live brass over computer-generated brass. Finally, the lyrics are different. "In the Center" caters to the youth and the changes in society that allow for more brazen discourse. "Fix it Up" is just pure niceness; the music and lyrics are superior as far as I am concerned. Then again, to each his own.
The success or failure of a remake ultimately depends on the legality of remaking a song, the quality of the production, the current era, and the influence of social media on our society. If you were unaware that "In the Center" was a sample from "Fix It Up," we fulfilled our duty. We have to thank Kenny Phillips of WACK for highlighting things we take for granted. There are numerous remakes available, and we encourage you to watch today's program on the WACK Radio site on YouTube. If you liked this post and would like to see more remakes featured here, then drop us a line at the following email: This email address is being protected from spambots. You need JavaScript enabled to view it..
Let us promote the culture of the Caribbean diaspora:
Our mission is to advance music producers, performers, and Caribbean culture. Take up the role of the cultural vulture and disseminate this article among your acquaintances and on all social media channels. We are on Facebook, Twitter/X, YouTube, Instagram, and SoundCloud. All our posts are available on FeedSpot/RSS Feed, Threads, Bluesky, and via Email Subscription. Thank you in advance.
Production Notes/Music Credits:
Song Title: Fix It Up
Artist/Performed by: Carl and Carol Jacobs
Arranged by: Carl Jacobs
Written by: Carl Jacobs
Produced by: Carl Jacobe
Executive Producer: Eddie Grant, ICE Records
Recorded at: Blue Wave Recording Studio Barbados
Song Title: In The Center
Artists/Performed by: GBM Nutron & Farmer Nappy
Written by: Jason Carter, Darryl Henry, Akeem Henry, Kenwyn Holder, Carl Jacobs
Produced by: GBM Productions
Mixed and Mastered by: GBM Productions
Please be advised that the music is presented here for your listening pleasure and for promotional purposes only ("Fair Use" Musical Content Copyright Disclaimer Under Section 107 of the Copyright Act 1976). No copyright infringement is intended! We don't own the rights to this music; it is presented here for promotional use only. We encourage you to promote the artists and their music; please don't download and share them and rob the artists of needed income! I, nor this blog, make any claims of ownership over any of the videos, songs, photos, or graphics used for this post because they all belong to their respective owners.
♫Please click the music player button below to listen now (a small triangle in the Music player/TV Frame).
Originally posted on the blog Sokah2Soca (www.sokah2soca.com). We bring you only the best new music, while Island Vybe Radio rocks it live on the air!
On radio, Ding Dong interacts with the radio hosts in a very jocular manner while mixing the music heard on air. He is so much more than just a DJ; he is a hidden talent that is blossoming as a true and talented Soca star. Today we celebrate with Ding Dong, his new music release "Throw Back" is musically sound with excellent lyrics that fit in well with our carnival energy. This song is sweet like sugar cane.
Now as the vibrant rhythms of Trinidad's Carnival 2025 approach, the air is already buzzing with excitement over Ding Dong's Soca anthem, "Throw Back". This track, written by the gifted Mical Teja and produced by the renowned production house System32, is set to be the soundtrack of the season, bringing a fresh yet nostalgic vibe, and live horn instruments, to the festivities.
Ding Dong, whose real name is Andre Houlder, has long been a staple in the Soca music scene as a DJ. He is the one artist who deserves recognition for consistently bringing excellent Soca vibes and yes, he deserves our recognition as such. Despite his undeniable talent and contributions, he often flies under the radar, overshadowed by more mainstream artists. However, with "Throw Back," it's clear that Ding Dong is a force to be reckoned with in the world of Soca music.
Ding Dong has consistently delivered good music, each track showcasing his unique style and deep understanding of the genre. His ability to blend traditional Soca elements with modern twists makes his music both timeless and innovative. Yet, despite his consistent output of quality music, he hasn't always received the recognition he deserves.
This year should be different and with the release of "Throw Back" we expect his popularity should grow. This song is a celebration of Soca's rich history and a nod to its future. Mical Teja's lyrical prowess shines through in this track, capturing the essence of Carnival with lines that evoke both nostalgia and excitement. The production by System32 is top-notch, with infectious beats and rhythms that are sure to get everyone dancing.
