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Schedule
Sunday
00:00 - 08:00
The After Zone
Chill out tunes from around the world
08:00 - 12:00
Morning Melodies
Wake up, stay up
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12:00 - 16:00
Reggae Remedy
Mellow Vybes
16:00 - 18:00
Selection Sundays
RnB Vybez
18:00 - 20:00
Old School Sundays
Back in Time
20:00 - 22:00
Tropical Blend
Feel da flow
22:00 - 20:00
Mix up Sunday
Relax N Listen
22:00 - 00:00
Late on ah Sunday
Come an Vybes
Monday
00:00 - 07:00
The After Zone
Chill out tunes from around the world
07:00 - 09:00
The Morning Vybes
Wake up and Vibes
09:00 - 12:00
Top Of The Tops
Your daily dose of hits
12:00 - 15:00
Round Table
News from around the world
15:00 - 18:00
Noon-Tunes
Relax and do it
18:00 - 20:00
Monday Evening
Even if it's not Saturday night
20:00 - 22:00
Monday Madness
Reggae Sounds
22:00 - 00:00
Cool Down Freestyle Mondays
Old School
Tuesday
00:00 - 02:00
Night Shift
Late night jams
02:00 - 06:00
Bright n Early
Just Music
04:00 - 07:00
New Wave
Island Chill
07:00 - 09:00
The Morning Vybes
Wake up and Vibes
09:00 - 10:00
Island Vybe
Relax and do it
10:00 - 12:00
The New Hits
I am here
12:00 - 14:00
Mix Down Jams
I am Infamous
14:00 - 16:00
Kompa Blend
Haitian Vibes
16:00 - 18:00
Finest Hour
Company in Traffic
18:00 - 20:00
The Turnup with Tremor
Timeless Music
20:00 - 22:00
Tipsy Tuesday
Free Styles
22:00 - 24:00
Midnight Mood
Jams
Wednesday
00:00 - 07:00
The After Zone
Chill out tunes from around the world
07:00 - 09:00
The Morning Vybes
Wake up and Vybe
09:00 - 12:00
Top Of The Tops
Your daily dose of hits
12:00 - 16:00
Round Table
News from around the world
16:00 - 18:00
Week Starter
Relax and do it
18:00 - 20:00
After Work Lime
Even if it's not Saturday night
20:00 - 21:00
Mid Week Zess
Just Zess
22:00 - 00:00
Grown Folks Music
new
Thursday
00:00 - 07:00
Good Morning
Good Vybz All Day
07:00 - 09:00
The Morning Vybes
Wake up and Vybes
04:00 - 06:00
Top Of The Tops
Your daily dose of hits
06:00 - 08:00
Morning Vybes
New Tech
08:00 - 10:00
Next Level Tunes
King of Kings
10:00 - 13:00
Get ready Tunes
Soca Vybes
13:00 - 15:00
Thursday Starter
Good music
15:00 - 17:00
Next level
Island twist vybz
17:00 - 19:00
Recognizing Rapso
Rapso King
19:00 - 20:00
Truth Thursdays
Give Thanks
20:00 - 22:00
Thursday Night Zess
New Vybez Always
22:00 - 24:00
Nuff love
tuff love
Friday
00:00 - 02:00
The After Zone
Chill out tunes from around the world
02:00 - 4:00
Morning Melodies
Wake up, stay up
04:00 - 07:00
Top Of The Tops
Your daily dose of hits
07:00 - 09:00
The Morning Vibes
Wake up and Vybe
09:00 - 11:00
This is Friday
Its Friday
11:00 - 13:00
Get Down
Even if it's not Saturday night
13:00 - 15:00
Friday Starter
Yessss
18:00 - 19:00
Afterwork Praise Network
Gospel tunes
19:00 - 21:00
It's "Fri-YaY Vibz"
Its Starts Now
21:00 - 00:00
Late Night Vybes
Its late
Saturday
00:00 - 010:00
The After Zone
Chill out tunes from around the world
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010:00 - 12:00
The Table Talk Show
Wake up, stay up
12:00 - 14:00
De Weekend Now Start
Kush Kush
14:00 - 16:00
Soca Saturdays with a Twist
St Lucia on Point
16:00 - 18:00
Soca Jamette
The Ladies Hour
18:00 - 20:00
Saturday Evening Jams
The Ladies Hour
20:00 - 22:00
Sat Night Live
Pre Party Vibes
22:00 - 00:00
Party Zone
Non-stop dance tunes
The DJs
Ananda/Sokah2Soca
Dive deeper into Caribbean music and culture at Sokah2Soca—your go-to source for Soca, Calypso, and Carnival coverage. First published on Sokah2Soca, now streaming live via Island Vybe Radio.