This song is a testament to Ding Dong's versatility and his ability to connect with audiences on a deeper level. It's a reminder that Soca music is not just about the beats and melodies, but also about the stories and emotions it conveys.
It's high time that Ding Dong gets the respect and recognition he deserves. His contributions to Soca music are invaluable, and his talent is undeniable. As we celebrate "Throw Back" and the joy it brings to Carnival 2025, let's also celebrate Ding Dong for his dedication, passion, and unwavering commitment to the art of Soca.
So, as you dance to the infectious rhythms of "Throw Back" this Carnival season, remember the name, Ding Dong. He is not just an artist; he is everything we want our artists to be, a true ambassador of Soca music. Here's to Ding Dong, one of the unsung heroes of Soca, and to many more hits to come!
Feel free to share your thoughts on "Throw Back" and join the conversation about Ding Dong's incredible journey in the Soca music industry!
Let us promote the culture of the Caribbean diaspora:
Our mission is to advance music producers, performers, and Caribbean culture. Take up the role of the cultural vulture and disseminate this article among your acquaintances and on all social media channels. We are on Facebook, Twitter/X, YouTube, Instagram, and SoundCloud. All our posts are available on FeedSpot/RSS Feed, Threads, Bluesky, and via Email Subscription. Thank you in advance.
Production Notes/Music Credits:
Song Title: Throw Back
Artist/Performed by: Viking Ding Dong
Written by: Mical Teja
Produced by: System32
Live bass by: Josh Richardson
Live Instruments:
Trumpet: Charles “Randy” Williams
Trombone: Jomo Slusher
Tenor Sax arrangement: Daniel Ryan
Mixed & mastered by: Kevin Beharry
Origin: Trinidad, Republic of Trinidad & Tobago
Genre: Soca
Please be advised that the music is presented here for your listening pleasure and for promotional purposes only ("Fair Use" Musical Content Copyright Disclaimer Under Section 107 of the Copyright Act 1976). No copyright infringement is intended! We don't own the rights to this music; it is presented here for promotional use only. We encourage you to promote the artists and their music; please don't download and share them and rob the artists of needed income! I, nor this blog, make any claims of ownership over any of the videos, songs, photos, or graphics used for this post because they all belong to their respective owners.
♫Please click the music player button below to listen now (a small triangle in the Music player/TV Frame).
Originally posted on the blog Sokah2Soca (www.sokah2soca.com). We bring you only the best new music, while Island Vybe Radio rocks it live on the air!
Today, we feature an article from our culture partner, Nikki G of NikkiGMedia. You may have heard her voice in so many Soca ads, but you were unaware that Nikki was doing the voice-over work. Nikki, along with Sokah2Soca, is now part of the Islandvybe Radio community. We are pleased to present this article from NikkiGMedia for all our fans. Nikki celebrates the contribution of Jamaican-born Sonny Roberts, aka Sonny Orbitone, to world music. If you are an avid reader and a culture vulture, you will want to read this article and become a smarter person. Take the Nikki G route!
From NikkiGMedia:
Sonny Roberts, a trailblazing Jamaican-born music producer, left an indelible mark on the UK and global music scenes. Born in Spice Grove, Manchester, Jamaica, Sonny moved to London in 1958 aboard the historic Manistee ship.
While originally working as a carpenter, his passion for music led him to create Planetone Studio in 1961, the first recording studio owned by a Jamaican in Britain. Located at 108 Cambridge Road, Kilburn, this studio became a hotspot for budding artists and legendary musicians alike, including Mike Elliott and Rico Rodriguez.
Sonny’s friendship with Chris Blackwell, founder of Island Records, also played a significant role in the development of both their careers.
In the late 1970s, Sonny launched Orbitone Records in Harlesden, London. Orbitone became a vibrant hub for reggae, Afrobeat, and Soca music, producing timeless hits like *Can’t Be with You Tonight* by Judy Boucher, which reached No. 2 on the British charts, and *Hot Hot Hot* by Arrow, a Soca classic.