Ravi B’s “Vindictive” hits different. It’s not just another rum song—it’s the blueprint. The music isn’t driven solely by the drum kit; it’s rich, layered, and full of color. And the lyrics? These lyrics make total sense, adding clarity to the entire song concept. I have always been critical of songs that have anything to do with rum.... this one hits different.
Ravi Bissambhar (Ravi B Projects) and Rishi Mahato (Maha Productions) produced this song, which was engineered by Maha Productions, and I am pleased to report that it isn't just a typical Soca riddim driven by the drum kit. The music has 'color,' and it actually makes me sit back and listen. Well done, gentlemen.
“Vindictive” speaks to anyone who’s been betrayed but chose growth over revenge. "Vindictive" serves as a poignant reminder that peace and success serve as the most potent forms of retribution. Ravi B bares his soul with raw emotion and lyrical honesty; he delivers a powerful song, a possible anthem, for moving on—and moving up.
Let us spread awareness of the culture of the Caribbean diaspora.
We do this to promote Caribbean culture, musicians, and music producers. We are able to honor and promote the rich sounds and stories of the Caribbean thanks to your support. Together, we can ensure that this rich cultural legacy reaches a wider audience and fosters creativity and connections. While it is important to always purchase music, you should avoid sharing promotional music because doing so denies essential revenue to songwriters, producers, and artists. You can find all of our posts online on social media platforms like Facebook, YouTube, Instagram, Spotify, and SoundCloud. We recommend that you explore your favorite content on FeedSpot/RSS Feed, Threads, Bluesky, and Twitter/X, including email subscriptions. Thank you in advance.
Production Notes/Music Credits:
Song Title: Vindictive
Artist/Performed by: Ravi B
Written/Composed by: Ravi Bissambhar
Produced by: Ravi Bissambhar (Ravi B Projects), Rishi Mahato (Maha Productions)
Project Executives: Ravi Bissambhar & Vaneeta Gobin
Origin: Trinidad, Republic of Trinidad & Tobago
Genre: Soca ?
? Listen. Share. Amplify. Our artists embody culture not only during Carnival but also on a daily basis. Sokah2Soca—Where Rhythm Lives and Calypso, Steelband Music, and Soca Thrive!
We present the music here for your listening pleasure and promotional purposes only, adhering to the "Fair Use" Musical Content Copyright Disclaimer under Section 107 of the Copyright Act 1976. Sokah2Soca/Soca Music Blog © 1990 by Santiwah is licensed under CC BY-SA 4.0. To view a copy of this license, visit https://creativecommons.org/licenses/by-sa/4.0/.
♫Please click the small triangle button in the music player below to listen now.
This post first appeared on Sokah2Soca, where Caribbean music meets wit, rhythm, and real talk. Island Vybe Radio spins the tunes—we decode the culture.
Youuuuuuuu, Youuuuuuuu—what are you doing, Yung Bredda?! This man is aging like fine wine in the Soca business, and “Weakness” proves it. On the Heavy Hitterz Riddim, Yung Bredda delivers a track that’s equal parts sweetness and slow-motion seduction.
Produced by Da Reel Deal Productions, penned by the lyrical architect Jason “Shaft” Bishop, and polished by Bajan royalty Anthony Lowhar at Commercial Music Inc., this one carries that unmistakable Red Boyz vibe—and we LOVE it
Lyrics like “push it back in slow motion” and “You look so complete… The phrase "no need to compete, like a private lesson in a class by yourself" clearly indicates that this is a tribute to the kind of woman who stops time and rewrites the rules
Soca 2026 is already looking sweet. Yung Bredda, you’ve got us weak. And we’re not mad at it.
Let us spread awareness of the culture of the Caribbean diaspora.
We do this to promote Caribbean culture, musicians, and music producers. We are able to honor and promote the rich sounds and stories of the Caribbean thanks to your support. Together, we can ensure that this rich cultural legacy reaches a wider audience and fosters creativity and connections. While it is important to always purchase music, you should avoid sharing promotional music because doing so denies essential revenue to songwriters, producers, and artists. You can find all of our posts online on social media platforms like Facebook, YouTube, Instagram, Spotify, and SoundCloud. We recommend that you explore your favorite content on FeedSpot/RSS Feed, Threads, Bluesky, and Twitter/X, including email subscriptions. Thank you in advance.
Production Notes/Music Credits:
Song Title: Weakness
Album: Heavy Hitterz Riddim
Artist/Performed by: Yung Bredda
Produced by: Da Reel Deal Productions
Written by: Jason "Shaft" Bishop
Music Composed by: Scott Galt
Backing Vocals by: Indra Rudder
Mixed and Mastered by: Anthony Lowhar at Commercial Music, Inc.
Executive Producers: Dream Team Productions and Commercial Music Inc.
Artwork By: @newmedia_tt
Origin: Trinidad, Republic of Trinidad & Tobago
Genre: Soca ?
? Listen. Share. Amplify. Our artists embody culture not only during Carnival but also on a daily basis. Sokah2Soca—Where Rhythm Lives and Calypso, Steelband Music, and Soca Thrive!
We present the music here for your listening pleasure and promotional purposes only, adhering to the "Fair Use" Musical Content Copyright Disclaimer under Section 107 of the Copyright Act 1976. Sokah2Soca/Soca Music Blog © 1990 by Santiwah is licensed under CC BY-SA 4.0. To view a copy of this license, visit https://creativecommons.org/licenses/by-sa/4.0/.
♫Please click the small triangle button in the music player below to listen now.
Dive deeper into Caribbean music and culture at Sokah2Soca—your go-to source for Soca, Calypso, and Carnival coverage. First published on Sokah2Soca, now streaming live via Island Vybe Radio.
She’s not just singing—she’s sizzling. Nadia Batson melts the screen in the newly released Video Visualizer for “Butter,” a standout track from the Honey Butter Riddim produced, mixed, and mastered by N.M.G Music. It’s Kompa with a Soca soul, and it will have you slipping into something sweet.
Nadia channels heat, desire, and that melt-in-your-mouth kind of passion that only a premiere artist can deliver. Like Patrice Roberts, she’s serving first-class music for Carnival 2026—proof that beauty, talent, and versatility are alive and thriving in our Caribbean queens.
? Honey Butter Riddim isn’t just a vibe—it’s a reminder that Carnival is more than pace. It’s rhythm. It’s emotion. It’s the buttery brilliance of artists who understand that sweetness and soul are just as powerful as speed and power.
Sokah2Soca celebrates this golden moment in Caribbean music. Nadia Batson can do it all—and she just did.
Let us spread awareness of the culture of the Caribbean diaspora.
We do this to promote Caribbean culture, musicians, and music producers. We are able to honor and promote the rich sounds and stories of the Caribbean thanks to your support. Together, we can ensure that this rich cultural legacy reaches a wider audience and fosters creativity and connections. While it is important to always purchase music, you should avoid sharing promotional music because doing so denies essential revenue to songwriters, producers, and artists. You can find all of our posts online on social media platforms like Facebook, YouTube, Instagram, Spotify, and SoundCloud. We recommend that you explore your favorite content on FeedSpot/RSS Feed, Threads, Bluesky, and Twitter/X, including email subscriptions. Thank you in advance.
Production Notes/Music Credits:
Song Title: Butter
Album: Honey Butter Riddim
Artist/Performed by: Nadia Batson
Written by: Nadia Batson/Erikkson George
Composed by: Nikholai Greene
Produced, Mixed and Mastered by: N.M.G Music
Origin: Trinidad, Republic of Trinidad & Tobago
Genre: Soca ?
Video:
Directed by: One Eye Perspective
?Listen. Share. Amplify. Our artists embody culture not only during Carnival but also on a daily basis. Sokah2Soca—Where Rhythm Lives and Calypso, Steelband Music, and Soca Thrive!
We present the music here for your listening pleasure and promotional purposes only, adhering to the "Fair Use" Musical Content Copyright Disclaimer under Section 107 of the Copyright Act 1976. Sokah2Soca/Soca Music Blog © 1990 by Santiwah is licensed under CC BY-SA 4.0. To view a copy of this license, visit https://creativecommons.org/licenses/by-sa/4.0/./div>
♫Please click the small triangle button in the music player below to listen now.
This post first appeared on Sokah2Soca, where Caribbean music meets wit, rhythm, and real talk. Island Vybe Radio spins the tunes—we decode the culture.
So, I posted a glowing review of Machel Montano’s latest track, “Compromise,” and let’s just say… not everyone agreed. Liking or disliking a song is entirely subjective, and for this blogger to receive bois strokes (in this case a tongue lashing) simply for sharing his opinion feels disingenuous on the caller’s part. Trinis like too much Kankalang but licks is licks... I can handle it all!