Sonny also produced groundbreaking Afrobeat albums with the Nkengas and collaborated with many African musicians in London, helping to define the early Afrobeat sound in the UK.
In a recent two-part interview on the *Table Talk* show with Nikki G, Sonny’s daughter, Angie Roberts, shared her father’s incredible journey. She highlighted his pioneering work, noting how his recording studios became essential steppingstones for many black British and Jamaican artists.
Angie also emphasized his immense kindness, loyalty to clients, and dedication to his family. As a businessman and music producer, Sonny’s influence was vast, shaping the sounds of generations while staying true to his roots and family values.
Tune in this Saturday at 10 a.m. for part 2 of Angie’s interview on *Table Talk* for more on Sonny Roberts’ legacy part 2!
Ref:
Let us promote the culture of the Caribbean diaspora:
Our mission is to advance music producers, performers, and Caribbean culture. Take up the role of the cultural vulture and disseminate this article among your acquaintances and on all social media channels. We are on Facebook, Twitter/X, YouTube, Instagram, and SoundCloud. All our posts are available on FeedSpot/RSS Feed, Threads, Bluesky, and via Email Subscription. Thank you in advance.
Please be advised that the music is presented here for your listening pleasure and for promotional purposes only ("Fair Use" Musical Content Copyright Disclaimer Under Section 107 of the Copyright Act 1976). No copyright infringement is intended! We don't own the rights to this music; it is presented here for promotional use only. We encourage you to promote the artists and their music; please don't download and share them and rob the artists of needed income! I, nor this blog, make any claims of ownership over any of the videos, songs, photos, or graphics used for this post because they all belong to their respective owners.
♫Please click the music player button below to listen now (a small triangle in the Music player/TV Frame).
Originally posted on the blog Sokah2Soca (www.sokah2soca.com). We bring you only the best new music, while Island Vybe Radio rocks it live on the air!
The groove is back! Do you remember the days of Dancehall/Soca? Well, today we have one that delivers that old-school music feel. So here we go. Get ready to feel the vibes of Trinidad and Tobago's Carnival 2025 with the electrifying new track "Manpower" by Taste of Madness! This song is a perfect blend of dancehall and Soca, guaranteed to get you moving and grooving.
Jasmin "JU" Uglow wrote and composed the song; Junior "Ibo" Joseph, a renowned Soca music producer, arranged the music; and Emmanuel "Blocker" Thomas handled executive production. We'll let anyone interpret the lyrics, but we think it's a teaser, just the way West Indians like it. We love the vibe delivered by the production team. A package of Soca and Dancehall vibes encapsulates the overall vibe.
"Manpower," with its infectious rhythm and high-energy beats, has the potential to become a party favorite rather than a song to jam on the road. So, if you are just vibing at home, liming with friends on the block, or at a fete, this track will bring the carnival spirit straight to you.
Let us promote the culture of the Caribbean diaspora:
Our mission is to advance music producers, performers, and Caribbean culture. Take up the role of the cultural vulture and disseminate this article among your acquaintances and on all social media channels. We are on Facebook, Twitter/X, YouTube, Instagram, and SoundCloud. All our posts are available on FeedSpot/RSS Feed, Threads, Bluesky, and via Email Subscription. Thank you in advance.
Production Notes/Music Credits:
Song Title: Manpower
Artist/Performed by: Taste of Madness
Singer: Jasmin 'Ju' Uglow
Written and composed by: Jasmin 'ju' Uglow
Arranged by: Junior 'Ibo' Joseph
Executive Producer: Emmanuel 'Blocker' Thomas
Origin: Trinidad, Republic of Trinidad and Tobago
Genre: Soca
Please be advised that the music is presented here for your listening pleasure and for promotional purposes only ("Fair Use" Musical Content Copyright Disclaimer Under Section 107 of the Copyright Act 1976). No copyright infringement is intended! We don't own the rights to this music; it is presented here for promotional use only. We encourage you to promote the artists and their music; please don't download and share them and rob the artists of needed income! I, nor this blog, make any claims of ownership over any of the videos, songs, photos, or graphics used for this post because they all belong to their respective owners.
♫Please click the music player button below to listen now (a small triangle in the Music player/TV Frame).