My cell phone was ringing; it was a WhatsApp call from a well-known radio DJ in Trinidad who didn’t mince words: “Santi, why allyuh does lie so, boi? That is a shit song Machel have dey! I play that once, steups and put it in a folder” Ouch. That one hit like a hard whine on a soft man. But wait, there is more. I got the same from a friend in NYC who simply sent this message, "Song is shit."
Now, let’s unpack this.
The Song vs. The Spectacle
Yes, I praised the song. Yes, I was captivated by the visualizer—especially the hypnotic presence of the female dancer. But does that imply I lost my objectivity? Maybe. Maybe not. Music is a full-body experience, and visuals do influence how we feel about a song. That’s not bias—that’s reality in 2025.
But let’s be real: does “Compromise” evoke goosebumps and excitement like the anthems “Advantage,” “Like Ah Boss,” or even “Rock So” by Patrice and “Pieces” by Nadia Batson? No. But is it a vibe? Absolutely.
The Numbers Don’t Lie (Yet)
The song racked up 37,000 views in just 20 hours. That’s not a flop. That’s curiosity. That’s the power of Machel. People are eager to hear what the King of Soca will present for Carnival 2026. And whether they love it or hate it, people are listening.
The Machel Effect
Let’s not forget that Machel Montano is the most influential Soca artist in the world. His name alone guarantees airplay, debate, and dancefloor presence. So even if "Compromise" isn’t his best song, don’t be surprised if it becomes the most played track by January.
So don't get it twisted, Machel doesn't just drop songs—he drops moments. And sometimes, those moments take time to marinate.
So Is It a “Shit Song”?
Look, I get it. If you’re expecting fireworks and you get a slow burn, it can feel like a letdown. But calling it a “shit song”? That’s harsh. It may not be a showstopper, but it’s not trash either. It’s a mood. It’s a groove. It’s a compromise—maybe even intentionally so.
And let’s not pretend we haven’t seen Machel songs that sneak up on us. Remember how “Like Yuhself” didn’t hit right away? Then boom—it was everywhere.
Final Word
So to my DJ brethren who came for my neck—I hear you. But I stand by my take. I like the song. I love the visualizer. And I respect the artistry of Tano and Machel. Time will tell if this one sticks. But in the meantime, let’s keep the conversation going.
What do you think? Is “Compromise” a slow wine masterpiece—or a misstep from the Monk?
In defense of Santiwah, I want to acknowledge my friends who are part of the Caribbean diaspora:
- To say this is a shit song smh, is not all DJs went inside the school plenty of them are empty vessels. To say they play it once & put it down shows exactly what some young great artists keep saying year after year. The lyrics to high for them to comprehend so they call it shit because they can only understand whine, wave, jam, & show me your hand.
- JA people will never call no artist song shit watch that jammi who sang… leggo de bird; do the stirfry; ni matter what song they support smh my people
Let us spread awareness of the culture of the Caribbean diaspora.
We do this to promote Caribbean culture, musicians, and music producers. We are able to honor and promote the rich sounds and stories of the Caribbean thanks to your support. Together, we can ensure that this rich cultural legacy reaches a wider audience and fosters creativity and connections. While it is important to always purchase music, you should avoid sharing promotional music because doing so denies essential revenue to songwriters, producers, and artists. You can find all of our posts online on social media platforms like Facebook, YouTube, Instagram, Spotify, and SoundCloud. We recommend that you explore your favorite content on FeedSpot/RSS Feed, Threads, Bluesky, and Twitter/X, including email subscriptions. Thank you in advance.
Production Notes/Music Credits:
Song Title: Compromise
Artist: Machel Montano & Tano
Composers/Writers: Kevon Hart, Kory Hart, Michael “Tano” Montano, Kyle Peters & Machel Montano
Producer: Tano
Vocals recorded by: 1st Klase at Baby Monster Studio, Trinidad
Mixed & Mastered by: Richard McClashie
Record label: Monk Music
Origin: Trinidad, Republic of Trinidad & Tobago
Genre: Soca ?
?Listen. Share. Amplify. Our artists embody culture not only during Carnival but also on a daily basis. Sokah2Soca—Where Rhythm Lives and Calypso, Steelband Music, and Soca Thrive!
We present the music here for your listening pleasure and promotional purposes only, adhering to the "Fair Use" Musical Content Copyright Disclaimer under Section 107 of the Copyright Act 1976. Sokah2Soca/Soca Music Blog © 1990 by Santiwah is licensed under CC BY-SA 4.0. To view a copy of this license, visit https://creativecommons.org/licenses/by-sa/4.0/.
♫Please click the small triangle button in the music player below to listen now.